Commodity Place project is back with two masterful compositions wrapped in a special colorful EP. The duo composed by roman musicians Massimiliano Loretucci (computer and synths) and Riccardo Frosoni (guitar and percussions) has set two amazing tracks letting the mind and body to travel far away till the most unreachable and undefined horizons of psychedelic music.
Ghettoville is the bleached out and black tinted conclusion of the Actress image. Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout. Four albums in and the notes and compositions no longer contain decipherable language. The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited. Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user. A fix is no longer a release, it’s a brittle curse. Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.
Goitia Deitz are a mysterious duo from Brooklyn, New York. Behind the pairs shrouded persona are two DJs and producers that have been collaborating as Goitia Deitz for the past several years. Their recorded experiments in minimal electronics hint towards an extensive record collection and a shared bonding over their love of Krautrock, Kosmische, Italo, Techno and House. Noting is preplanned or written.
The theme of “Chronicles of Possible Worlds” is exoplanets, new planets discovered starting in 1995 which revolve around a star outside our solar system. Mixing music, dance and visuals, this creative work testifies to the advances of science and hints at the existence of possible other worlds. Following a period of investigation and a meeting with researchers from the Marseille Astrophysics Laboratory, Mills chose to focus on six planets (Wasp 12b, 13b, 14b, 15b, 16b and 17b). Their specific physical and structural properties were then translated through music, sound, images and dance. Together with Mills, the choreographer Alexandre Roccoli created a roaming choreography spread out across the Vasarely Foundation that explores the correspondence between the physical properties of these planets and choreography’s own body states. The show’s soundtrack, composed by Mills, is broadcast by the dancers costumes (designed by Berlin designer Anke Bruns) that are equipped with speakers. The music, the different sonic trajectories, the dancers and the public ambling freely through the halls can spatialize, orbit, or even fuse in the naves of the Foundation.
… In a soft night of confusion the ape was born into his lion mother’s lair. As he grew older, he danced in countless circles around his father’s fallen empire. Spent by fires of ecstasy, the departed reptile king appeared in his sleep and told one love will show you how to fly, and he sang forget the world, ’cause no man will ever wake up from that insubstantial world of cycles…
his release is the logical step after ”Aeon”, this time it evolves to a stage where old and new merge together, ”Surface” has the typical sequential synth lines inspired in the past by iconic groups such as Tangerine Dream but it has been added a good number of refreshing digital drones and textures, a little bit glitch background errors and cold wavetable pads, but at the end keeping the essential vision alive due to all the tracks were recorded live, playing synths and keyboards in realtime specially for this production…
L.I.E.S. present a conceptual O.S.T. LP about Kowloon City, Hong Kong produced by Samo DJ and Max Stenerudh.
Everybody needs vacations….even Dracula.
Lost Race Records presents Shades 10” the new album from Barbiturates, featuring 8 synth-pop & new wave tracks.
Helm’s Impossible Symmetry was one of PAN’s most far-out musical transmissions of 2012 – something that was no mean feat – and on Silencer, Luke Younger continues his exploration of sound’s darker corners with four equally as nuanced productions. The title track seems to tap into the similar rhythmic zone as Demdike Stare’s recent Testpressing releases, combining noisy textures with clattering rhythms, while “Mirrored Palms” creates something more meditative altogether, as a drawn out drone creates images of a scorched wasteland, and “Bergamo” and “The Haze” comes across as more elegiac in their approach, despite their lumbering Emptyset-style rhythms.
The prospect of Donato Dozzy reworking Bee Mask for the Spectrum Spool label is a mouth watering one and this double LP collection, entitled straightforwardly enough Donato Dozzy Plays Bee Mask more than lives up to it’s billing. Originally commissioned to turn in a remix of Bee Mask’s “Vaporware” track from last year’s LP for Room 40, Dozzy apparently felt the track’s inherent beauty merited more than just the one and sent over seven! This decision has resulted in a superb collection of reimaginations from the Voices Of The Lake producer, ranging from calming moments of serenity to bleepish, deep techno explorations.
The ‘Receiver’ series presents six remixes of tracks from Peter Van Hoesen’s acclaimed ‘Perceiver’ album. The first Receiver release sees Donato Dozzy reworking Attribute 39. The Italian maestro steers the original into a blissfull, emotional domain. It is the perfect recipe for coming down after a long night on the dancefloor. Sigha also chooses an atmospheric approach to enhance the original of ‘Attack On The Reality Princicple’. He injects crackling electricity into the track, supported by a huge booming kick.
Giegling homie Dwig presents his debut album and shows again his sampling art in all his facets. A very laid-back one.
We know it is spring and sunny and shit… but we got this new project going and yes,.. it’s cold.. it’s freezing cold. Loose them party shoes and grab those 40belows and don’t forget to put your insulation vest on. We got a remix pack for the Vita (infinity) project on a nice collectable limited colored vinyl 10”. Remixes are done by non other then Heinrich Mueller, Ovatow and Versalife as Hexagon. Also included on here is the beautiful and really deep Vita original ”The Ending” that will be exclusive for this release.
Soundtracks For No Film Vol. 1 is a rather charming mini album of outer-spatial, conceptual electronics from the always on point Acido Records label, seemingly tasking contributors to deliver arrangements worthy of soundtracking film. Madteo sets the tone with “Science Fiction” a haunting spectral cut with little regard for beat structures that could feasibly sit in alongside his brilliant LP for Sahko last year. Alongside this, the A Side features three short form productions, with 291out’s “Urania (Titoli Di Coda)” the highlight, sounding very much like the music you might hear during the end credits of a forgotten 80s sci-fi drama. Complementing this, sometime Sex Tags Mania artist Doc L Junior is given the whole of the B Side to draw out an expansive, epic synthscapes “Modul 2”.
A Luminous Veil is the debut release by Alexander Lewis. Six tracks of heartsore modern industrial and S-M techno created using synth, microphone and pedals. Recorded in one take with minimal computer processing or post-production.
John Beltran returns on Delsin with a brand new album entitled Amazing Things. As a life long pioneer of ambient soundscapes, blissful downbeat and stirring techno, Michigan born John Beltran already has his place in history assured with a bulging back catalogue that takes in influential releases on vital labels like Peacefrog and R&S. This new 17-track album sees the man draw on his lifetime in music to craft an immediately timeless body of work that’s stuffed with genuine musicality, pregnant with emotion and laden with organic blissfulness.
These last few years Rome based producer Egisto Sopor has been turning heads with a steady stream of most excellent releases. A cdr on Legowelt’s Strange Life Records, a tape on 100 % Silk, a double LP on Planet Mu and an evergrowing series of jams that are put on soundcloud or on his youtube channel. All of which offer atmospheric acid tinged techno laced with idiosyncratic touches. He has thus developed quite a cult following among lovers of lo fi electronic music who eagerly await his next grainy video, that feel like lost transmissions from an early nineties MTV broadcast. Polysick doesn’t get out much and keeps a low profile which adds to his rather enigmatic standing.With his new LP ‘Daydream’, Egisto has created the perfect soundtrack to a midnight trip through darkened cityscapes. Starting out like a confused jam session it slowly takes off and twists into uncanny shapes conjuring up images of a futuristic nightlife that plays out under neon lights, with a feeling of dread constantly lurking in the shadows. This is techno that tells a tale; a storyboard that comes pushing through in muffled flashes. A chase scene through deserted back alleys, executed while hunter and prey are both in a half-awake state, stuck in an infinite loop. And when the ambient synth twirls unravel and a 4/4 pulse kicks in and tears through the dreamy state of conciousness, it never signals a reassuring release of tension. You might dance to it, but not without anxiously looking over your shoulder.
‘Ladies and gentlemen, we are going through an area of turbulence, we ask all passengers to remain seated, with your seatbelts fastened…’ Anyone who’s ever experienced the treacherous descent to Cagliari airport will totally understand Renato Figoli’s fear of flying, but in contrast to the loudspeaker announcement that introduces Funkoholic, the Sardinian producer’s album is anything but turbulent – the smoothest of takeoffs, superb in-flight entertainment and controlled touchdown make it an early contender for one of 2013’s most rewarding listens. Funkoholic allowings Renato the scope to fully realize his potential while setting out a musical doctrine that merges deep techno, funk, dub, jazz and ambience in a truly idiosyncratic manner. The album consists of nine tracks, each linked by elegantly crafted ambient transitions that leave the listener in a state of suspended animation. This constant alternation between inner space and outer space is one of the album’s defining features, balancing style and content in equal measures.
The Hipodrome Of Music 