60 Miles are John Daly and Cian Frawley aka Frawl. They got together in the studio after one of the infamous Backwards parties in Limerick and 60 miles was born. It arrived fully formed. Label, live act and mindset. They cut their tracks in the moment. 2 self contained setups, no sync between them. No going back. Drums. Jazz. Techno Soul.
William Thurman aka Royer delivers his second EP for Material Image. Day Of is an effective – and masterfully detuned – EP containing four killer cuts: “Afre” is a mid-tempo scorcher with wavy chords and dusty drums, “Marien” is more of a straight up house jacker, and “Window Sun” heads into deep house territories thanks to those pulsating beats and subtle melodic twists; Aschof’s dub version for a more full-bodied, faster paced reinterpretation.
Music For Dreams continues to roll out the Balearic goodies with this superb new mini album from Golden Ivy. Golden Ivy aka Ivar Lantz is a Malm based composer, producer and founder (along with Prins Emanuel and Gucci Jehova) of esteemed Swedish record label Fasaan.
The mysterious Hodini takes the wheel on this, the third outing on Money $ex. Another triumphant tapestry of sample sources, reinvented and ramped up into an effortlessly effective extended player, taking dusty MPC sample sessions through a variety of moods from head-nod bumpers to wayward House numbers – Swing set to stun all the way and another top quality outing on this label Collaborating with the very best of Germany’s new school.
The DJ Trio and Live-Act (Jesse Scherwitz, Julius Richter and Magnus von Welck ) finished their third EP on Aroma Pitch Recordings. With this one the boys have reached a new level of production and maturity. Three tracks full of twists and turns making this a perfect kickstart for a timeless summer. Beautiful & moody deep techno the oldskool way.
Khotin (Normals Welcome resident) returns for his second release on our imprint. He joins up with Australia’s Dan White, whose release on Forbidden Planet found its way into our record bags this past year. Deep space acid vibe on this one.
Prior to joining up with Lobster Theremin for this volume of their white label series, Qnete’s output had largely consisted of powerful but spacey tracks in an intelligent techno-meets-classic Detroit vibe. While hints of that style are still present on his first Lobster Theremin outing, there’s a much more “classic deep house” feel throughout. Opener “A Luv Jam” comes across as the sort of expansive, star-gazing, Larry Heard inspired jam that moves the head just as much as the feet, while “I Might Be Wrong” doffs a cap in the direction of the Motor City whilst retaining an early ’90s feel. As for flipside “Dresden”, it offers a magical fusion of fizzing, Chicago-inspired drum machine rhythms and spacey, almost endless deep space chords.
Eugene Efimenko aka Muzikalist, is a DJ, musician and promoter based in Kaliningrad. Here he makes his debut on Flight Recorder label with four deep acidic Chicago tracks.
Mörk continues a hazy run of releases with a hard-driving, dream-techno 12″ from Romansoff. Known for raw and battered techno excursions and curation through his Raw Tools labels, Romansoff continues his recent stellar run with a more wandering, daylight-dreaming four track EP. The light-splintered techno of ‘Beyond The Self’ melting into the looping shuttered-blind house of ‘Infinite Dreams’. While the flip explores a visceral washed-out 5am sound palette, with ‘Seven Sins’s drowning modems and the incessant clattering rhythms of ‘She Forgives’.
After releasing his music on the labels like Mathematics, Macadam Mambo, Hotmix and Snuff Trax, Takeshi Kouzuki, Japanese producer currently based in Kobe, starts his own label Man Made Mechanical Culture. The first EP is delivered with his own 3 raw house tracks mainly made of analogue synth and rhythm machine sounds.
The third release on the Nous Ethos Series….. this time it’s a bright and bubbling 6 tracker from another unannounced artist.
Yanneck “Quarion” Salvo has been relatively quiet of late, with his last 12″ dropping midway through 2014. The four cuts gently pull in subtly different directions, with the blissfully spacey synth melodies and long builds of “Lost Coordinates” being followed by the bass-heavy, deep house basement funk of “A Thousand Questions”. Flip for the relentless organ stabs, shaker-heavy grooves, twisted synth lines and bumpin’ bassline of “Burnin”, and the fantastically broken P-funk workout that is “You Were The Only”.
Mr. Beatnick returns to DBA after a two year hiatus following his Synthetes Trilogy series, with a new direction and a 4 track EP which represents his most floor-focussed work to date. Opening cut Stutter is an immaculately crafted deep techno bomb which features the trademark sound familiar to fans of the London producer’s work, whilst title track Formed In The Stance and flip-side Obsidian Morning explore an eyes-down, moody, broken sound which will no doubt ring a bell for devotees of the seminal Co-Op nights.
Seventh release in the I Love Acid series. Perseus Traxx in action with some lush acid techno – melodies submerged in deep reverb amongst clattering drum machines and 303 snarls. All original analogue kit, all the real deal.
Kate Simko and Tevo Howard are known for creating out of the box and genre-bending productions. Now, the native Chicagoans announce their ‘Theme Track EP,’ giving music lovers a taste of things to come from the album. Closing the EP in the spirit of PolyRhythmic, renowned New York producer Fred P (aka Black Jazz Consortium) delivers a masterful remix of ‘PolyRhythmic Theme’.
Some 17 years after it’s original release, Fingers Inc’s expansive debut album, Another Side, remains one of the greatest deep house full-lengths of all time. Here, the album gets the re-master and re-issue treatment, with the original double vinyl set being expanded to a triple to guarantee loud cuts for club play. While there are plenty of well-known Heard and co classics present – “Mysteries of Love”, “Bring Down The Walls”, “Can You Feel It” etc. – it’s actually the long-forgotten album tracks that really hit the spot. It’s on these moments – often influenced as much by ’80s soul and synth-pop as acid and Chicago jack-tracks – that Larry Heard, Robert Owens and Ron Wilson really cut loose.
The Hipodrome Of Music 