Re-press of this classic Disco EP by Marcello Giordani. This one was originally released on vinyl back in 2006 on the now defunct sub-label ”Players Paradise” and was one of the first ever releases by Marcello Giordani who went on to become a household name in the scene.
The second chapter on Studiomaster unveils five tracks that showcase the multifaceted dancefloor approach of Marco Passarani. Always aimed at movement yet rich in contrast, the journey begins with the raw, untamed energy of Night Walker, flowing into the intimate, nocturnal vision of The Empty Temple. The twisted, decadent pulse of Rotten Disco echoes with a nostalgic haze, leading seamlessly into the gritty, unsteady groove of Dirty Hands and Cheater’s Smile.
Antoni Maiovvi is an artist like few others. “Knights of New Haven” summarises his unique ability and unparalleled range. This return to the Bordello reflects the influence of the West Coast Sound of the Netherlands as well as that machine music of his adopted home of the U.S. “Later Not Lately” bends bars above a throbbing kick, hi-hats ruffling the clean arcs of string. Echoes of Chicago and Detroit penetrate the EP. Melting melodies fold and oscillate under the crashing cymbals of “Slack Blabbath”, staggered synthlines jolted by tight percussion patterns. A brother-in-arms opens the flip, Danny Wolfers drafted in under his Legowelt moniker to turn his magic to “Later Not Lately”. Undulating undertones are sliced by serrated snares before a sordid TB303 is unsheathed, Wolfers’ soulful and squalid retelling of the original. “The Madness in the Method” closes. Fizzing static blurs drum patterns, a taut note piercing the dense bass fog. Teetering between the profound and the profane, Maiovvi pivots his horror disco trademark sound with driving house drums and devil-may-care grandeur. An EP of epic proportions.
Whether or not you’re a believer, the Gospel stands for the good news. ‘The Gospel Of Jesamy’ by Arp Frique & The Perpetual Singers is a personal good news journey ignited by the birth of a girl named Jesamy, Arp Frique’s daughter. The Amsterdam-based multi-instrumentalist, composer and producer returns with a new record full of gospel funk inspired by his offspring. The lesson is simple and universal: we are all in need of love, unconditional love. This new album is a deep journey in 7 tracks, where Arp Frique channels his love for organic, funk-based music full of obscure synths, bubbly basslines and swirling guitars to bring a new-old hybrid which could be described as P-funk meets gospel-disco. Legendary vocalists abound in this Gospel: Dennis Bovell channels his inner funkadelic on ‘Look Up Johnny’; diva Muriel Blijd takes a solo feature on ‘Father Father’; and longtime Arp-collaborator Mariseya joins the vocal squad throughout.
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Two fresh edits from the Austraian edit master Hysteric, released as pay-as-you-want.
Members Only is back with the 13th volume of The Worst Edits featuring 6 previously unreleased edits pulled from the archives for experimental artistical purposes.
Members Only is back with The Worst Edits and here we have volume 11 & 12, each with three edits chopped in & turned out for the mechanically insame minds.
Stephanie Lange and Claudia Hossfeld, the original singers of legendary Eighties band Saâda Bonaire, plus founding member Ralph von Richthoven are teaming up four decades later for two very special takes on ‘You Could Be More As You Are’. Dark moody vocals meet super disco beats: this is what it sounds like when pioneering DJ and producer Jens Mahlstedt invites Saâda Bonaire over to his studio.
For our ninth release, Gamine label presents Konerytmi with a 5 tracker EP, CMYK a dedication to the 80’s. This is not a just simple tribute but own interpretation of the tastes of 80’s generation. All tracks are homage to the musical fashion of those years. Timbres & drum sounds & melodies & harmonies takes you back to those times.
These are “Demo” tracks from the album “Anadolu Funk”. Reflecting the rich musical heritage of Anatolia, this track combines traditional melodies with contemporary funk rhythms, and the use of traditional instruments such as the bağlama, lively bass lines, and farfisa organ riffs, creating a unique fusion with a modern sound. This tracks again captures that nostalgic atmosphere by using instruments and recording techniques reminiscent of that period. Instruments such as Fender Jazz Bass, Ludwig Super Classic Drums are included.
Reissue of the 1983’s classic ‘Messages From The Stars’ by British Electronic Funk outfit, The Rah Band AKA multi-instrumentalist and producer Richard Anthony Hewson. The song has been rediscovered and revered as a cult classic, transcending time and generations. This reissue celebrates The RAH Band’s pioneering sound and the track’s unexpected rise from obscurity to international acclaim, largely thanks to devoted selectors and fans who never let it fade away.
Berlin-based SIRS is back on Hell Yeah with the new single ‘Woman’, an instrumental version plus a remix from label favourite My Friend Dario.
Humphrey Aniakor started Duomo Sounds after a trip to Milan. The idea was to produce a new sound for the emerging generation. A sleek funky but refined, Nigerian disco sound. This compilation captures all of that intention with a broad array of artists. The music is sometimes sung in local Nigerian languages and sometimes in English but always with an African Accent. Modern grooves for an African market. After several months spent hanging out at studios in Los Angeles and New York, observing the musicians, producers and engineers at work. He went to nightclubs to study what kind of sonic textures made the crowd move. And when he felt he had gotten the hang of it, he returned to Nigeria to set up his record label. A label that would showcase the au courant, cosmopolitan face of the Nigeria’s emerging young generation. That would encompass the boundlessness of imagination, focus, persistence and craftsmanship. That would deliver music that touched the soul.
Like the morning sun penetrating a Winter sky, a shimmering frost flecks the brightness of “Message to Nowhere”. The four tracker showcases the sound of Ruben Benabou’s Hyperstellar nom de plume, a sound that draws inspiration from sci-fi soundtracks and the warmer currents of electro. Refracted bleeps introduce the title piece, shorn beats cutting through glowing synthlines as the EP takes flight. Tight terse drum patterns are the launchpad from which melodies sail and swoop in “Words in a Void”, bittersweet strings and warbling pads bending and shifting above juddering basslines. Fellow Frenchman, and all-round electro virtuoso, The Hacker remixes “Message to Nowhere”. Pulling the track toward the centre of the floor, scissoring snares slice through echoing notes and silken shrouds in this machine funk remake. Temperatures rise for the close. Bold key changes and snapping rhythms gather in “A Thousand Nights”, a lively late evening close to a quartet of sheer quality.
llusive master reworker E.E. returns to Slow Motion’s ‘A UFO’ Free Edit series with his seductive blend of Frankie Goes To Hollywood and Bobby O. The rework results in a full-power marriage of ‘Relax’ and ‘Pump It Up’ reminiscent of Paradise Garage and this unmistakably shimmering era. E.E. raises the tempo and cuts the majority of the vocals, keeping the thumping bass line and classic synth riffs as a focal point throughout. Staying true to the sound of 1985 and not messing with the delicate tones, he achieves a perfect balance, re-invigorating these hits and readying them for another round of dancefloor explosion.
Following her iconic and genre-defying EP ‘Spacewoman’, Charlie has joined forces with Italo heavyweight David Vunk and prolific label head Franz Scala for two remixes of her singles, “Let Go” and “Spacewoman.”
The Hipodrome Of Music 