Hesperius Draco – Actus Tragicus LP [FRV023-2LP1]

HESPERIUS DRACO - Actus Tragicus

Frigio release the first album from Alessandro Parisi’s sepulchral dwelling pseudonym Hesperius Draco. Donning the ceremonial robes, the conventions of house, techno and horror soundtracks are blurred as past, present and future merge. Stalking darkness and light, bordering the divine and profane, “Actus Tragicus” pulls the dancefloor into the murky shadows of Rome. Ritualistic chants, chilling choirs and hissing beats are brewed across two slabs of vinyl. BPMs dip and rise as Hesperius Draco takes you on a winding journey through the catacombs of his world.

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Hesperius Draco – Actus Tragicus LP [FRV023-2LP1]

Manie Sans Delire – Untitled [JUNE011]

The return of Manie Sans Delire with seven new tracks on a double vinyl edition (12inch & 7inch) recorded in studio between June 2015 and July 2016. Manie Sans Delire is the project of June and Trenton Chase focusing on electronics, played and recorded live.

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Manie Sans Delire – Untitled [JUNE011]

Yagya – Stars And Dust [118DSR]

YAGYA - Stars & Dust

Atmospheric and ambient dub master Yagya serves up Stars and Dust, his seventh full length album and second on Delsin. It finds the Icelandic artist perfectly pair melody and minimalism to create ten more tender tracks that will sooth both body and mind with a range of very real emotions. Electronic but organic, it is another complete work that encourages you to lay back and get lost in sumptuous sound.

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Yagya – Stars And Dust [118DSR]

Sendai ‎– Ground And Figure [EMEGO232]

Editions Mego publish the third release by Sendai. Comprised of Peter Van Hoesen and Yves De Mey, Ground and Figure presents the duo reside in a more economic framework which allows the sound and rhythm they produce more room to shift, swirl and swim the circumference of the audio spectrum. Moving away from the twitchiness and anxiety of the earlier output Ground and Figure is a vast spacious journey from a duo in full control of their chosen path. Throughout Ground and Figure abstraction and rhythm weave amongst each other in such a sly manner that the resulting tension in the conflicting elements presents the listener with a hypothetical high-tech elastic percussive grid. A thudding, pulsating, shapeshifting ambient beast is summoned by these two creators working as one. This is machine music. This is hypnotic disorientation. This is an immense ambitious and refined world of sound and rhythm. This is the work of two producers who continuously try to top up their skills.

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Sendai ‎– Ground And Figure [EMEGO232]

Romans – Valere Aude [BK020]

Valere Aude, the debut album from Romans, a collaborative project between New York techno producer Gunnar Haslam and Vienna-based acid evangelist Johannes Auvinen (aka Tin Man). Featuring 12 tracks of hallucinogenic, psychedelic techno, Valere Aude is an acid-etched trip to the outer reaches of the mind. The finished product is a steamy, moody record, experimenting with atmospheres, tempos, and sounds, designed for blistering hot days and cold, rainy nights. We couldn’t be more excited to share it with you.

vinyl / CD

Romans – Valere Aude [BK020]

The Beginning Of The End – Funky Nassau LP [ALSTON77001]

Seminal early 70’s Bahamian Funk of the highest order. The debut LP from the Munnings brothers legendary outfit. “Funky Nassau” is one of the most sought after Soul/Funk records ever with it’s highly original blend of US black music styles and Bahamian roots. A very famous band in their native Nassau, the group only had 2 full length albums under their belts along with a slew of 45 singles but have managed to stamp their name on the ears and minds of record lovers since they first burst onto the scene. The obvious track to reference here is the title track “Funky Nassau” a breakbeat fuelled monster dance cut that has supplied hungry samplers with sounds for decades (everyone from The Prodigy & The Roots among those who have used the cavernous drum break!), the rest of this excellent LP also includes the amazing Funk of “Come Down” and a whole host of other brilliant sun-drenched tracks. Absolutely essential. Here’s your chance to own a true classic! You’d be hard pressed to find another well rounded debut LP, this one is pure joy from start to finish.

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The Beginning Of The End – Funky Nassau LP [ALSTON77001]

Tilahun Gessesse – Sima! [MRP030]

During the 1970s, Tilahun Gessesse enjoyed a successful career in his native Ethiopia. Blessed with a sublime voice, he specialized in creating popular hybrids of hot American styles – most notably soul and jazz – with traditional Ethiopian styles. Sima!, which is named after one of his most revered 7″ singles, gather together music from numerous releases throughout the 1970s. It boasts numerous gems that see Gessesse combine his bold, snaking vocals with rocking rhythms, modal jazz mysticism, and heart-aching ballads. Given the standards of recording studios in Ethiopia at the time, much of the material is notably lo-fi, sound wise, but in many ways that enhances the intoxicating feel of the music. A killer selection from one of the leading vocalists from the golden age of Ethiopian music, ranging from 1969-1975. If Ethio-funk, soul and pentatonic, Sun Ra-esque moods are your bag, you’ve come to the right place.

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Tilahun Gessesse – Sima! [MRP030]

John Scott – Fragment (Soundtrack) [MVMEP001]

‘Fragment’ is a new instalment from Moscovitch Music composed by veteran English Jazz saxophonist/flautist – John Scott. This EP is almost a companion piece to Scott’s rare Columbia Lansdowne LP ‘Communication’ (1967), a firm Gilles Peterson favourite, with its Conga-tastic version of Ellington’s ‘Caravan’. For fans of filmic UK Jazz this release is a real gem, and there are strong musical connections to the 60s American ‘Third Stream’, Dorothy Ashby, France’s Michel Magne and Francois de Roubaix and of course our own talented composers like Tubby Hayes, Graham Collier and Neil Ardley. ‘Ride in a Pontiac’ with its driving bongo rhythm is pure Spy-Jazz (Courtesy of KPM Drummer Barry Morgan) – Remarkably similar in feel to tracks from the legendary ‘All Night Long’ (which also featured John Scott alongside friends such as Tubby Hayes and Johnny Dankworth). ‘Night of Love’ is an evocative mood piece, pensive yet gentle, with an air of Miles Davis’s smoky ‘L’Ascenseur Pour L’Echafaud score while ‘Waiting/Revelation’ begins with a lonely Flute motif which erupts into a percussive hard bop workout worthy of Art Blakey and the Jazz Messengers!

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John Scott – Fragment (Soundtrack) [MVMEP001]

Jay Daniel – Broken Knowz [TCLR018]

It’s amazing to think that Jay Daniel is still only 25. Since making his debut five years ago, the producer has been responsible for some of the finest house music to emerge from Detroit in recent times. Interestingly, he’s slightly modified his woozy and gently soul-flecked blueprint on this hotly anticipated debut album. For starters, many of the tracks – standouts “Paradise Valley” and “Knowledge of Selfie” included – feature live drums, played and recorded in his mother’s basement. This rhythmic adjustment gives Broken Knowz a far looser and warmer feel than his previous work, in the process elevating his deliciously rich and musical deep house to a whole new level. In other words, it’s an impressively assured and entertaining debut album.

vinyl / CD

Jay Daniel – Broken Knowz [TCLR018]

Bantam Lions – Short Stories [SCN010]

Over the last decade, Bantam Lions (AKA Liverpool producer Mike Carney) has devoted much of his spare time to “playful experimentation,” channeling 30 years of musical inspirations and adventures to create electronic music that sits somewhere between hazy nostalgia and far-sighted futurism. Now, he’s gathered together some of his favourite moments to create Short Stories, a debut album – and Scenery’s first long-form release – simply overflowing with page-turning musical narratives.

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Bantam Lions – Short Stories [SCN010]

S. English – General Dimensions [LIES087]

American experimental musican Shane English continues in a long tradition of outsider electronics as he’s been humbly prolific in his output though the years involving himself in numerous recording projects. Collaborating with Jonah Lange in their group Corporate Park as well as an ongoing collab with Beau Wanzer (seeing a release last year under the CP/BW name), English now commits his second full length solo offering to vinyl in the form of the General Dimensions lp.Sparse machine driven electronics dominate the recording providing a back drop for the occasional pulsating rhythm, metallic clank or floating obscured vocal. While it is a dark and sparse affair there is a quiet downtrodden beauty throughout giving the recording a sense of uncertain serenity in an almost shoegazey way. Highly recommended for those into early electronics.

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S. English – General Dimensions [LIES087]

Garofano Rosso – Titoli Di Coda [GDLP006]

Garofano Rosso’s triumphant return to Giallo Disco comes in the form of his debut album ‘Titoli Di Coda’. A bloodied trip to the microcosm of a doomed city, a neon-noir at the corner of Gordon & Cole, where old cellar doors slam like gated snares and justice comes with a bullet. In between krautrock funk, straight up-crime solving disco and instrumental ballads almost gothic like in their epicness, the artist also known as Giorgio Luceri, whose releases on Mathematics have been turning heads for many years, births this daring and impressive debut that we’re immensely proud to release on Giallo Disco.

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Garofano Rosso – Titoli Di Coda [GDLP006]

Young Male – How To Disappear In America [WM009]

The debut album from White Material co founder Young Male. A collection of dark ambient and textured experimental songs created as a personal soundtrack for life in uncertain times. Paranoia, lust, virtual experience, and tension/release are themes explored in this tour through a dystopian American landscape.

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Young Male – How To Disappear In America [WM009]

Fluxion – Vibrant Forms III [SUBWAXFXCD002]

Konstantinos Soublis, aka Fluxion, and Subwax Bcn have decided to pick up the banner and release Vibrant Forms III. It contains everything anyone could hope for and more: The massive, booming basses, the clicks and hisses, the atmospheric thunderstorms, the opium smoke-scented streaks of reverb, dub echoes and the warmth. Yes, above all else the warmth: Sometimes moist and dripping as in “Safe Harbour”, sometimes blisteringly dry as in “Variant”. It’s no easy task, giving cold, dead machines warm breaths. And no-one quite does it like Fluxion.

CD

part1 / part2 / part3 / part4

Fluxion – Vibrant Forms III [SUBWAXFXCD002]

Design A Wave – Snake Face [RHD029WAVELP]

Copenhagen based conceptual music act Design A Wave returns with ‘Snakeface’, a document of surprise within the composition process. Specifically, Design A Wave uses the computer to create several beats and then utilises the mutated results as building blocks for several new compositions. Interest in computer-synthetic snakes, beyond all networks of communication and agency art, centres on placing these formless serpents into existing genres, such as music. Snakeface is a timely exploration of the infectious qualities of music, and how it too, as a carrier, makes it’s way through neural networks, irreducible to bits and designed to infiltrate and replicate.

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Design A Wave – Snake Face [RHD029WAVELP]

Duke Hugh – Canvas [RS016]

Bradley Zero met Duke Hugh in Amsterdam, when he handed him a green USB stick after a show. He played the promos in the empty club and the first track immediately grabbed his attention – he knew it was something special. When he remembered the hook to Green Leaf the next morning he signed the release almost instantly. Each song has its own essence, there is absolutely no filler and the entire double pack sits together as a perfect whole. Flirting with aspects of broken beat, Jazz, hip hop and dreamy electronica – Duke Hugh winds together a most idiosyncratic release equally at home on the peak time dancefloor as it would be for a long road trip. Canvas is a big statement from an artist who’s here to stay.

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Duke Hugh – Canvas [RS016]

William Antonini – William Antonini E La Sua Orchestra [SME026]

Very rare’cult’ Library album by maestro William Antonini and his orchestra recorded with the deep sounds of Dirmaphon studios in Rome. Very small Library and Orchestra production by the pianist Antonini during his career as session man, this is the unique long-playing we have and for sure a lost collectible gem. Excellent studio orchestra arranged by the maestro. Expect some strong Blues Rock influences with loads of Killer Psychedelic sounds all over the place / amazing Jazz-Funk and Blues Funk vibes / heavy Progressive riffs with Big Band Swinging Jazz and Jazz-Rock tunes / huge bassline with stoned flute and deep Tenor sax / amazing early ’70s Freakbeat clubbing tunes

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William Antonini – William Antonini E La Sua Orchestra [SME026]

Jimi Tenor – Saxentric [HRKL005LP]

Jimi Tenor has compiled a selection of afro jazz tracks that he has written and performed over the years with musicians Icelandic drummer, Helgi Svavar Helgason, Helsinki based guitarist/bassist and journalist Ilkka Mattila, legendary drummer Tony Allen, Cuban & Berlin based trumpeter Daniel Allen Oberto, Ethiopian/Finnish & Helsinki based percussionist Abdissa ‘Mamba’ Assefa (Itetune), Nigerian/German & Berlin based percussionist Akinola Famson, Helsinki based percussionist Mongo Aaltonen, American & Paris based spoken word artist/singer & painter Allonymous, Helsinki based flügelhornist Tero Lindberg, Finnish & Berlin based guitarist Kalle Kalima, Polish & Berlin based bassist Patrick Frankowski, British trombonist Hilary Jeffery and Ghanaian/German & Berlin based drummer Ekow Alabi Savage. Jimi Tenor, born Lassi Osmo Tapio Lehto in Lahti, Finland, who has been releasing recorded music for 30 years, plays several instruments as is his usual practice. He is credited for playing on the upcoming release Saxentric; acoustic guitar, acoustic piano, background vocals, bass kalimba, drums, drum programming, electric guitar, electric piano, flute, Hammond organ, Korg MS-20, Korg PolySix, Log-o-phone, Moog, organ, percussion, Photophone, plastic bongos, programming, shaker, synthesizers, tambourine, tenor saxophone, vocals and Walton organ.

vinyl / CD

Jimi Tenor – Saxentric [HRKL005LP]

Aviador Dro – Cromosomas Salvajes [MEC019]

EL AVIADOR DRO Y SUS OBREROS ESPECIALIZADOS - Cromosomas Salvajes (reissue)

One of the most influential Spanish techno-pop bands from the 80s is finally taking back to life one of their most successful albums. Originally released in 1985, ‘Cromosomas Salvajes’ marked a big step forward on the career of El Aviador Dro y sus Obreros Especializados. While keeping their message in support of the working class, nuclear energy and futuristic vision, this work had a top production, more dynamic compositions and included some of the fans favorites: ‘Himno Aéreo’, ‘La Ciudad en Movimiento’ and ‘El Color de tus Ojos al Bailar’.This new pressing has been restored and remastered from the original tapes. LP edition comes in yellow vinyl with gatefold jacket with an exclusive postcard, one sticker and includes all tracks from the original issue plus the b-side ‘Tejidos’ and the unreleased track Europa Arde en mi Interior’ that was originally composed for the famous Eurovision Song Contest.

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Aviador Dro – Cromosomas Salvajes [MEC019]

Staccato Du Mal – El Mago En Ti [NOSTILEVO061]

Miami is a Geministic outpost of complimentary halves: subtropical rainforest and art deco cityscape; unmitigated wealth and staggering poverty; limitless sunshine and equally limitless thunderstorms. From this outpost, culturally and geographically isolated from a state teeming with hillbilly abjection, composer Ramiro Jean-Carlo entertains a unique decadence under the guise of Staccato Du Mal, a project perhaps something of an anomaly in Miami, but no less at home. At turns gauzy and drugged, energized and electric, SDM is analog electronics that would be best heard in a blacklit dance club or a mouldering mansion against the background of any given tropical depression. “El Mago en Ti” shows Jean-Carlo keeping things as sinister as ever, with classic SDM sawtooth baselines and rickety clattering rhythms (Spherical Aberration), “La Gran Evasion”), with the requisite amount of reverb (lots), but with a few surprises: opening track “Drowning Feathers” integrates Jean-Carlo’s affection for classical music into the project, with its complex and sullen chord structure reminiscent of a J.S. Bach organ piece, while the songs “El Mago en Ti” and “Fistful Questioning” showcase an industrial aggression unexplored in the context of SDM.

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Staccato Du Mal – El Mago En Ti [NOSTILEVO061]