
London based hardware specialist No Data Available joins the Null+Void family with a four track EP of rugged, playful and effective electro driven tracks for the rave – ending in a blissful introspective 7am moment with title track the night.

London based hardware specialist No Data Available joins the Null+Void family with a four track EP of rugged, playful and effective electro driven tracks for the rave – ending in a blissful introspective 7am moment with title track the night.

It has been quite some time since Sololust released something but he returns with fresh energy and a sound both familiar and with a new twist. His music has become less synth pop and more dance floor minded. Acid and elektro is the drill here, with some touches of techno. This five track EP features some crazy stuff which at times is reminiscent of Börft output.

Repitch Recordings presents another small collection of club-ready electronic creations. This time around, the label welcomes french veteran and New Flesh / Rave Or Die founder Umwelt, sharing the platter with Canada-born Berlin-based young master Ryan James Ford. Led by their mutual love for saturated analog percussions, massive kick drums, and relentless beats, the two producers find common ground while retaining their respective distinctive approaches. Umwelt’s much more electro-oriented excursions style relentlessly acidic basslines alongside epic synth pads and distorted polyrhythms, while Ford’s side connects flows more down the stream of contemporary techno, deep and drone-laden as it is.

The Ghost That Walks aka Paul Bishop graces us today with one of the most epic and tense EPs to date on New Flesh Records. Expect nothing but raw, dark, experimental, kickin’ and industrial music from the depths of Space packed in four dancefloor friendly tunes of pure analogue sounds with early 90’s flavors. A reflect of New Flesh Records essence.

Elliot Litrowski is the newest member of the Moustache Records family. His debut called Schmock Machine EP will be released as Moustache Records 037. The EP title track song Schmockmachine is an uptempo TR707 beat, a really strong arpeggio, deep smooth strings with top break… A2 Arpeggiophobia moog synths, deep basslines and deeper strings topped with hipster plastic drums. B1 He somtimes goes out at night is a powerfull track with pumping tr-707 beat, obvious italo strings, some acid, a mega party break and an Alden Tyrell kinda bassline. B2 Patrique;s world a more slower beaytifull track with cowbells, sharp snaredrums and a very niche bassline, some flanger hi-hats and there you go.

Showcasing Brazil with a split EP by new members Radioworkers (Benjamin Sallum, Pedro Zopelar & Henrique Martinelli) and 777 regular Seixlack (aka Innsyter).

For more than half a decade Alexander Dorn has shaken electronic sounds, stirring shapes and forms as Credit 00 that adhere to few genre tags. His Bordello A Parigi debut is no exception. The alumnus of Uncanny Valley and Ratlife arrives with four tracks under the banner of The Cosmic Funk collection. Drawing on a spectrum of influences, the Leipzig based musician melts reimagined house with broken beats, blends Eastern acid aromatics with jazz abstractions and achieves a sound that is stunningly unique. Within this sonic cocktail you’ll also encounter dashes of samples, a peppery head of 90s anthems and a liberal glug of freestyle funk. A one of a kind record from a one of a kind artist.

Following six years spent tickling the fancy of quality electro lovers the world over, Mikey Melas AKA Jensen Interceptor has finally got round to recording a debut album. This will come out on the Lone Romantic imprint and it’s a pretty hot collection of cuts, with the Sydney producer joining the dots between ranging, angular peak-time slammers (“Ultramax”, “Drip Freq”), bustling and bass-heavy workouts (“Haze”), bleeping space symphonies (the Sinewave-esque “Dimensional Thought”), Drexciya-style missives (“Ufology”, “Shadow Network”) and more crystalline, melodious affairs (“Mother”). Some of his scene pals swing by to lend a hand, too, with The Hacker and Assembler Code collaborations standing out.


Amidst the chameleon-like output of his many monikers such as Ontal and Figure/Ground, Brooklyn-based Brenecki releases as his own name for the 3rd time in 10 years. Mutated funk techno under skilled hands, out to thrash pits across 5 tracks reneging against modern technology manipulation. Written and produced by Boris Brenecki in Brooklyn.

For his new release on Nona Records Brooklyner Max Ravitz changes the formula again and delivers five spirited acid electro tracks .Continuing to tool and retool his modular synth rack, on ‘Free Lunch’ Ravitz produces energetic electro tracks that show a shift from the familiar hazy murkiness to a more present sound and almost song-like writing that introduces some more layered melodies, acid grooves and luscious pointillism.

One Electronica brings us more rough sounds from Northern Ireland. The seventh release from the label sees the debut of Thought Camera, a young producer from Carrickfergus, on the northern shores of Belfast Lough.
The EP is as diverse as it gets, with four tracks ranging from acid and techno to synth wave. It feels like Thougth Camera recorded his thoughts and projected a mental image of a post apocalyptic rave.

The Pulse Projects is the moniker of Albert van Abbe’s electro-focused venture. His forthcoming release on Patron Records leans heavily on the gritty and murky sound that we know from the versed producer/DJ, who has been around for quite some time now. ‘Soon To Be’ is a forceful four-track EP that includes a lot of weighty patterns, compelling soundscapes and some wobbly acid-flecked grooves. But most of all, the EP demonstrates how effective, yet meaningful distorted kicks and breakbeats can be.

KØK presents a vinyl mix from Black Merlin during their party in Nantes from 15.06.2018.

Computer Controlled delves back into deep space with Norwell’s Interkosmos EP. Five tracks of Russian Space Race era influenced electro/techno.
