
This is a Wetland Sailor aka Kiwisubzorus aka LostSoundBytes free album from 2015, released by French label Consternation.

This is a Wetland Sailor aka Kiwisubzorus aka LostSoundBytes free album from 2015, released by French label Consternation.

Clone Records releases the new sci-fi electro-techno album by The Exaltics. Its the 3rd album project for Clone Records after the 2014 ”Some Other Place” and critically acclaimed 2019 album ”2 Worlds”. The Exaltics deliver an album full of futuristic modern techno tracks with beautiful distant atmospheres, alienating techno tracks and energetic robotic electro beats. Joined by Paris the Black Fu & Mr. Remy for a critical view on the current state of affairs on our home planet.

With distorted arpeggiated synthesisers and cold metallic drum-machine patterns, William Wiffen from Yorkshire invites you to his sonic warzone. Höga Nord Rekords presents R.E.D. (Rapid Ear Damage), a stripped and harsh take on postpunk, motorik and EBM. With haunting and reverbdrenched synthesizers, Wiffen’s new project sometimes resembles acts like Two Lone Swordsmen in their dirtiest moments. R.E.D. is not a wholesome and pleasant experience. Heavily modified vocals, used more like an additional instrument, breaks through the distorted, hard, backbeat, contributing to the feeling of being trapped in a mental slit trench or bomb shelter: no light coming in – only sound.

Feral Colony is the label of U.S. based artist Chris Mitchell (Vanguard Sound, Annunaki Cartel), focused on direct, improvised methods. The second cassette release “No Consensus” is a 7 grimey tracks album by Chris Mitchell himself.

Inherent Futurism is a new label coming out of Copenhagen, Denmark and headed up by Morten Kamper, a staple in the Danish electronic music scene who’s been involved in it for more than 30 years and nowadays is running the 313vinyl_collective record store in the capital. Inherent Futurism will focus on a blend of unearthed old records and new material with no real boundaries, just a focus on quality electronic music in all forms with an inclination towards Techno and Electro. To inaugurate the label, Morten shines a light on an unsung gemstone from the Detroit Electro genre, Autobot-1000’s ‘3 Dimension Of Space’, The album comes on vinyl for the first time, the project was only out on CD and released in 2001 on Hoodwink Records from North Carolina, US.

Optimo Music continue to dazzle with their increasing experimentation, this time welcoming Finnish producer and K-X-P frontman Timo Kaukolampi to the fore. Exploring the concept of sound as a physical and spatial phenomenon, the LP explores Kaukolampi’s idea of “the sphere”: his metaphysical and/or musical analogy for being subject to an undetectable outside force, as if being manipulated by an unseen cult. Hypnotic, eerie grooves play out in a muted, time-crystalline fashion, all tracks evoking the feeling of being locked in spherical amber, unwitting.

Som Imaginário are the stuff of MPB mythos. Integral to Brazil’s Clube Da Esquina movement in the early 1970s, a heady blend of progressive rock, folk, psychedelia, jazz and traditional Brazilian rhythm flows through the three studio albums the band recorded between ‘70 and ‘73. Flying the countercultural freak-flag amid the context of military dictatorship, the Brazilian prog lords shared much of the sense of experimentation and bountiful fuzz bequeathed by their tropicalismo forbearers. But armed with genius composers, arrangers and stupendously high-level musicianship, Som Imaginário introduced a potent harmonic complexity to Brazilian popular music, which would inspire generations of artists to come. On 4th October 1976, having finished a spell of recording and touring with Milton Nascimento, Som Imaginário performed a concert in celebration of Nature Day in Brasília. The recordings of the show would become “Banda Da Capital”, which, for the past half century, has laid dormant, waiting for its mystical power to be untapped.

The album Malaka is Ali’s desire to incorporate Middle Eastern culture (specifically music) with the elements of 70s Indonesian rock, cinematic soul, funk, disco, and afro beat to create a new groove and sound straight from the contemporary and vibrant Indonesian music scene. The title “Malaka” itself, represents the entrance where the Middle Eastern first come to Indonesia through trading in Malacca Strait / Channel many centuries ago. With all lyrics written in Arabic, this album builds on the influence of Middle Eastern art and music, which over centuries has assimilated itself deep into Indonesian culture and way of life. This album is trying to capture those long journeys, the “cultural dialogues” of our ancestors way back in the past, and bringing it back with modern touch through musical language. Malaka promises to deliver diverse and unique sounds (experience), with the mix between Middle Eastern and South East Asian cultures, in term of music. Which can’t be found in any other parts of the globe.

A warm rain in August, the cool feeling of soft ice cream on the lips, golden light and tender smiles. The sweet scent of strawberries, people laughing in the backyard and autumn is already in the air. This is how the music of Bionda e Lupo feels. Joy and melancholy, warmth and goosebumps – that is “La Deutsche Vita”. Six summers – ten songs for the double album by the Berlin couple. Lively German lyrics allowing us to immerse ourselves in the world of Gertalo, as we surf on synths in the New German Wave and refresh ourselves with a splash of cheeky Schlager pop.

Creme Organization presents a retrospective of sorts, compiled from dozens of unreleased tracks from literally two decades of producing, these gems were collecting dust in the vaults of Ekman. Ekman takes us to a journey deeper into the woods with his unique brooding electro, vivid sparkling soundscapes and minimum for the maximum dirty brown The Hague Acid (TM). Evocative and eerie electro from the Dutch master. The compilation is splitted into two parts including 7, respectively 6 tracks.

Intuitive analog Electronix by the by the talented Alberta Balsam, one of Rotterdams upcoming talents.

Levon Vincent returns with his fifth studio album, titled Work In Progress, the follow up to 2022’s Silent Cities cassette release. Progress sees the dub techno and NY house auteur throw away any overarching concept, apart from the idea that it must move you. Work In Progress is a collection of club ready jams that form the latest productions from Levon’s incredibly prolific run of 12”s he’s pressed on his own label Novel Sounds, directly for the next weekend’s sets. Rather than his previous albums presenting a finished story, his fifth presents a diarist’s work in progress, his latest club constructions, many raising the BPM to 140 to reflect the faster pace of his latest DJ sets.

Pinkman’s resurrection of its Broken Dreams series is marked by a release of Dolphins – Benedikt Frey’s project with Markus Woernle and Nadia D’Alo. 40G evokes landscapes of doom, disorienting pleasure, and the surreal visions that occupy a sleepless night; the soundtrack to a Lynchian fantasy about the creatures that haunt the murky waters of the modern mind. It’s an album for finding yourself on a stranger’s couch, tearing at the fraying edges of another endless night, wrapped beneath a blanket of drugged-out kraut.

MTLP0012 ‘Transmissions’ will be divided into two separate releases – Part 1 and Part 2. Part 1, presented here, is released in June, while Part 2 will be released in the 2nd half of September 2023. The album was written and produced by Khidja over the last several years. Part 1 consists of 5 gems showcasing the diversity in the Romanian duo’s production – from shuffle to slow mow, to ‘chugging’ to new age 4th world…

Hold Me Recordings is Manuel Gonzales and Ryan Spencer and their objective is to maintain a constant flow of releases from local artists from Detroit. The first release comes from Manuel Gonzales under his MGUN guise. “From Time To Time” is an album with eight techno-electro tracks.

Foundation is set in the future when the world is barely remembered and humans have colonized the galaxy. The record introduces Donnie Ozone, a brilliant visionary rapper and psychohistorian whose job is to use lyrics and rhymes to predict the future. It is divided into six chapters, each showing a part of the bigger picture portrayed on the outstanding cover by Infidel. Teslasonic gathers together the galaxy’s top scientists and artists on a bleak outer planet and sets out to preserve the accumulated knowledge of humankind and begin a new human galactic empire based on Art, Science and Technology. He calls his sanctuary the Foundation and designs it to withstand a dark age of ignorance, barbarism, and warfare that he predicts will last for a long time.

‘2023’ is the rather unexpected new project of the Dutch cult hero Wladimir Manshanden. 32 years ago, in 1991, Wladimir M founded together with techno icon Stefan Robbers, one of the first Dutch techno labels: Eevo Lute Muzique. While Robbers (as Terrace and Acid Junkies) pursued an international techno career in the years that followed, Manshanden preferred to remain in the shadows. His discography is as small as it is peculiar. But his track ‘Evil’ is an undisputed classic. On ‘2023’ he disassembles the eighties pop hits of his youth into sober, futuristic spoken-word techno. On the one hand, he does not shy away from some cringe (Dire Straits, Simple Minds, Tina Turner). On the other, he pays tribute to some genuine electronic heroes like Kraftwerk, New Order or Master C&J. The path to the bare essentials leads through a futuristic labyrinth. Along the way, you get hints of monotone voices, cipher codes and wondrous Dutch titles like ‘Privé Onderzoek.’ The outcome is alienating and magical at the same time.

This is the follow up the 2021 Alchemulator – “Larping At Fairsnake Hamlet” album that was released on Hunger! records. The sound goes in a bit of a different direction, the cheap digital FM homekeyboard is replaced with simple FM synths, old “obsolete’ samplers and some other stuff. There are a lot of vocals and experiments with them. I would describe them as synthesizer ballads…or hauntological hypnogogic synthesizer folk songs….a bit of a devotional psychedelic spacejazz influence. Instruments used: AKAI X7000, S900, Yamaha DX100, Yamaha DX21, Arturia Microfreak, Korg Microstation, Yamaha PSR373, Alesis Quadraverb, Alesis Midiverb II ZOOM mS70CdR, zILog Vocoder, Soundcraft Mixing desk, computer running Ableton Live.

Field Records presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right, a genre classic.

Mule Musiq dives into the archives of humanoid Ambient music history, bringing the vinyl premiere of a classic work by German DJ, producer, and musician David Moufang, globally known as Move D. Released in 1995 on Pete Namlook’s fabled Fax +49-69/450464 label, the album marks his only output as Solitaire, featuring heroic, supple ambient scenes, that some people call one of the best works by Move D.