
Everysoul is a new beginning and a new label from Vince Watson. Everysoul will be a testimony to good quality music, bridging many genre’s along the way. We hope you enjoy the ride, we cant wait to get started.

Everysoul is a new beginning and a new label from Vince Watson. Everysoul will be a testimony to good quality music, bridging many genre’s along the way. We hope you enjoy the ride, we cant wait to get started.


Venturing back to how it all started, Octave One begins a new chapter, 20 years after their introduction to the electronic music world. Connecting to their origins on Derrick May’s legendary label, Octave One pay homage to their Transmat catalog number with the launch of a new limited series and label, MS10. Returning to basics, MS10 brings the Burden Brothers home to how they started it all, minus the hype and ”back to the essence of the groove”.

Expert techno producer Alex Cortex returns with a four tracker, which includes some of his best work to date. Alex Cortex is best known for his versatile output, from melodic downbeat electronica for labels like Ann Aimee to kicking techno or Drexciya-style electro.

Kirk Degiorgio, the man behind Future Past and As One, continues to innovate with unique sounds and dance floor friendly beats. The Isomer Shift EP is an uncompromising set of progressive dance floor beats in the tradition of Craig/Saunderson and Beltram. The four tracks are outstanding 21st century techno, an instant Degiorgio classic with typically syncopated dance beats, beautiful chords and rhythms that create memorizing and energetic soundscape. On the A side, ‘Isomer Shift’ is a perfect example of Degorigo’s relentless rhythmical talents. Twisted beats, beautiful strings and chords combine to create a master work of futuristic funk. Isidora, the second track brings bigger and spaceier atmospheres to a club fulfilled club beat. The B side takes the future funk even deeper, great strings provide the backing for two tracks that see Degiorgio returning to his previous influences with rhythms and bass lines synonymous with Kirk’s much acclaimed earlier works.

Smooth techno tracks from Sven Weisemann who seems to be one of the hot German talents. After his great releases on Mojuba he comes with more blissful Detroit techno. 4 tracks that fit perfectly on the cool Styrax label.

We are delighted to welcome the mighty Russ Gabriel to ever expanding Dieb family and have him contribute this excellent 3 track ep to our catalogue. Fans of Russ’ sound as well as the uninitiated will not be disappointed here as there is a very wide stylistic audio palette on display here-yet still retaining Russ’ quintessential production aesthetic and quality. Ranging from the epic, old school “Returning Home” with it’s haunting pad and melodious bass arpeggios to the stripped back chugging tech house workout of “Push It Along” and the futuristic, techno-infused “Narita Express” with it’s modulating stabs and catchy, repetitive bassline it is easy to see why Russ is and has always been considered a unique and exciting music visionary equally capable of creating harmonic, atmospheric soundscapes or high energy, functional beats aimed squarely at the dancefloor.

DJ 3000’s full length release “Galactic Caravan” on Motech Records was a well received record all on its own. Add 23 of the worlds most known and unknown producers to the mix and you come away with Galactic Caravan – The Remixes. There are remixes from names familiar to the Motech camp like Deviant who creates a beautiful downtempo mix of “Heritage”, as well as mixes by Gary Martin (“Darjeerling Sun”), Subotika (“Coat of Arms”), Shawn Snell (“Memory Almost Full”) and DJ Compufunk (“Emotional Sequence”). DJ 3000’s goal on the “Galactic Caravan” remix record was to not only allow his fellow label mates a chance to remix tracks from the record, but to also reach out to artists who’s work he both enjoys and respects. This led to an impressive stock of remixes from Detroit and across the world.

Great EP from Glasgow’s on-form Arne Weinberg for Shawn Rudiman’s Technoir Audio imprint. Weinberg deploys his trademark blend of synthesized Detroit emotions with sci-fi harmonics and shuffling rhythms for techno feet.

Classically rooted Neo-Detroit electro from Mick Welch, initiating his Elektrosouls Recordings with a Stephen Hitchell-mastered set of machine rhythms. Welch certainly knows his B12, Black Dog, Juan Atkins and Kenny Larkin tracks, as he neatly approximates a style in between each of his predecessors with crisp and robustly robotic rhythms alloyed to piquant synthlines benefitting from Hitchell’s mastering clarity.

Although The Third Man (Toby Leeming) is a born and bred Londoner, his musical roots lie in Scotland where he lived for 4 years whilst studying at University. During this time he met dj’s, producers and promoters and not happy just watching others play their trade he started to teach himself how to dj. On borrowing a friends laptop with a copy of Reason on he began to explore the capabilities of music programming and digital sounds.
Surrounded by regular techno nights featuring the likes of Stephen Brown, Neil Landstrumm, DJ Rolando and many more his taste was very much slanted towards all things techno and particularly the classic Detroit sounds. However after many all night trips to the Arches, it became apparent that north of the border people liked their music that little bit harder and this was something Toby couldn’t resist embracing taking to the more industrial sounds of Surgeon, Monolake and minimalist legends such as Robert Hood and Jeff Mills.
TTM01 – Some Star Based Shite
1. Luna 24
2. Alioth
3. Messier 101
TTM02 – Come Get It
1. Come Get It
2. Organ Acid
3. The Cybernauts
TTM03 – Electro
1. Tron Disco (Live)
2. 808s & 303s