Christelle Gualdi’s second vinyl release as Stellar Om Source from 2011. The LP compiles little masterpieces from the same time period when her acclaimed “Trilogy Tapes” collection was released. With influences ranging from new age to experimental electronic music Christelle creates a wonderful and carefully layered album.
Flight Recorderl – home to modern interpretations of other European genres of dance music – Italo, New Beat, and EBM, in conjunction with Radio Oscillations, brings together a collection of music by those producers inspired by these ‘krautrock’ pioneers of the early to mid 1970s on Obliged to Space – a heartfelt and beautifully written love letter to those cosmic sounds of the 1970s. Tracks from Rude 66, Phantom Love, Antoni Maiovvi, Alessandro Parisi, Ian Martin and others.
Vril debut LP on Giegling sublabel Forum. After appearances on other labels like Semantica and Delsin, Vril has now returned home to Giegling to release Torus, a surprise eleven-track LP with track titles that seemingly combine HTML-speak with Roman numerals. Vril’s productions combine elements of booming dub techno with murky reflections of rave with his own patented and progressive synth sound. Torus sees Vril deliver more of this, but he’s also extended the remit on this album to include other elements of dance music, with what sounds like Clone-inspired (west coast) electro, Chicago house and flashes of Adam X-industrialisms.
Commodity Place project is back with two masterful compositions wrapped in a special colorful EP. The duo composed by roman musicians Massimiliano Loretucci (computer and synths) and Riccardo Frosoni (guitar and percussions) has set two amazing tracks letting the mind and body to travel far away till the most unreachable and undefined horizons of psychedelic music.
Ghettoville is the bleached out and black tinted conclusion of the Actress image. Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout. Four albums in and the notes and compositions no longer contain decipherable language. The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited. Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user. A fix is no longer a release, it’s a brittle curse. Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.
Goitia Deitz are a mysterious duo from Brooklyn, New York. Behind the pairs shrouded persona are two DJs and producers that have been collaborating as Goitia Deitz for the past several years. Their recorded experiments in minimal electronics hint towards an extensive record collection and a shared bonding over their love of Krautrock, Kosmische, Italo, Techno and House. Noting is preplanned or written.
The theme of “Chronicles of Possible Worlds” is exoplanets, new planets discovered starting in 1995 which revolve around a star outside our solar system. Mixing music, dance and visuals, this creative work testifies to the advances of science and hints at the existence of possible other worlds. Following a period of investigation and a meeting with researchers from the Marseille Astrophysics Laboratory, Mills chose to focus on six planets (Wasp 12b, 13b, 14b, 15b, 16b and 17b). Their specific physical and structural properties were then translated through music, sound, images and dance. Together with Mills, the choreographer Alexandre Roccoli created a roaming choreography spread out across the Vasarely Foundation that explores the correspondence between the physical properties of these planets and choreography’s own body states. The show’s soundtrack, composed by Mills, is broadcast by the dancers costumes (designed by Berlin designer Anke Bruns) that are equipped with speakers. The music, the different sonic trajectories, the dancers and the public ambling freely through the halls can spatialize, orbit, or even fuse in the naves of the Foundation.
… In a soft night of confusion the ape was born into his lion mother’s lair. As he grew older, he danced in countless circles around his father’s fallen empire. Spent by fires of ecstasy, the departed reptile king appeared in his sleep and told one love will show you how to fly, and he sang forget the world, ’cause no man will ever wake up from that insubstantial world of cycles…
his release is the logical step after ”Aeon”, this time it evolves to a stage where old and new merge together, ”Surface” has the typical sequential synth lines inspired in the past by iconic groups such as Tangerine Dream but it has been added a good number of refreshing digital drones and textures, a little bit glitch background errors and cold wavetable pads, but at the end keeping the essential vision alive due to all the tracks were recorded live, playing synths and keyboards in realtime specially for this production…
L.I.E.S. present a conceptual O.S.T. LP about Kowloon City, Hong Kong produced by Samo DJ and Max Stenerudh.
Everybody needs vacations….even Dracula.
Lost Race Records presents Shades 10” the new album from Barbiturates, featuring 8 synth-pop & new wave tracks.
Helm’s Impossible Symmetry was one of PAN’s most far-out musical transmissions of 2012 – something that was no mean feat – and on Silencer, Luke Younger continues his exploration of sound’s darker corners with four equally as nuanced productions. The title track seems to tap into the similar rhythmic zone as Demdike Stare’s recent Testpressing releases, combining noisy textures with clattering rhythms, while “Mirrored Palms” creates something more meditative altogether, as a drawn out drone creates images of a scorched wasteland, and “Bergamo” and “The Haze” comes across as more elegiac in their approach, despite their lumbering Emptyset-style rhythms.
The prospect of Donato Dozzy reworking Bee Mask for the Spectrum Spool label is a mouth watering one and this double LP collection, entitled straightforwardly enough Donato Dozzy Plays Bee Mask more than lives up to it’s billing. Originally commissioned to turn in a remix of Bee Mask’s “Vaporware” track from last year’s LP for Room 40, Dozzy apparently felt the track’s inherent beauty merited more than just the one and sent over seven! This decision has resulted in a superb collection of reimaginations from the Voices Of The Lake producer, ranging from calming moments of serenity to bleepish, deep techno explorations.
The ‘Receiver’ series presents six remixes of tracks from Peter Van Hoesen’s acclaimed ‘Perceiver’ album. The first Receiver release sees Donato Dozzy reworking Attribute 39. The Italian maestro steers the original into a blissfull, emotional domain. It is the perfect recipe for coming down after a long night on the dancefloor. Sigha also chooses an atmospheric approach to enhance the original of ‘Attack On The Reality Princicple’. He injects crackling electricity into the track, supported by a huge booming kick.
Giegling homie Dwig presents his debut album and shows again his sampling art in all his facets. A very laid-back one.
We know it is spring and sunny and shit… but we got this new project going and yes,.. it’s cold.. it’s freezing cold. Loose them party shoes and grab those 40belows and don’t forget to put your insulation vest on. We got a remix pack for the Vita (infinity) project on a nice collectable limited colored vinyl 10”. Remixes are done by non other then Heinrich Mueller, Ovatow and Versalife as Hexagon. Also included on here is the beautiful and really deep Vita original ”The Ending” that will be exclusive for this release.
Soundtracks For No Film Vol. 1 is a rather charming mini album of outer-spatial, conceptual electronics from the always on point Acido Records label, seemingly tasking contributors to deliver arrangements worthy of soundtracking film. Madteo sets the tone with “Science Fiction” a haunting spectral cut with little regard for beat structures that could feasibly sit in alongside his brilliant LP for Sahko last year. Alongside this, the A Side features three short form productions, with 291out’s “Urania (Titoli Di Coda)” the highlight, sounding very much like the music you might hear during the end credits of a forgotten 80s sci-fi drama. Complementing this, sometime Sex Tags Mania artist Doc L Junior is given the whole of the B Side to draw out an expansive, epic synthscapes “Modul 2”.
A Luminous Veil is the debut release by Alexander Lewis. Six tracks of heartsore modern industrial and S-M techno created using synth, microphone and pedals. Recorded in one take with minimal computer processing or post-production.
