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The Baiyun Mountain EP is John Heckle’s debut appearance on MOS Recordings. Brit Heckle has more than established himself as a lone sonic explorer thanks to LPs and EPs on labels like Chicago’s Mathematics and Holland’s Creme Organization. Across three more tracks here, he lays out his dense and textured vision of house music once more. Opener ‘Cactus Jack’ is a writhing thing with coarse snares, wild acid gurgles and plenty of paranoid synth lines. ‘Birds With Vertigo’ is another gauzy affair where every bit of sound is filled with fuzz, analogue rawness or splintered percussion. It’s intense and intriguing at the same time before final and title track ‘Baiyun Mountain’ goes a little deeper, with springy metallic synths, ticking percussion and a supple bassline all wrapping around each other into a controlled cacophony of sound.

“The Ghetto Slang” is the Land Of Dance Records’ first EP. Produced by Jann, French guy from Bordeaux, first release in his career. He tried to transcribe what Chicago and acid house mean for him. He’s used analog drum machines, effects and synthesizers like Miami, Juno 106 and Xoxbox. Collaborating with another french producer called Theorama, he decided to produce a powerful acid techno track, perfect for the dancefloor, that track, named “Die Tomorrow”, was chosen by Ricardo Miranda to be remixed. The Chicago house veteran realized his remix adding a touch of class and deep feelings to the song, a real pearl of the EP.

Arttu is back with two tight tracks in his trademark raw jacking house sound. Chicago rooted house music drenched in a heavy dose of interstellar boogie. A-side is the shuffling bassline driven UFO-funkin’ that goes all crazy. AA side is Arttu featuring Detroit’s Jerry The Cat. Both tracks comes in vocal and instrumental version. Instrumentals take things back to the bare essential and are total basement workouts.

Simoncino makes his debut on Creme Organization with five suitably esoteric house offerings. Two of the inclusions, Interval I and Interval II, are serene ambient pieces that showcase this Italians serious synth-scaping skills, whilst the other three are gorgeously romantic and nostalgic house tracks made for the more sensitive dancefloors out there. Tape 1 is the meanest, with a growling bassline and splashes of loose-limbed percussion, where Tape II is much more uplifting owing to the celestial patterns that twinkle above muggy and muddled Chicago drums. Tape III is downbeat and melancholic thanks to the subdued, rubbery bassline, but more golden pads light up the thing with plenty of very real, cautiously optimistic emotions. This is house music to take you to another world entirely, and it’s a fine place to be.

The lost Rockin’ House finally gets released officially. 4 proper acid tracks from the golden age of house music. Previously only a handful of whitelabels have been floating around.

Alden Tyrell is back with a new Clone Jack For Daze. A double A-side release with modern jack tracks that nod to Chicago’s tradition of making effective and fun tracks for the floor. These two tracks with a little jack nostalgia that will do the job! Mr Tyrell delivering in top form.

Finland’s Halvtrak joins Don’t Be Afraid’s burgeoning family for his debut EP. Across four tracks, Scandinavia’s latest musical export explores the house sound of Chicago via Tampere, offering four outstanding dancefloor options with a unique and very personal twist, whilst touching on some familiar UK-centric tropes.

The long overdue Bio Rhythm debut of the chief metaphysics himself.. Three westside boogie tracks that will make all you jackers scream.

Copies found of this repress of 1986 Chicago 12 – delightful stringwork on top of a bassline and choise drumprogramming, it can be so simple.

Photic Fields’ next release comes from another (Italy born) Irishman, Lerosa. He’s always exploring the edges of house, techno and electro to create something new. With this record he also explores the emotive side of things, in a rough edged and analogue way. The record starts off with ‘some things endure’, an introspective piece with a deep and dark synth pad. ‘Nebula Raider’ breaks open the record with its euphoric feel and acid hints. On the b-side you’ll find two joyful cuts: the uplifting ‘dream of flight’, and the closing track of the record, ‘postmodern’, with its playful keys and emotive synth tones.

The Truth (feat Marshall Jefferson)’, one of the standout tracks from Matt Tolfrey’s debut LP, ‘Word of Mouth’, sees a full single release with additional remixes from Gerd’s Geeeman project and John Charnis.

Lux Rec presents the second appearance of Echo 106 on the label. The two brothers descended into Infernal Regions to witness torturing flames, black magic woods, seas of damned souls and ice cold bodies. So brave, although not without any fear, they went close enough to sense such pains themselves. Carving five songs that depict their gloomy journey to an extent that, as the last song says, all is heard indeed.

The original 12” vinyl releases of Stomp The Beat and 1990 were two “Holy Grail” releases of Chicago House as they were only available for a short time before Gherkin Records went into inactive status in around 1991. At the time Larry Heard chose to not disclose the fact that he was the producer behind the Gherkin Jerks EPs. The two releases were a concept of experiments where he dove deeper into the equipment and do some creatively different tracks from his Mr. Fingers sound. These two legendary EPs have been heavily influential on other artists to this day. Often sampled or referenced they are true house classics and still amaze 25 years after their creation. Also on this album three bonus tracks, which are from the same Gherkin Jerks sessions but never released as such. Psychotic Fantasy was on the Dance 2000 pt. 2 album and Ecstasy is the full original take which makes its first appearance here. Reznaytor is an exclusive track for this release, never available before.

Crime Scene kicks the geez out of the backyards of Crime City with 3 dirty street trax. CC 004 is a real underground oldschool jam. Tracked and recorded on real analogue hardware – no plugin fake! houze musique – straight to the ghetto of our heart!