
Experimental LP inspired on the streets of the big city, listening to the sounds from different angles and perspective of the city. Created just for listening, not for the dancefloor.

Experimental LP inspired on the streets of the big city, listening to the sounds from different angles and perspective of the city. Created just for listening, not for the dancefloor.

Fundamental Records present a vinyl edition of the previously digital only album Cosmos by Cygnus, composed out of eleven tracks (plus two bonus cuts on the 7″). Perfectly bridging the gap between street-smart electro DJ tools and more home-listening techno, Cygnus perfectly updates this sound.

Further unreleased jams from the great Tolouse Low Trax. The producer’s distinctive musical voice – wayward, dystopian, and fearlessly experimental – seems particularly fitting given recent political events. Opener “Calirough”, all sustained horror chords, distorted percussion and ghostly samples, is particularly potent, though the warped, metallic chug of “Hiroglyph” is not far behind. He returns to 4/4 pastures with the post-truth throb of “Wooden Words”, before imagining a bleak future on the intense hum of “Monia”, a typically dark and crunchy workout that’s as chilling as a Donald Trump presidency.

Seven years after his last release as Smackos, music making machine Legowelt surprises us all with ‘A Vampire Goes West,’ a brand new and ever-experimental ambient album. It comes on his own Nightwind label and was made in total isolation on the North Sea coast last Christmas. As for the music, it is smudgy and cosmic; an “all out amateur spacejazz spiritual ambient eruption on smudgey cassettetape” that will take you far away from reality across 14 absorbing and atmospheric cuts. It includes some extra fun treats too: a fridge magnet and microzine with a map in ASCII art that has a quest attached to it which, if decoded, reveals a password that unlocks some secret and special prizes.

The album is newly recorded sound track of the “A Trip To The Moon” film by Georges Melies in 1902. The Lobster Films in France has released a DVD of the same film with Jeff Mills’ sound tracks in November 2016. The famous silent film is only for 16 minutes or so but Mills has finished the entire tracks for this sound track album.
‘When Georges Méliès created Trip To The Moon in 1902, the world was just beginning to feel the tightening, yet exciting effects of another giant leap in modern civilization with the Industrial Age. It was a place in time that was transformable and in all dimensions of an evolutionary process: social, economic and political revolutions were buzzing. As man worked hard under the Sun, exposing his efforts and determination, it was the Moon that hatched his dreams. It was a time of realization and a time of romance’. – Jeff Mills

Epic Synthi 100 action by Ukraine’s most notable film composer. Music for the soviet drama film Flights In Dreams And Reality. Both tracks recorded and performed on EMS Synthi 100 synthesizer in Moscow on 15-16th of April, 1982. Source files from original tapes were kindly provided by the author himself.


“A Product of 30 Years of Violence” is the new release by Christian Donaghey, AKA Autumns. In the build-up to Autumns debut album, an EP of six songs delivering a diverse range of sonic explorations, concepts and limitations is to be released on Clan Destine Records to document the music made during the months of Summer and Autumn of 2016.

The album ‘A Little Comedy, A Little Drama’ by Dusty Baron is the result of collaboration of Moldavian fellows Eugen Kara, Ivan Slivka and Dima Scripnic. Inspired by French and Italian psychedelic electronic music of 60s and 70s, cartoons and the comedian genre of absurd, the trio tried to incarnate their vision of the Space into a LP comprising 13 tracks. Vintage synthesiser lines and classic drum machines create a hugely entertaining blend intoxicated with universal love. Now and then you trace the combinations of techno rhythms rushing into the futuristic vertical, and sometimes the sound transforms into a blend of absolute and exotically influenced reverie.

Third EP on FireScope Records the new sub label of the legendary B12 Records. This release by B12, entitled An Eternal Flame, is about Love. Love for self, a person , our planet , a planet. Each track filled with emotion and hope.


On ‘Azimuthal Equidistanta’ Jamal Moss aka Hieroglyphic Being & The Configurative Or Modular Me Trio serve up 3 tracks on limited colored vinyl. The title track is a jackin’ phaser workout, while ‘Discotic Compuserve’ is minimal bleep at it’s best and ‘How Far Back..’ is a contemplative lowbit riddim!

Kilner aka Blawan with a new double EP for Avian. Jamie Roberts is no stranger to the more experimental tenets of the Techno genre, and much of the British artist’s output of late has hinted at more leftfield leanings. It’s this same willingness to break down perceptions regarding his own music that marks Walk Type – Roberts’ debut on the Avian label, as a notable chapter in the artist’s discography. In terms of aesthetic finish, AVN027 might be Roberts’ most comprehensive and well articulated ode to the culture of machine music – but it’s also his most organic offering. Corroded drones provide the basis for much of the material, pitching & bending at will – shifting & warping in and amongst furtive drum work, that by and large sits uncharacteristically deep in the mix.

TX Connect’s Gavin Guthrie is a horror soundtrack enthusiast and regularly DJs gigs with that premise. So it’s no surprise that he’d produce an EP that implements these themes. The T.R.U. Halloween EP is a special edition EP that collects and compiles 5 tracks from Gavin’s inner circle that range from 80’s era horror soundtrack chase scene music to dark techno. With the recent surgence of Survive and Stranger Things, this EP fits right in the pocket and is slated for a Halloween 2016 release.

Editions Mego publish the third release by Sendai. Comprised of Peter Van Hoesen and Yves De Mey, Ground and Figure presents the duo reside in a more economic framework which allows the sound and rhythm they produce more room to shift, swirl and swim the circumference of the audio spectrum. Moving away from the twitchiness and anxiety of the earlier output Ground and Figure is a vast spacious journey from a duo in full control of their chosen path. Throughout Ground and Figure abstraction and rhythm weave amongst each other in such a sly manner that the resulting tension in the conflicting elements presents the listener with a hypothetical high-tech elastic percussive grid. A thudding, pulsating, shapeshifting ambient beast is summoned by these two creators working as one. This is machine music. This is hypnotic disorientation. This is an immense ambitious and refined world of sound and rhythm. This is the work of two producers who continuously try to top up their skills.

Greek label Lower Parts is back with a cinematic new EP from Athenean artist Ioannis Savvaidis. Influenced by his love of old school computer programming, all four tracks are live jams made with classic Yamaha machinery from the nineties. Form start to finish this is an absorbing ambient release that transports the listener into the world of science fiction. Gently unfolding and expanding in all directions, Savvaidis invites you to cut loose and get lost in your own mind. Some are tracks darker and more foreboding, some are airy and heavenly, but all together the EP acts as a movie lived out in the mind.


The debut album from White Material co founder Young Male. A collection of dark ambient and textured experimental songs created as a personal soundtrack for life in uncertain times. Paranoia, lust, virtual experience, and tension/release are themes explored in this tour through a dystopian American landscape.

Beautifully put together and deeply personal comp of pioneering Belgium New Wave / DIY enigma, Alain Neffe (Bene Gesserit, Psuedo Code, Subject etc). Highly reccomended – includes Folded Inner with Liner Notes (Biography).