Skylax Records presents a monumental new release by two of France’s most revered electronic music icons: Arnaud Rebotini & Acid Washed. This record marks the first chapter of a secretive 4-part project – each release forming a piece of a bigger picture – a bold and mysterious tribute to the roots and future of rave culture.
‘Neoclash’ is DJ Hell’s new work. The Electroclash of the early 2000s is reconstructed here, its characteristic codes extracted and reshaped into a modern, reflective form. Neoclash is a cultural experiment – music as a medium of reflection, a structure for space and time, and a vehicle for exploring the tensions between technology, the body, and perception. Electroclash now – or a manifesto for the aesthetic relevance of electronic club music, combining strong old-school references with a new understanding. DJ Hell, a.k.a. Helmut Josef Geier, delivers a contemporary reinterpretation of the Electroclash genre. International Deejay Gigolo Records was the pulse of the movement 25 years ago – and Hell, its very namesake. Godfather of Electroclash reloaded. 25 years and many milestones later, DJ Hell returns to his roots with Neoclash, proving that Electroclash in 2025 can sound not nostalgic, but forward-thinking and visionary. Neoclash builds a bridge between past and present within electronic dance culture and club music.
This track from MVQX dates back to 2019; now it’s here, remastered, and available to download for free.
Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation. ‘Metasymmetry’ itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.
Detroit meets the Dutch West Coast. When DJ Maaco (Detroit In Effect) teams up with Alden Tyrell, you know the result won’t be subtle. Banging electro grooves, early techno vibes, and pure machine funk—crafted with love and a healthy dose of fun in the studio. This is the sound of two producers letting loose, channeling the raw spirit of the underground with a playful nod to both Motor City classics and Dutch West Coast swing.
Crisis Records returns after a five-year hiatus with Archives EP, a new release from Imre Kiss and Norwell. Recorded between 2015 and 2020, the tracks mark the duo’s first collaboration since their acclaimed Ad Astra EP seven years ago. Across the EP, Norwell’s sparkling arpeggios sit comfortably alongside Imre’s atmospheric pads. The sharp, metallic drum programming anchors the tracks with cold, rhythmic precision, while rich basslines, occasional squelching acid, and eerie vocal samples create a captivating, hypnotic atmosphere. There is a strong sense of nostalgia throughout, with hints of Kraftwerk and Detroit’s Drexciya woven into the sound, yet the pair still manages to craft something that feels distinctly their own.
In “Time To Face”, Boris Divider seems to operate from an invisible sub-layer of the system, where machines no longer execute orders – they interpret, react and reconfigure themselves. Each track works as a fragment of a world in mutation, a territory where the friction between algorithm and synthetic consciousness generates brief sparks of humanity.
French producer Mascarpone makes his first appearance on Mechatronica with ‘Module 33’, a four-track EP that channels the pulse of classic electro shaped by the Detroit lineage. Sharp synth work, spectral vocal textures and evolving melodic patterns drive the record, showcasing Mascarpone’s distinctive approach to rhythm and atmosphere. Module 33 delivers a forward-leaning take on timeless electro aesthetics—crafted for dancers, diggers and sonic explorers alike.
Emerging from Stockholm, Obergman has carved out a respected space within the world of electronic music over the past two decades. He has become synonymous with a signature blend of electro, acid, and proto-techno, which he has meticulously crafted through releases on some of the most respected labels in the genre.
ADJ & Pathic celebrate 25 of years of their label Pyramid Transmissions with it’s 20th release. They have gone to the roots of the original PT sound with some Deep Electro/Electronica with a solo track each and 2 remixes of previous unreleased tracks from back in the day.
The Vibracid operation has cracked the code. With control systems collapsing, the third transmission pierces the very fabric of reality, unleashing patterns that overflow any known algorithm. From Earth to the far reaches of the interplanetary galactic network, six architects of sound unite to chart routes beyond logic: corrosive FM sequences, blasts of mutant acid, haunting vocoders, and electromagnetic pulses engineered to infiltrate both bodies and machines. Each track is a node in the insurgent network, an access point to the domain where matter, music, and mind can no longer be separated.
Audiotech is one of the many visionary aliases of Juan Atkins, the Detroit pioneer widely recognized as one of the originators of techno. Originally released in 1987 on Express Records, “I’m Your Audio Tech” captures a crucial moment in the evolution of electronic music – when raw machine funk and futuristic minimalism merged to form the Detroit sound.
Raw booming electro cuts by Dutch Detroit legend Orlando Voorn, who follows up 2023’s ‘Outerworld’ with his second TRUST release.
C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts.
Gladio Operations continues its expansion into the electro universe and, with this fourteenth release, lands in Viking lands, giving Danish producer Krypton 81 his debut on the label. On this EP, entitled “Quantum Entanglement”, we sense a breath of fresh air in its three original tracks, which are refined and elegant. The EP is reinforced with two heavyweight remixes by Univac and Vertical67.
The Hipodrome Of Music 