
Wicked ambient/drone cuts by bad boy Roger 23.

Philly’s Metasplice are back with another double LP’s worth of unique soundscapes. To be sure, they’re previous sides for Morphosis’s Morphine label and they’re own imprint _bruxist have been some of the most engaging works of electronic music in recent memory. This collection of new works is even more arresting and vital.

Hailing from Florence, Daniele Ciullini was part of the forward-thinking TRAX collective, whose pan european art/music collaboration network acted as a proto-social network decades in advance of the internet. This compilation collects Ciullini’s self released ‘Domestic Exile’ cassette (1983) as well as selections from a series of other compilations(1982 to 1986).

Captured Tracks present ‘Deeper’, the third full-length studio recording from American post-punk band The Soft Moon.

Two supreme Chicago heavyweights go head to head across 2 slabs of wax… step up Boo Williams & Glen Underground. This double-pack is pure fire & was originally released in 1995 on miniscule Trax offshoot MAAD, fans of that bouncing, stripped back, funked out House music look no further, it’s all right here. This is the first time this record has ever been re-pressed since it’s original release surprisingly with prices on-line often being at the higher end of the scale for used copies.

Is the Truth out there? With “The Truth 2008 – 2013” anthology, Solar One Music presents a refine selection of some of The Exaltics greatest tracks from 2008-2013. Box Set , five years of a highly prolific career. This future classic retrospective gathers together the very best of the Jena located artist on labels such like Transient Force, Bunker, Clone or Last Known Trajectory just to name a few. Only a handful of talents succeeded to emerge from the shadows and raise up such enthusiasm the way The Exaltics did over the last 8 years. Widely regarded as one-to-follow since making his musical debut back in 2007, the co-founder of the Solar One Music label never stop transmitting to Earth warning signals, that would affect the whole human race. Early influenced by Detroit and the European West Coast movements, the German producer, real name Robert Witschakowski, quickly forged his own musical identity, extending the legacy of Drexciya or Dopplereffekt. Always coming on strong with a dense, dystopian and even hostile sound, the present LP turns into a testimony of The Exaltics’s technical skills behind his machines. Featuring eleven cuts (two of them never released on vinyl and one unreleased track) of pure robotic madness tinted with Sci-fi and aggressive funk, with lots of room for experiment to turn dancefloors into panic zones, pushing Acid Techno and Dark Electro genres forward, far beyond trends. Thanks to SOM032, the Truth about Ancient Aliens and their plans to invade Earth is definitively in your hands: a must have for every fan of electronics with soul and nuts. We are not alone!

Moral was the trio of Marco Andreis (Guitars, Bass), Hanne Winterberg (Vocals) and Ingolf Brown (Synthesizers, Rhythm Box, Sequencer) from Aarhus, Denmark formed in 1981. They released their debut mini-album ”Dance of the Dolls” on cassette in 1981 and the album ”Whispering Sons” on cassette in 1982. During the summer of 1983, Moral recorded and produced their debut LP, ‘And Life Is’ at Ingolf Browns home studio. It was the first release on Ingolfs label ARP Gramophone in August 1984. Influenced by early 4AD Records, Joy Division, Brian Eno and Wire, the band crafted their own brand of Nordic melancholic Post Punk. The album develops the bands signature sound of airy, glacial synthesizers with crepuscular guitar and serpentine melodies. The main synthesizers used are the primitive Roland TR-606 Drumatix, the percussion side-kick to the TB-303, plus the BOSS DR-55 Dr. Rhythm drum machine. Hannes hauntingly beautiful vocals walk the line between germanic chill of Nico and Alison Statton of Young Marble Giants. Lyrical themes of cold nights and blossoming relationships paint a detailed picture of youthful life in Scandinavia. This deluxe edition contains three bonus tracks that originally appeared on the ‘Somewhere Outside’ compilation.

Acidicted strikes back – raw deep and moody – with a full length 2x12inch album. For the 10th release Adalberto picked the finest tools out of his box to kick acidicted_2.0 on a trip new from the past to the future of electric houze. against all odds Toolbox comes along with 8 fresh oldschool flavoured trax, showing a wide range of hardware based and tb-303/tr-909 driven stuff……ride on!

Time to hit the vape and embark on the journey of your lifetime, or at least a most pleasant trip this week…or as long as your attention span can handle it. Rising Sun Systems – Oberheim Space, 11 tracks of ambient g-funk slow jams and psychedelic space muzak. Using special frequencies to alter your brain waves and make u a smarter and better human being. Written, produced and performed by Danny Wolfers on Roland Juno 106 KIWI, Oberheim Matrix 1000, Korg DW8000, Yamaha SY35, EMU EMAX II etc.etc.etc.

This double LP album arrives through Modern Love and features a handpicked selection of tracks from the Death Is Unity With God cassette box set Dominick Fernow aka Vatican Shadow issued on his own Hospital Productions label last year. 12 tracks featured here are a balanced blend of broken, ice-cold techno and finely calibrated drone pieces backed by subtle percussive patterns. There’s also plenty of his more raucous beat thrashing and even a few moments of nostalgia.

Dutch label Field is back with another album project, this time from American producer Christopher Ernst, aka L’estasi Dell’oro, who also records as Penalune and is co-founder of the Voodoo Down label. Before now, Ernst has proved himself to be adept at crafting deep and atmospheric, excellently ambient techno on a range of labels. Varying his tempos and textures, he does acid, raw stuff, tough beats and more industrial grooves. Across this new 8-track album, all this and more is explored in captivating fashion. This is an expressive and expansive modern techno album from L’estasi Dell’oro that is perfectly at home on the always interesting Field label.

The Black Electro Orchestra is an alias of Tevo Howard that was originally meant to be used as a template for other artists to take and use, rearrange, rework, and reiterate.. Respectively, after a first eclectic album, the alias took on the identity of cover songs reiterated as Chicago House and Chicago Electro House tracks.. This album titled Cosmopolitan 1987 does consist of that, 12 covers from classic electronic compositions that paved roads in the 1980s and set the path for electronic composers today….

There is a noticeable background noise in all these tracks. The background noise is mainly generated due to the recording method of Patronen and the machines he used to produce his tracks. All tracks are recorded in real time to tape, there is no other reason for it than the quest for a concrete sound and that sound is what you can hear in each track. Modified analog machines recorded directly to tape and then to other tapes. This record is a conceptual album. Two full albums for the new release of Fundamental Records, the first of the new Twin Paradox Series… a series of two different albums in the same release…. this time from the same artist. Patronen reflects a true spectrum of feelings in the precise momentum he is creating and recording the music with his custom modulars, synths, drum machines and of course his tape recorders.

Astro:Dynamics start off 2015 with a collaborative LP from Berlin-based Ben Thomas aka BNJMN and Portland, Oregon-dwelling Kevin Palmer aka Best Available Technology. This collaborative album is a document of a musical dialogue between the two artists that has been ongoing for a number of years. The passing back and forth of ideas and snippets in the pursuit of feedback gradually grew into a body of work that eloquently moulds each artist’s sonic palettes and approaches – harking back to Thomas’ previous cross-atlantic collaborative work with Brainfeeder’s Teebs under his earlier Jackhigh handle.

Top quality remastered reissue of one of the holy grails of the Jazz Funk scene, the incredible Gears LP by organ player Johnny Hammond. Originally released in 1975, this masterpiece is considered to be possibly the finest moment from legendary production and arrangement team the Mizell Brothers and its easy to see why as this wonderful LP just oozes timeless perfection with every track. Boundary breakers at the time, they all manage to still sound as fresh as ever. Standouts include the awesome Loft classic Los Conquistadores Chocolates, a psychedelic sweaty floor-filling dancer which hit big at Ron Hardys Chicago Music Box as well as in NYC; Shifting Gears a seriously funky breaks and block party anthem with all the right ingredients which was heavily sampled in hip hop during the 80s and 90s; plus Fantasy a big DJ Rahaan favourite and the sublime jazz funk groove of Tell Me What To Do.

Synthesizer and drum machine obsessive Xosar (AKA producer Sheela Rahman) has enjoyed a productive few years, building a formidable reputation via releases on Rush Hour, L.I.E.S and Creme Organization. Here she delivers her first full-length for Opal Tapes’ occasional vinyl offshoot, Black Opal. It’s perhaps a little less colourful and synthesizer-heavy than previous excursions, instead focusing on dark, fuzzy, heavily percussive takes on acid house and techno. Of course, there are curious interludes – see the wonky industrial IDM of “Prophylaxis” and the beatless synth madness of “Gnome Circle” – but it’s the more floor-friendly excursions (and most profoundly the bleak and intense “Hades Gates”) that really stand out.

Disco Birds is starting the year 2015 with the label head Levente Imre Takacs aka Ivel Tax. The Romanian born producer brings up his past and current ideas into one full album release, entitled Idel de fel.

Woman In The Moon is a science fiction silent film that premiered on 15 October 1929. It is often considered to be one of the first ‘serious’ science fiction films, written and directed by Fritz Lang, who is the one of the biggest names in German expressionist cinema, the creator of Metropolis (1927). Detroit Techno music producer and a futurist Jeff Mills composed the new sound track for this classic film, initially for the Fritz Lang Film Retrospective event for Cinematheque Francaise in Paris in 2011. Since then, Mills has been consistently performing the soundtrack in the form of a cine-mix.

Portion Control is a British electronic and industrial band from South London. The trio of John Whybrew, Ian Sharp and Dean Piavani started out experimenting with electronics in 1980. The band released their first official vinyl album “I Staggered Mentally” on In Phaze Records in 1982. This album laid the template for the harder edged rhythmic industrial sound of the 80s and 90s. “I Staggered Mentally” is as raw as electronic music gets. Dean Piavani’s anguished vocals are the lone human element amidst electric drones, metallic beats and alien analog flickers. The perfect soundtrack for the harsh, even malignant, urban-industrial nightmare.