Cinematic 74 – Realtime Inverted [PF012]

Debut album by Detroit producer Cinematic 74 a.k.a. Brooks Mosher, who is known for his excellent detroit / house productions on labels as Dolly and Other Heights. Though, his ambient recordings are less known till date, under the alias Cinematic 74, Brooks presents a collection of ambient works produced between 2003-2015. Nine spacious and tranquil cuts, connected to harmonies and moments of bliss. Still, a variety within the album is captured, ranging from darker, remarkable synth-washed soundcsapes to more melodious moods with emphatic rhythm forms.

CD / vinyl

Cinematic 74 – Realtime Inverted [PF012]

Milton Bradley – Tragedy Of Truth [DNRTB010]

The German producer Milton Bradley presents his full-length debut on his own Do Not Resist The Beat label. Bradley has been one of techno’s key names for much of the past decade. “Tragedy Of Truth” incloses in 10 tracks, the full range of Milton Bradley Techno sound: dark, Industrial leaning to 1990s style Acid.

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Milton Bradley – Tragedy Of Truth [DNRTB010]

Zombie Zombie – Slow Futur [VERLP32]

Original music of the “Slow Futur” show by Elsa Guérin and Martin Palisse, played and composed by Zombie Zombie (Cosmic Neman, Etienne Jaumet, Dr Schonberg), here presented separately from the show.

Slow Futur features two jugglers (Elsa Guérin and Martin Palisse) on a treadmill (8 x 2m) which carries them along a neon light installation which delimits the choreographic space as a kind of space-time tunnel: “the hyperspace”. Their minimalist juggling practice – with 3 white balls each – plays with opposite movements like acceleration/immobility, synchronization/progressive transformation, and thus evokes a way of making the body face the inexorable passing of time. The music of Zombie Zombie, repetitive and floating, as a vector of the choreographic mechanic, mixes analog electronic sounds and acoustic rhythms that rise in intensity in order to bring the two jugglers into a frantic and hypnotic rush, whereas the treadmill submits their bodies
to a movement independent of their will, so becoming an infernal machine. Between abstraction and representation of reality, Slow Futur questions the relationships between human beings, where the individualism caused by the modern world leads to loneliness, as the human condition is reduced to a simple machine which robotic movements are devoid of emotion. Elsa Guérin and Martin Palisse are not only renewing the image of today’s circus but also continuing their research on the choreographic, dramatic and poetic potential of juggling.

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Zombie Zombie – Slow Futur [VERLP32]

Damcase – Anom Valley [MORD026]

Anom Valley follows Damcase’s recent outing on Bunker and positions the Greek producer as a leading light in hard techno. There is a rough, raw feel throughout this release for Bas Mooy’s label; “Delete Scene” is mired in distorted kicks and noisy, barb wire percussion and both “Rusty” and “Towards Them” resound to titanium-powered steel drums. “Interlogon” is probably the most extreme track, thanks to its grisly, punishing rhythm, but Damcase also has a funkier side. He showcases this on “Rn 45” and “X Gun”, where hypnotic electronic pulses, although encased in weeping layers of white noise, see him get his groove on.

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Damcase – Anom Valley [MORD026]

Dino Sabatini – Omonimo [OUTISOPERA001LP]

As both a producer and the helmsman of the Outis Music label, Dino Sabatini has carved out a distinctive musical style that shows a great reverence for both ancient archetypes and future possibilities for change. With one foot planted in a mysterious past and the other foot planted in a world yet to arrive, Sabatini’s works are carefully realized emotional journeys that intertwine shimmers of optimism with undercurrents of poignancy or nostalgia. His latest full-length offering, ‘Omonimo’ (that’s ‘homonym’ for non-speakers of Italian), brings all of this to fruition on a record that demands (and rewards) deep listening.

vinyl / CD

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Dino Sabatini – Omonimo [OUTISOPERA001LP]

MGUN – Gentium [DBALP001]

Detroit native MGUN aka Manuel Gonzales returns from a two year break from releasing to unveil his debut LP for Don’t Be Afraid, marking the UK-based label’s first artist album. In drawing from these recordings and methods developed over such a long period of time, Gentium captures the growth of a modern electronic artist in a way few albums do, charting the evolution from an unknown quantity in the birthplace of techno to the DJ & producer widely admired today for the fresh immediacy of his approach.

”About half of these tracks were made in my childhood home between 2007 and 2010. Most were recorded on cassette then digitized on a Windows millennium edition PC. I would record these to the standard WAV recorder you can find in the sound preferences, which from there it was possible to use primitive effects to manipulate the audio file.” ”The other half were produced in my current home studio, using somewhat of the same system I used back then, one take for the most part. There is hardly any multi-tracking involved with any of my productions. I use a basic WAV editor to manipulate recordings as well as various analog recording mediums beforehand.”

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MGUN – Gentium [DBALP001]

Omar-S – The Best [AOS4000]

The Best Omar S, newest album simply reflects the singer, songwriter/producer’s brilliant career- always vogue, forever moving forward, yet transcending trend to find its place among the classics. The 11 selections gracing album, produced by Omar S is just what you never expect from a modern entertainment legend.

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Omar-S – The Best [AOS4000]

Deep88 – The Black Album [12R04LP]

DEEP88 - The Black Album

Deep88 presents his new LP ‘The Black Album’. This double-vinyl and limited CD release houses his personal style that is reminiscent of the sounds of a bygone era whether the depth and warmth of New Jersey and Italian House, a dose of sun-soaked Balearic or primitive raw jams synonymous with Chicago.

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Deep88 – The Black Album [12R04LP]

Alessandro Adriani – Montagne Trasparenti [MF111LP]

Alessandro Adriani has become a trusted source for all kinds of beyond-the-grave coldwave delights, from Maoupa Mazzochetti to The Neon Judgement. Aside from his work in releasing forgotten gems and up to the minute synth incantations, Adriani has also been quietly issuing out his own music as well. Primarily this has taken the shape of Newclear Waves, having surfaced on split tapes and 7″s on Mannequin as well as an album on Desire back in 2012. Under his own name, production has been less forthcoming, although Adriani did pop up on Nico Fidenco’s 2015 album Zombi Holocaust with a remix of the track “The Magic Is In The Process”. Now though it’s time for the Mannequin boss to delve back into the long player game with Montagne Trasparenti, which is scheduled to land on Monofonus Press in late March. Adriani in fact collaborated with Willie Burns as Interbrain and delivered a track to the IXTAB compilation on the Austin, Texas-based label last year, but now he returns with nine tracks that further expand on his own interpretation of ghoulish body music. According to the label, the album was recorded between Adriani’s native Rome and adopted Berlin, “in various years of travelling, composing, fighting with cables and machines.”

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Alessandro Adriani – Montagne Trasparenti [MF111LP]

KWC 92 – S/T [LIES069]

The highly anticipated follow up to their 2013 Dream of the Walled City (OST) LP, Samo DJ and Max Stenerudh return with another far out record complete with backstory. Originally composed as an accompanying piece for artist Thomas Jeppe’s exhibition in Tehran, Iran the music contained on this release was originally pressed on extremely limited cdr’s given out for free at the exhibition. As it stands it would have been a crime to keep this music in the private sector, thus now we see an official release in long playing format here on L.I.E.S. Dream-like, full of drama, suspense and full of cinematic overtones, once again the duo of Samo and Max deliver beyond the full scope of psychedelic soundtrack madness.

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KWC 92 – S/T [LIES069]

Fluxion – Bipolar Defect [SUBWAXFX002]

Dub techno legend Konstantinos Soublis aka Fluxion is back with another album, his first since 2014’s Broadwalk Tales on Echocord. Bipolar Defect is presented by Barcelona based label Subwax Bcn and is a further exploration of Soublis’ delay drenched, smoked out and chillingly glacial soundscapes that have earned him releases on a who’s who of the niche sub genre’s finest labels such as the legendary Chain Reaction and his own Vibrant Music imprint. Highlights include the signature sounds of “Multidirectional”, “Friction Pulse” and “Stream II” which sound like soundtracks for stoned and spiritual explorations through the Arctic, while there’s some immersive and drifting affairs like “Omnibus” and “Aviation” that’ll totally drown you in sound.

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Fluxion – Bipolar Defect [SUBWAXFX002]

RR Hearse – Call of Oedipus [JUNE010]

June Records presents RR Hearse – Call of Oedipus. Completed between 1981 and 2013, Call of Oedipus is a collection of solo works and collaborations of RR Hearse with S/M, A.Rib and Mr. Cricket. The tracks were recorded live at concerts on Greek University campuses, squats, in studio as well as in RR Hearse’s bedroom. This mini LP is a never released before document of the Greek underground music scene, transferred from cassettes and reel-to-reels’s from RR Hearse’s personal archive.

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RR Hearse – Call of Oedipus [JUNE010]

Sad Lovers & Giants – Lost In A Sea Full Of Sighs LP [DE115]

Sad Lovers & Giants are a post-punk band from Watford, England who formed in 1980. The original lineup included vocalist Garçe (Simon) Allard, guitarist Tristan Garel-Funk, bassist Cliff Silver, drummer Nigel Pollard, and keyboardist/saxophonist David Wood. In 1981, they released the 3-song 7” EP “Clé” and the ”Colourless Dream” single. The “Lost In A Moment” 7” single followed in 1982. They released two studio albums, “Epic Garden Music” and “Feeding the Flame”, before disbanding in 1983. The band reformed in 1987. “Lost In A Sea Full Of Sighs” is a collection of 9 songs recorded between 1981 and 1982. Seven songs from their first three 7” singles plus one demo and one song recorded for a John Peel Session in 1981 are compiled here. The music is moody and cerebral, awash with synthesizer swirls and sax interjections.

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Sad Lovers & Giants – Lost In A Sea Full Of Sighs LP [DE115]

Heinrich Dressel – Mons Testaceum [MNQ075]

DRESSEL, Heinrich - Mons Testaceum

Originally released by Legowelt’s Strange Life on a CD-r back in 2007, Mons Testaceum was the debut album from MinimalRome co-founder Heinrich Dressel and the onset of a trilogy dedicated to Monte Testaccio, an artificial mound in Rome composed almost entirely of ‘testae’, fragments of broken amphorae dating from the time of the Roman Empire. Notable for the prominent usage of Elka Synthex, a legendary Roman synthesizer, Mons Testaceum remains a wonderful curio of the Dressel discography and fans of the Italian’s work will delight at the chance to own it on vinyl thanks to MNQ!

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Heinrich Dressel – Mons Testaceum [MNQ075]

Cygnuss – Night Drive [FREEBEAT005]

Leonid and Jose Rico team up as Cygnuss and drop a double 12″ on Freebeat. This stunner of a double pack spans ambient melodic structures, burning acid lines, noisey electro and bashing house tracks.

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Cygnuss – Night Drive [FREEBEAT005]

Bookworms – Xenophobe [BANK002]

BOOKWORMS - Xenophobe

Bookworms drops cut after cut on his debut album Xenophobe. This double LP delivers 7 tracks showcasing some of his best material to date, and after listening to the title track we know Xenophobe is not going to be an average 12′. U-More is a slow and steady pulse of head nodding thump, while Illusion Flip is a hazy, bass driven track hidden behind waves of noise and warm melody. On the flip side, Showering is pure techno guided by an evolving modular loop built for the floor. Nik Dawson has no boundaries when it comes to making beats.

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Bookworms – Xenophobe [BANK002]

Nomade Orquestra – Nomade Orquestra [FARO189]

NOMADE ORQUESTRA - Nomade Osquestra
Nomade Orquestra came together in Sao Paolo in the year 2012, though they could just as easily have emerged fully formed into our world from a mystical land where spaced out jazz soundtracks daily life and the passing of time is rhythm and groove… such is their elusive, ethereal yet highly accomplished and deeply funky otherness. The time is ripe for ten of the most talented and daring musicians working in Brazil today to deliver their fully formed debut. Effortlessly weaving through the disparate sounds of Brazil’s diverse musical diaspora, the group describe themselves and their shared project as ‘the point where different musical expressions and strands meet and interact in a unique way.’ From funk and soul to Afrobeat, Ethio-grooves, dub and hip hop, their sound remains firmly anchored in the world of jazz while taking off to the cosmic stratosphere and incorporating electronic elements, alongside traditional Brazilian styles along the way

vinyl / CD

Nomade Orquestra – Nomade Orquestra [FARO189]

Hyboid – Terror Of The Universe [AS006]

HYBOID - Terror Of The Universe

”Terror of the Universe” is Hyboid´s third long player on his label Astro Chicken. Blending influences from 70s Kraut and Cosmic music with 80s Synth Pop and Soundtracks from Movies, TV Shows and Video Games, Hyboid creates his very own out-of-time style. Recorded entirely with vintage synthesizers and vintage effects, ”Terrör of the Üniverse” is a high-voltage Space Opera!

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Hyboid – Terror Of The Universe [AS006]

Das Ding – Missing Tapes [MW061]

DAS DING - Missing Tapes

Minimal Wave presents an album of long lost tracks by Dutch electronic music pioneer Das Ding, entitled “Missing Tapes”. Danny Bosten formed Das Ding as a solo project in the early 1980s and released his music and friends’ music via his own cassette label called Tear Apart Tapes. At the time, he was studying graphic design at art school, and in turn he ended up designing the artwork, cassette-sleeves and illustrations for the label himself. Meanwhile, he recorded his own music as Das Ding. Powerful dark electro, he made several addictive and danceable tracks which later become Minimal Wave hits. Danny made all his music in his bedroom which essentially turned into a small recording studio. He went on to release many of his own tapes and also played some live gigs. Old tapes were uncovered around 2010, and Minimal Wave released a remastered version of “H.S.T.A.” and select other tracks. A wave of renewed interest followed the record’s release and soon people were in touch to propose live shows. Twenty years later, and after some deliberation, Das Ding was reincarnated under its old moniker but now with a revised line-up and a working set-up that reflected inevitable technological change. Recently, Danny came across further tape archives from those early days. And from the batch, we selected our favorites to present to you in vinyl release form.

listen / MW

Das Ding – Missing Tapes [MW061]