
Olivia b2b Charlie @ We Are Radar X Szum 16.11.2018



Lectromagnetique is back with renewed forces and his well recognizable electro-acid sound forms. Sonic waves of ‘Artificial Sources’ will take you to ionized radiation areas of Chernobyl where radiation dosimeters and heat strain monitors will be hobbling by unknown reason. Be careful, discovering this dystopian soundscape of radioactive area, where nature poisoned by humanity – still looks alive and dangerous acid flows may cause side effects.

FRAK are back on track with this dreamy album with deep dark hypnotic slow rhythmic tracks. This is experimental analog and haunting dancemusic at slow BPMs which gives you a glimpse of Swedish smalltown dystopia in all its glory. The A1 track might give the impression that this is a romantic record and the A side in general will make big city people feel the urge to move to small towns again, but on the B-side it just gets darker and weirder (the smalltown kinda reveals its ugly underbelly) and it all ends with a track that would make the taped nipples fake fetishists in techno city shiver. I could say you need a mask to play this out, but lets not take it that far.

“Klirrfaktor” is Berlin-based producer Hanno Leichtmann’s second release as Gesetz Der Oktaven, once again on Third Ear. Gesetz Dr Oktavn is strongly influenced by ’80s bands Liaisons Dangereuses, CH BB, and sporadically DAF but goes more in the direction of Techno and Electro. As before, the musical instruments and equipment define the project and the sound. Hanno used a drum machine, a MiniMoog sequenced by a TB 303, a vintage Drum Synth and six effect combinations for the delay / reverb tracks, all though a large Soundtracs desk from the 1980s with 16 channels and 6 Aux Sends for effects. Once again, all the track titles are old or obsolete studio/audio terms.

Photonz is the alias of Marco Rodrigues a DJ, producer and driving force of Lisbon’s underground scene. Etheric Body Music is Photonz’s debut 6-track EP for Dark Entries and a simultaneous reference to hermeticism and EBM (Electronic Body Music). Marco loves that ‘aesthetic when 80s industrial and EBM bands split up and start to make trance in the early 90s and all the ritual magick pushes them to zen stuff and they do ecstasy.’ There’s this concept in theosophy and hermetic philosophy of the Etheric Body, which is an energy body superimposed and connected to the physical body, similar to the acupuncture idea of an energetic body. That idea manifests itself as six primal club cuts, which also channel early techno, Drexciyan rhythms, balearic & old school jack. Raw arpeggiated synth lines and bass blast jut against metallic stabs and highly percussive shakedowns to create mournful atmospheric warped house.

Born in Venezuela and based in Barcelona, Luis Garban aka Cardopusher has spent the last decade creating a wide variety of noisy dancefloor assaults. Although his roots lie in the breakcore scene, he’s slowly gravitated toward a raw, electro-infused take on techno that is no less compelling. Dark Entries presents a new 6-track EP titled ‘Muscle Memory’ that takes the listener on a deep and gritty ride through his diverse sound, from techno to electro, acid, rave and house.

The debut record from Ectomorph that launched it all — the project, and the label Interdimensional Transmissions in 1995. This is the first time it has been repressed in over a decade, and it’s using the original masters complete with 3 lock grooves cut by Ron Murphy.

London based hardware specialist No Data Available joins the Null+Void family with a four track EP of rugged, playful and effective electro driven tracks for the rave – ending in a blissful introspective 7am moment with title track the night.

It has been quite some time since Sololust released something but he returns with fresh energy and a sound both familiar and with a new twist. His music has become less synth pop and more dance floor minded. Acid and elektro is the drill here, with some touches of techno. This five track EP features some crazy stuff which at times is reminiscent of Börft output.

Repitch Recordings presents another small collection of club-ready electronic creations. This time around, the label welcomes french veteran and New Flesh / Rave Or Die founder Umwelt, sharing the platter with Canada-born Berlin-based young master Ryan James Ford. Led by their mutual love for saturated analog percussions, massive kick drums, and relentless beats, the two producers find common ground while retaining their respective distinctive approaches. Umwelt’s much more electro-oriented excursions style relentlessly acidic basslines alongside epic synth pads and distorted polyrhythms, while Ford’s side connects flows more down the stream of contemporary techno, deep and drone-laden as it is.

The Ghost That Walks aka Paul Bishop graces us today with one of the most epic and tense EPs to date on New Flesh Records. Expect nothing but raw, dark, experimental, kickin’ and industrial music from the depths of Space packed in four dancefloor friendly tunes of pure analogue sounds with early 90’s flavors. A reflect of New Flesh Records essence.

Elliot Litrowski is the newest member of the Moustache Records family. His debut called Schmock Machine EP will be released as Moustache Records 037. The EP title track song Schmockmachine is an uptempo TR707 beat, a really strong arpeggio, deep smooth strings with top break… A2 Arpeggiophobia moog synths, deep basslines and deeper strings topped with hipster plastic drums. B1 He somtimes goes out at night is a powerfull track with pumping tr-707 beat, obvious italo strings, some acid, a mega party break and an Alden Tyrell kinda bassline. B2 Patrique;s world a more slower beaytifull track with cowbells, sharp snaredrums and a very niche bassline, some flanger hi-hats and there you go.

Showcasing Brazil with a split EP by new members Radioworkers (Benjamin Sallum, Pedro Zopelar & Henrique Martinelli) and 777 regular Seixlack (aka Innsyter).

For more than half a decade Alexander Dorn has shaken electronic sounds, stirring shapes and forms as Credit 00 that adhere to few genre tags. His Bordello A Parigi debut is no exception. The alumnus of Uncanny Valley and Ratlife arrives with four tracks under the banner of The Cosmic Funk collection. Drawing on a spectrum of influences, the Leipzig based musician melts reimagined house with broken beats, blends Eastern acid aromatics with jazz abstractions and achieves a sound that is stunningly unique. Within this sonic cocktail you’ll also encounter dashes of samples, a peppery head of 90s anthems and a liberal glug of freestyle funk. A one of a kind record from a one of a kind artist.

Following six years spent tickling the fancy of quality electro lovers the world over, Mikey Melas AKA Jensen Interceptor has finally got round to recording a debut album. This will come out on the Lone Romantic imprint and it’s a pretty hot collection of cuts, with the Sydney producer joining the dots between ranging, angular peak-time slammers (“Ultramax”, “Drip Freq”), bustling and bass-heavy workouts (“Haze”), bleeping space symphonies (the Sinewave-esque “Dimensional Thought”), Drexciya-style missives (“Ufology”, “Shadow Network”) and more crystalline, melodious affairs (“Mother”). Some of his scene pals swing by to lend a hand, too, with The Hacker and Assembler Code collaborations standing out.