For our ninth release, Gamine label presents Konerytmi with a 5 tracker EP, CMYK a dedication to the 80’s. This is not a just simple tribute but own interpretation of the tastes of 80’s generation. All tracks are homage to the musical fashion of those years. Timbres & drum sounds & melodies & harmonies takes you back to those times.
Orior’s first release introduces Marlon Lopez with a record that boldly explores the boundaries of time and genre. This debut EP is as uncompromising as it is unique. Crafted in near isolation amidst the forest, Marlon’s work is untouched by the usual club influences, offering a refreshing, introspective take on new wave and 80s-inspired EBM. Featuring live bass, 70’s synths, and guitars, the tracks exude an uplifting energy – capturing the raw spirit of punk while steering clear of darkness. Orior (Latin for “I rise”) is the brainchild of LVCA. Born from a journey of resilience and creativity, Orior reflects a commitment to artistic individuality and is a celebration of rising through challenges with limitless vision.
Mannequin Records presents Chromium – Something in the Air (The Hacker Club Mix), a thrilling reinterpretation by legendary French producer The Hacker. Originally composed by Chromium in the early ‘90s, this track is part of the Chromium Industries (1991-1992) collection—an essential archive of forward-thinking electronic music, bridging proto-techno, industrial, and EBM. With his signature touch, The Hacker injects a darkly hypnotic energy into “Something in the Air”, transforming it into a peak-time club weapon, while staying true to the spirit of the original.
Ka§par & Sheri Vari, Muzikalist and Daniel Holt with the projects Vault & Death Posture are on the latest release of In The Dark Again. They deliver four tracks full of gloomy beauty and bitter sweet delight. Let yourself be enchanted by this very special record.
French DJ and producer The Hacker debuts on Radio Slave’s Rekids. The two-track ‘Laser & Smoke’ EP harkens back to The Hacker’s early 90s roots in Detroit-inspired Electro & Techno. First, he starts with ‘Turborave’, a tasteful, bleepy cut with an unignorable bassline and muted dub chords that wash over its snappy groove. ‘Turborave’ is the kind of heads-down, lose-yourself dancefloor moment for the later hours before ‘Harmonia’ sees The Hacker play with high-voltage cables on the B-side. Charged-up zaps and zippy acid call and respond while bodied drum hits keep the rhythm moving, whistles and pads occasionally joining in.
DJ Sotofett comes with a new album on Clone West Coast Series that showcases a playful take on electronic music. Immerse yourself in the vibrant world of DJ Sotofett & The Colours of Computer Generated Instruments. With 12 electrifying electro tracks that blend a wide spectrum of rhythms with 80’s Nintendo console vibes and holy grail analog vs digital synthesis, this album is a jubilant celebration of that sound.
Florian Kupfer lands on Urban Legend Records label with Unmasked EP. The work explores the human condition through the symbol of the spider, representing the duality between creation and destruction, patience and control. Like a spider’s web, the EP weaves complex emotional and psychological connections, guiding the listener on an introspective journey where tensions between light and shadow, the hidden and the revealed, are revealed, in search of inner truth.
“Love Me More” by Mono Junk debuted on the ultra-limited Korento Compilation 01, released by Dum Records in 2001. Among its eleven tracks – ten of which were previously unreleased – “Love Me More” stands out as a compelling exploration of electro vibes, a shining example of the creativity that flourished in the Finnish electronic music landscape at the turn of the millennium.
Cold Blow presents Bonus Beats: Rare & Unreleased Finnish Electro 1990–2002, a landmark compilation celebrating Finland’s underground electro scene around the turn of the millennium. Featuring 12 rare tracks – including three previously unreleased – this collection highlights a fiercely DIY-driven movement that flourished far from Europe’s major electronic hubs, showcasing a distinctly Nordic approach to the genre. With contributions from notable names such as Jori Hulkkonen, Mr. Velcro Fastener, Mono Junk, and the late Mika Vainio, this release highlights the experimental and DIY ethos that defined Finland’s electronic music scene during this period.
Egyptian Lover has been kicking out the jams now for a full four decades. His famously hardware-driven sound is pure bay-popping perfection and has seen him define and redefine electro many times over. Staying true to his signature 80s west-coast electro sound, his new album 1987 echos classics of his like ‘Egypt, Egypt’ and Thebes of them all, ‘I Need a Freak’, by blending signature Roland 808 beats with Kraftwerk and hip-hop influences. He’s a veteran at this stage, but he still moves a floor like few others can.
Amsterdam-based DJ/producer Dirk Wiertz has spent decades immersed in music, working at the iconic Concerto record store and crafting his sound in his studio filled with drum machines and synthesizers. With this six-track digital EP on LDI Records, Dirk showcases his modern electro sound. Blending crisp, precise drum programming with lush and dreamy pads, he delivers a thoughtful and immersive journey, reflecting on the complexities of our current time with a sound that is both contemporary and timeless.
New release from Konerytmi on Gothenburg’s Electro outfit Stilleben Records.
Schrödinger’s Box welcome Catalonia’s Adrian Marth into the fold. The Iberian artist has been drawing crowds and turning heads with his analogue inspired productions and dancefloor inhibitions. This five tracker sees the Italo Moderni founder explore the glittering angles and brooding shadows of his machines. The punishing percussion and beaming laser lights of “Labyrinth Mind” give way to the tumbling drums and racing synthlines of the addictive “Sex Tonight.” The flip opens with the sleazy grandeur of “Beverly Hills”, looming melodies and retro flourishes combine in this operatic ode to the 1980s. Speaking of the 80s, the inspiration for the penultimate comes from a figure who symbolised the bombastic bravado of the era. “Divine on the Late Show 88” is a tribute to the Pink Flamingos legend, beats sparkle as her sequenced dresses and larger-than-life attitude screams into the present. Danny Wolfers takes the helm to close. Donning his familiar Legowelt moniker, the behemoth of all things electronic delivers a saturated and spiralling rework of “Divine on the Late Show 88” to the close.
The latest House of Underground 12″ presents a brilliant collaboration between UK legend DMX Krew and French young blood DVDE. Including 2 vocal featurings by none other than the iconic Fingers vocalist Robert Owens.
Rising from the core of the underground in Latin-America, the Buenos Aires duo makes its debut on Disidencia Records with a powerful 5 track EP which includes a remix by none other than Dutch synth wizard Legowelt. Pungent vocals, accurate distortion and fierce kicks surround beautiful and alluring melodies created throughout the whole record. Happy707 forges energetic beats accompanied by a meticulous flow of electro, wave and industrial sounds.
L.F.T. returns to Mechatronica with his unique, signature blend of new wave and breakbeat influenced electro for the mind, body and floor. Boldly shaped by distorted drum machines, gut-wrenching grooves and haunting vocal chops, the KeyGenerator EP comes backed by an explosive IMOGEN remix and an occult collaboration with Cardinal & Nun. A spellbinding record on its own, and another crystal clear testament to L.F.T.’s razor sharp sonic vision and ability to generate new styles from the past, present and future.
Allumynd emerges from the shadows with a project that feels as though it has been excavated from the farthest reaches of electro history. Fresh from a summer spent deeply immersed in analog gear, Allumynd’s debut album delivers 8 raw and electrifying tracks that capture the essence of an era yet speak boldly to the future. Each track, recorded live, surges with an intense energy and is crafted with both mechanical precision and an emotional undercurrent.
The Hipodrome Of Music 