A compilation of highly collectable and rare Surinamese 45’s and LP cuts. Compiled by Antal Heitlager & Thomas Gesthuizen this is the follow up to the Kindred Spirits released Surinam! compilation. This volume goes even deeper into the field of 70ties and 80ties funk music from the Surinamese dance floors.
Jago was the studio project of Michele Violante created in Milan, Italy in 1983. The line-up also included Luciana Cirrillo aka Kynsha, who wrote lyrics and sang back up vocals. The name Jago comes from Iago, the main antagonist in Shakespeare’s ‘Othello’. In those years, Michele produced a lot of songs and published material for Full Time Records. “I’m Going To Go” was recorded at Forum Studio in Rome in 1983 and released on Full Time the same year. He made an electro-funk demo with a Gibson Les Paul, but during practice the song became soulful funk but arranged with new wave electronics. The song revolves around a slick atmospheric bassline, driving electronic percussion, and tight rhythm guitar and synths. The setup for the recording was a Casiotone MT-40 keyboard, Boss DR-55 and Sequential Circuits Drumtraks drum machines, an Akai cassette recorder, and a Revox A77 for multi-tracking. Lead vocals were done by session musician Bruno Kassar, delivering Kynsha’s playful lyrics along to the lead melody. Also on the A-side is the Instrumental Version which became a hit in New York after Larry Levan played it repeatedly at the Paradise Garage. Full Time asked Levan’s long time friend Frankie Knuckles to make a remix. It was released in 1985 as the “Plant Mix”, and is included here on the B-side. This was Frankie’s first released remix, although the record label misspelled his name as ’Frankye’. The remix clocks in at over 8 minutes, and is a dub edit made using the stereo master of the instrumental track.
New EP from Skatebård on Vivod. A mixed bag from the prolific Norwegian producer showing us why he’s still at the top of his game. “Maskindans” kicks things off with some speak & spell funk followed by “Hissige Helger”, a brooding Chicago style banger sure to tear up some discoteques across the planet. On the flip are “Langbolgen” and Gloymde Skogar. The former is an acid style work out, the latter is more of a subtle, hypnotyizing opus. All very strong tracks.
Power Cuts is a sub label of Power Station, outputting edits from residents and friends of the weekly Melbourne party.
Vivod welcome Paul Withey to the fold for a slice of his funk tinged repertoire. With recent tracks on Birmingham’s Ruby Hills & Diamond Mountain and a remix for Future Unit’s Tusk Wax release, this should be a telling year for Mr Withey.
Hot on the heels of the co-release between Especial and Cocktails d’Amore Music of the Sfire Remixes EP (EES023/CDA013) comes an accompanying release with a pair of deeper, stripped back remixes from the inimitable Timothy J Fairplay and Willie Burns.
Especial returns to its concept of taking music it loves – in this case Sfire’s debut EP – and remixing them for a stand-alone release. Teaming up with Berlin’s Cocktail d’Amore Music, mixing desk duties are taken by newcomer Kris Baha, as well as label mainstays Jamie Paton and INHALT and the esteemed Lauer.
After a hiatus of 11 years it appears Monkeyshop are using the Vivod portal for their current works, this being their 2nd EP for Ali Renault’s imprint. Title track Island of Love is a melodious sprawling opus perfect for keeping the summer vibes going all year round and takes the whole of side A. Side B has 2 more cuts. Heartbreak is another disco pulser and the final track is Island of Love given a brilliant rework treatment from fellow Swede electroist Obergman.
Rouge Mecanique delivers a stone cold classic EP for Discos Capablanca. The psychedelic steady muscle of ‘All Will Be Changed’ aims to destroy visionary dance floors. ‘Sans Scrupules’ is the most surprising acid banger you will likely hear this year. ‘Ampedusa / Xaver’ defies description and its mutant sound could evoque ecstatic early minimal house references, kraut and concrete music. ‘Can I Say’ is simply put the most elegant, languid way to say goodbye to an EP that exudes sheer brilliance and character.
P-Balans is a new imprint in the Future Nuggets emerging constellation. A tehnodelia ramification within the Bucharest electronic scene that will host rising names like Khidja and Borusiade while introducing new characters like The Holy Fix (Camil Dumitrescu, co-member of Delusion Men) and Utopus (Ion D, producer of Steaua de Mare, Raze de Soare, Anahore?ii among others) already featured on “Sounds on the Unheard from Romania vol. 2”. Keeping the same strategies of fusion and diffusion as Future Nuggets, P-Balans will explore the space traversal to techno, entering and exiting the dark halls of the club through multiple doors.
Joining the dots after last years reissue of Plus Instruments early 80s post-punk music on the Bodies EP on Emotional Rescue, Especial now looks at their return to recent music production, taking the song “Love Is Enough” from the recent Trancesonics album and giving it the all encompassing label remix treatment. We get four reinterpretations by Richard Sen, Khidja, Luke Solomon and Jamie Paton.
The Hivern edit series is back with its 4th instalment, this time with two joints by Lost Scripts, the duo of John Talabot and Marc Pional. On the A side, S.O.P. revamps the theme of a popular TV series with krautish rhythms and woozy percussive details to transform it into kosmische monster ready for the club. On the flip, A.F.K. is an uplifting afro-house number that pairs ritualistic percussion and African chants with curly synths to create a journey that starts in the savannah and ends in outer space. A proven dancefloor wrecker.
The Previously Unreleased series of Playgroup 12″s from Trevor Jackson returns with a second edition. Echoing the diverse nature of the classic Playgroup album, there is plenty of stylistic swerves in the three tracks that feature here. Up top, “Doin’ It Right” is a low-slung slab of disco chug with a most devious arpeggio conducting proceedings. On the B-side, “Flyte Mode” is a short proto house piece that would work well as an opening track on a DJ mix whilst “Live At The Funhouse” is a fizzing electro DJ tool.
Left Ear Records went back to Coleman’s original master tapes for their vinyl reissue of the Commander’s 1981 private press album Mastership, a lost electronic funk classic. Truly nuts and really kind of essential. Check the instrumental cut, Mastership – a head nod synth voyage of the highest order.
After taking the helm for the label’s inaugural release, Jonny 5 returns to Bahnsteig with more genre-fluid stylings for the leftfield dancefloor freaks. “Deja Vu” opens the set with a space age textures, stadium slap bass and cinematic guitar licks, firing up the wind machine for some coiffured coastal romance. With the linen suit needing the dry cleaners, Jonny 5 steps aboard the “Last Train” for some oddball NDW rock and roll. Imagine if the B52s if their cartoon was redrawn by Frank Miller – dark and deranged machine music. B-side opener “Miami Slice” continues the lunacy but with added wow and future, taking us on a tape mangled tour of post punk history. The grand finale comes in the form of “Slow Bodies”, a 100bpm cosmic bopper retrofitted with Linn percussion, hypnotic arps and the best in zero gravity delay.
A special treat from the Tiger’s lair with a different and darker twist, that seeks out the darker and more dodgy discotheques on the side streets and in the backyards, where the trough has no flush and the mirror balls have never been cleaned. Automatic rhythms and electronic dancing sound made years after the future.
The Secret Squirrels continue to assault the dance floor and make you want to you to dance with two more deadly reworks. On this 11th episode they continue to disrespect boundaries as they criss-cross from Disco to Italo to House music in order to do their dirty deeds.
The Hipodrome Of Music 