
album
VC-118A – International Airlines [LDR011]

Lunar Disko Records presents its first LP from Dutch artist VC-118A. ‘International Airlines’ is based on a retro-futuristic concept of aircrafts, drawing inspiration from this idea throughout to create an ethereal sculpture of sounds. VC-118A aka Samuel van Dijk guides the listener through a network of light and emotions via seven intense and atmospheric electro/techno tracks that will leave you floating deep within inner space. Constructed in the north of Holland, ‘International Airlines’ explores the artists concept of aircrafts through emotive soundscapes, brooding over an array of analytic drum programming. Each track levitates the listener to another atmosphere – never attached to geographical locations or time. Gravitating from beginning to end, ‘International Airlines’ displays the artists focus on his subject – an air flight through different colours of sound.
Silent Harbour – Silent Harbour [ECHOCORDCD012]

Dutchman Boris Bunnik already crafts deeper house and techno than most. Forever keen to experiment and push the boundaries, though, the man best known as Conforce has recently started a new moniker, Silent Harbour. To explain the roots of the project it’s best to go right inside the mind of Bunnik, where he himself has been lost recently, exploring notions of isolation, deep-sea submersion, aquatic environments and all the abstract ambiance such places entail. Silent Harbour is about exploring the deep unknown, about slowing tempos without losing focus on details, about sound tracking the everyday movie that plays out at the bottom of the deepest darkest oceans of which we know so little. Listening the ten tracks that make up the debut album on Echocord and the concept shines through immediately: right from the opening sound you’re lowered below the sea’s surface as all sorts of little sonic plankton float by. Sunrays occasionally beam down from above; sometimes you’re in warm water, other times it’s colder, but always is there a gentle lull back and forth like the most soothing deep-sea swell. Somehow Bunik even manages to soundtrack what seem like underwater wrecks… rusting metal, tinkling glass and swarms of predatory fish looking for a feed. There are even sections which speak of danger and peril, as if a storm is brewing miles above or as if a shark is on his way… on the other hand, though, there are also passages alive with a Spring-like optimism, where coral grows, aquatic plants flower and new ocean life is born. So evocative is this album you’ll hardly notice that it has very few beats, instead you’re mind is busy painting the pictures to go with the sounds.
Coughy – Coughy [LCL012] FREE DOWNLOAD

The concept of Coughy was to be an exact opposite of clinging to one particular sound or a tedious rehearsal of prior established songs. Improvisation, spontaneity, obscure cultural influences and a complete and reciprocal trust were to be the principles of this project, and a strong live visual input provided by the visual artist Color Nurse (Irina Stanciulescu). The result, often unpredictable even to the protagonists, associates freely drones and rhythms, noise and harmony, digital and analog, atmospheric and psychedelic, pop and experiment.
Luke Hess – Keep On [FXHE-LH1200]

Sophomore album from Luke Hess on FXHE Records. The 12-track “Keep On” features guest spots from Detroit poet Papa Smurf and Hess’ brother Jeff, as well as mixing assistance from Omar-S.
Silent Servant – Negative Fascination LP [HOS357]

Silent Servant (aka Juan Mendez), a member of the now-defunct minimal/dub techno collective Sandwell District, makes his stunning album debut with the poised fusion of epic techno, primitive post punk, and industrial electronics on Hospital Productions. Now nine months since he stopped recording with Sandwell District, Mendez has explored his divergent yet compatible tastes to their fullest, recognising and reconciling their congruent rhythms, atmospheres and intentions with alchemical ability. If you’re familiar with his previous trajectories you’ll no doubt be seriously impressed with his balance and contrast of time-honoured elements, from the bellicose sci-fi romance of ‘Process (Introduction)’ to the full flight techno escapism of ‘Utopian Disaster (End)’, and if you’re new to his sound – whether you’re a noise freak wondering what the f*ck Hospital Productions are doing releasing a techno album, or a techno head who’s baffled by the raspy drums – you should be quickly realising that this stuff is the way forward. From the wave-scanning intro he spins a bleakly noirish narrative, slowly building tension with ‘Invocation Of Lust”s acid hypnosis and the stoic deployment of drones and agitated drum machine slaves on ‘Moral Divide (Endless)’ that resolves with gritted techno determination on ‘The Strange Attractor’. Yet perhaps our favourite moment is ‘Temptation & Desire’, sounding like the converged darkroom visions of Front 242 and Stephen Morris, but if any cut shocks us the most, it’s ‘A Path Eternal’, revealing SS at his most unreservedly sublime and vulnerable without his usual, armour-plated chassis of beats. It all surely adds up to one of the most impressive examples of modern industrial techno you’ll hear this year, one which doesn’t merely pay deference to its roots, but nourishes and augments them with the kind of vision that imparts the strong feeling that he’s really been biding his time, ’til now…
“Negative Fascination” is a 7-track affair said to couple Basic Channel vibes with post-punk and shadowy industrial cues.
Marcellus Pittman – Pieces [UNICD001]

The long overdue 10 track debut album from Marcellus Pittman on his own label Unirhythm. Includes some tracks that were vinyl only previously, as well as about 5 new tracks, including a Jamie 326 edit. Pittman is one of Detroit’s hidden gems of production. A talent with an unmistakeable sound that is undeniably his own.
Peter Van Hoesen – Perceiver [T2X022]

Belgian producer and DJ Peter Van Hoesen offers a new full- length album, on his own Time To Express label. ‘Perceiver’, his second full length album following 2010’s ‘Entropic City’, is evidence of Van Hoesen’s continual experiments into sound. The textural, shifting and dynamic synth elements, hooks and arpeggios that characterise the album’s voice often reach into abstract zones, but never too far that the listener cannot easily delve into the hypnotism of the moment. Gently rhythmic pieces such as the album’s opening voyage, ‘Objects From The Past’, or the reduced modular electronics of ‘Spectral Participant’ plant the tone of the earlier tracks firmly in the high-tech, experimental realms of modern electronica. With careful editing Peter arrived at a complete and concise album, spanning 60 minutes, exploring largely varied yet complementary fields of sound. It is clear that intricacy and diversity are high on Van Hoesen’s sonic agenda. With that in mind, ‘Perceiver’, offers a telling insight into the explorations of a producer who is little concerned with fulfilling or expressing his artistic ego, and much more by the genuine discoveries one can make by diving deep into sound. The album ascends patiently from serene and perplexing sound pieces into fierce club-ready movements. With each track we find bold new percussive elements and sharp, textural, modulating synths entering the fold. In the later half of the LP the emphasis is clearly on headstrong body shocks designed for cavernous off-world clubs – the biting snarl of ‘Decoder’ – or futuristic festival settings with the entrancing arpeggios of ‘Inspection In Solitude’. ‘Perceiver’ presents an organic, flowing and modern take on techno – vitally alive, pulling us away from genre boundaries and more into the adventurous realms of electronica.
Bonjour Tristesse – On Not Knowing Who We Are [LFL006]
Regis – Death Head Said [DN050]

Raw banging techno racks by Regis. ” the tracks from the Death Head Sessions were originally dub-plates used for Regis Live Actions at the End of the 90’s. They were used to layer over live electronics and are all interlocking pieces that were constructed to be played back to back. They have now been reclaimed from the earlier decoy release * ,re- mastered and arranged in the order they appeared on the original dub plates.”
Versalife – Rate Of Change [FR025]

Frustrared Funk presents a new release by Boris Bunnik aka Conforce as Versalife, featuring 6 deep electro detroit infected tracks.
Martin Matiske – Robotermusik [STIL039]

Another limited DIY release from the Stilleben camp. This time with cool scientific electro tracks produced by Martin Matiske.
Dont – AR 005 [AR005]

Berlin’s undercover Atelier Records crew return with a release that shares it origins with the SUED release that dropped this week too. This is Dont’s 2nd release for the label & is almost like a mini LP full of short tracks that sit somewhere between Lo-Fi bedroom synth jams, Minimal Wave, Electro & Post Punk. Basically, this is a very interesting release, seriously heavy music on here, off key vocals & some very Leftfield sounds are the order of the day.
Cyril – Saturday Night [PPU040]

The Chuck “Cyril” Walker Collection (1980-1985) featuring 8 rare tracks highlighting the career of this Charlotte, NC keyboardist and producer. “Saturday Night” is dedicated to the family, friends, and fans of the late Chuck “Cyril” Walker, who passed away during the making of this album.
Borghesia – Clones [DE028]

Borghesia is an electronic music group, founded in 1982 in Ljubljana, Slovenia. The band was formed by four members of alternative theatrical group Theatre FV-112/15: Dario Seraval, Aldo Ivancic, Neven Korda and Zemira Alajbegovic. They established FV Video to self-publish their video projects and FV Založba – the first independent record label in ex-Yugoslavia. Aldo and Dario took care of songwriting, production and recording while Zemira and Neven handled the visuals. In the late 80s the band signed to PIAS and went on to release a string of successful albums and played world-wide tours. “Clones” was Borghesia’s second album, self-released on cassette only in 1984. The band borrowed synthesizers (Roland SH-101, Casio VL-1, Korg Polysix) and a Roland 808 drum machine from friends. Every song was played live – no overdubs – and recorded to a cassette deck over a few nights at their club Disco FV during 1983-1984. All of the songs are instrumental and feature various cutting edge techniques for 1983. Hypnotic, proto-techno and acid rhythms and synth lines. Music on the A Side of the LP is faster and club oriented while the B Side offers a drugged out soundtrack to get lost in. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley directly from the original master tape.
Stress – Conspiracy Theory LP [DE027]

Stress is the duo of Alan Rider and Phil Clarke from West Midlands, England formed in 1981. Stress combined electronic rhythms and keyboards with bass guitar, vocals, percussion, and cut-up samples. They created catchy electronic pop songs that fused accessible & experimental elements with a pointed lyrical edge. “Conspiracy Theory” is an 11-song ‘best of’ compilation album featuring tracks from the first two cassette albums with “The Prayer Clock” from Third Mind Records, ‘Life At The Top’ compilation LP and “Tear It Down” from the ’Compulsory Overtime’ compilation LP. Each song has been carefully remastered by George Horn at Fantasy Studios in Berkeley.
Asso – Do It Again [369.008]

Official release of the previously unreleased album of the famous 12” classic. ASSO the alter ego of italian producer Victorio Pezzolla is something like a Italo Disco one hit wonder. The Do it Again / Don’t Stop 12” has original been released in 1983 and is meanwhile one of the most sought after 12” releases from Italy. Unfortunately the related album hasen’t been brought to the market back in the 80’s. Victorio Pezzolla and Private Records rediscovered the original analog master tape some months ago in an archive of an Italian publisher. The absurdity that the music has never been commercially released leads to the fact that this masterpiece, a complete unreleased original 80’s album, will be brought to you fresh and unspent in 2012. Italo Disco, Space Funk and balearic grooves are combining to an unique Italo Disco release.
Symmetry – Themes For An Imaginary Film [IDIB037CD]

Three years in the making, Symmetry – the project that began as a conceptual tangent between Glass Candy, Chromatics, Mirage, & Desire’s more abstract sides – finally sees its release this month. “Themes For An Imaginary Film” is two hours of claustrophobic cinematic bliss compiled for Painters, Writers, Photographers, Designers, Cruisers, Night Walkers, & Dreamers. Adrenaline drips thick like syrup across a horizon where memories become blurred scenes behind the windshield & yesterday’s faces fade as the road strobes to aggressive rhythms. Romantic melodies linger in the rearview mirror as chimera bells saturate the electric fog that’s slowly rolling in. Over the span of thirty-seven tracks, Symmetry embraces the elegance of European noir, cut with a lean & violent American razor. Directly in your face & breathing down your neck one minute, & escaping beyond the night sky the next. The attention given to color & detail on these recordings is more graphic than musical. More visual than aural. With no flashy virtuosity to clutter the mood, the album’s pulse thrives on the empty pockets of space left in the wake of throbbing bass & the faint flicker of electro candlelight. Minimal, strict, & always in motion, there’s an oppressive overtone throughout the record that winds itself tight as a clock. Johnny Jewel & Nat Walker (Chromatics & Desire) give us propulsive moments that are more rhythm based than Pop, & less reliant on a lyrical presence than their other projects. We hear elements through the veil & color of analog synthesizers & rhythm machines from the early 1970s, resulting in the suspenseful & patient territory pioneered by the hands of John Carpenter, Claudio Simonetti, Wendy Carlos, Klaus Schulze, & Krzysztof Komeda. Symmetry is not Pop. Stripped to its most primitive & visceral core, this is music written for picture. Your life is the film & this is the soundtrack.
DeepChord Presents Echospace – Silent World (Original Motion Picture Soundtrack) [ECHOSPACELP313-LP-2]

First new album from the Echospace duo since the critically acclaimed ‘Liumin’ double album on Manchester’s beloved Modern Love imprint. The sonic structure of this album was the basis for what later became ”Liumin” released on Modern Love but this exploration is something all together different, left untreated and unprocessed from its original 1/2” tape to preserve the natural organic state of the recording. The LP is a soundtrack to Silent World, an independent film produced by Rod Modell that will come out on DVD sometime after the album.
Jon Convex – Idoru [CONVEXCD001]

In a time where music classification and compartmentalising of genres loses all meaning, Jon Convex aka Damon Kirkham has been at the forefront advocating a new wave of electronic music. His new solo album ‘Idoru’ (A Japanese word derived from the English ‘idol’) is his multi-dimensional sound projected into a new species of electronic music production. The themes on Idoru are evident from the start. Influenced from a young age, growing up in a video rental store during the 80’s and vinyl hunting in the 90’s, these distinguished eras are stamped all over Idoru. The album is further fused with his previous production mastery pirouetting gracefully over his mutated Techno House repertoire. From the Autonomic inspired ‘Fade’ to the brooding tones of ‘About Her’ who’s late night vibes and pitched vocals pay homage to Drexciyan project ‘Other peoples place’.
