“Ambient Trip Commander” is a hand drawn/painted feature animation film made by Danny Wolfers. The film premiered on 28th of May 2022 at the EYE film Museum in Amsterdam Holland with a live soundtrack on synths by Legowelt. This is the soundtrack album of my 2022 Ambient Trip Commander animation film on cassette tape and digital.
Continue reading “Legowelt – Ambient Trip Commander Original Soundtrack [NW038] [Free Download]”
The new LP by Krefeld-born, Berlin-based artist Philipp Otterbach entitled ‘The Dahlem Diaries’. Recorded in a little-visited corner of the German capital, ‘The Dahlem Diaries’ is a convergence of ideas, sketches and tracks, both old and new, most of which were produced between 2020-2022. Whilst eerie atmospheres, electronics and drums have played a pivotal role in Philipp’s earlier releases, his latest is a rather more introspective affair, in which the guitar takes a leading role. A role Otterbach uses to quietly bring light and hope to his music. Combined with a strong use of effects and field recordings, ‘The Dahlem Diaries’ feels somewhat like a scene or fragment from a story, in which the narrative remains undefined. It is a playful album that is something of a blurred underwater adventure, sounding as bright as it is hazy, even psychedelic at times, yet with an almost melancholic positivity.
Höga Nord Rekords celebrates a decade of deep diving into both local and global pools of underground music. During this 10 year long period, Höga Nord Rekords has proven that music both has high cultural relevance as well as supplying instant kicks. Common for the label mates are the slightly screwed approach to genre and sound, with creativity and surprising takes on song structures and tonality. The label has from day one searched for, and signed creative people making music that is not for everyone. Höga Nords reach has and never will be the mainstream and the well-known, rather going deep and wide underground, reaching those who need music to survive and not just as a fund to pass time.
To prepare for “That Who Remembers”, Dorisburg (aka Alexander Berg) and Sebastian Mullaert set up their equipment in Malmo’s empty Inkonst venue, spending several days immersed in its atmosphere, using the lights, smoke machine, and Soundsystem to create an authentic club environment where they could freely improvise. The result is a suite of free-flowing sounds that draws on both artists’ backgrounds in reduced techno and ambient music, sailing thoughtfully through near-future landscapes and punctuating them with shimmering, kosmische textures, decaying sonic memories, and fragile rhythms. Not dance music exactly, it’s music that instead considers the spirit of an empty dancefloor, wondering which elements might remain when feet have left the building entirely.
Emotive & gloomy synth-scapes that sound like a score to a movie that never was nor will be. Played and recorded on an Ipad. Analogue mastering by Guy Tavares.
The Axis Expressionist series, curated by Millsart aka Jeff Mills, is back with a second EP that features a selection of tracks making their debut on vinyl. The music is less focused on the act of dancing and more, says the ever-verbose Mills, “about reflecting on the complexity and simplification of life.”
Stefan Schwander better known as Harmonious Thelonious is a mainstay of DISK. The Metro Tribe Ep delivers: 3 deep club bangers of trancecending quality. Two of which are also featured in alternative versions – ancient MAXI-style – to suit Selectors needs. Every of those 5 tracks are relentlessly drawing the listeners into loosing themselves into dance, demanding the immediate dissolution of your ego in order to open your mind to the perception of rhythms and sounds echoing imaginary cultural traditions of somewhere far out.
With distorted arpeggiated synthesisers and cold metallic drum-machine patterns, William Wiffen from Yorkshire invites you to his sonic warzone. Höga Nord Rekords presents R.E.D. (Rapid Ear Damage), a stripped and harsh take on postpunk, motorik and EBM. With haunting and reverbdrenched synthesizers, Wiffen’s new project sometimes resembles acts like Two Lone Swordsmen in their dirtiest moments. R.E.D. is not a wholesome and pleasant experience. Heavily modified vocals, used more like an additional instrument, breaks through the distorted, hard, backbeat, contributing to the feeling of being trapped in a mental slit trench or bomb shelter: no light coming in – only sound.
Optimo Music continue to dazzle with their increasing experimentation, this time welcoming Finnish producer and K-X-P frontman Timo Kaukolampi to the fore. Exploring the concept of sound as a physical and spatial phenomenon, the LP explores Kaukolampi’s idea of “the sphere”: his metaphysical and/or musical analogy for being subject to an undetectable outside force, as if being manipulated by an unseen cult. Hypnotic, eerie grooves play out in a muted, time-crystalline fashion, all tracks evoking the feeling of being locked in spherical amber, unwitting.
The new digital single from Italian duo Dressel Amorosi, like many of their previous productions, is perfect as a theme for the soundtrack of an imaginary film inspired by the great Italian horror films of the 70s and 80s. Indeed, it has all the sonic ingredients of that fascinating and yet disquieting world and its inextricable mixture of suspense, dream and adventure. The theme starts at the piano, originating from a sweet but haunting melody that seems to evoke distant memories, and then developing into a brilliant arrangement that combines the warmth of the prog bass played by Federico Amorosi (former bassist of Claudio Simonetti’s Goblin and a recurring collaborator of composer Fabio Frizzi) and the coldness of the razor-sharp synths played by Heinrich Dressel (aka electronic music composer Valerio Lombardozzi).
Pinkman’s resurrection of its Broken Dreams series is marked by a release of Dolphins – Benedikt Frey’s project with Markus Woernle and Nadia D’Alo. 40G evokes landscapes of doom, disorienting pleasure, and the surreal visions that occupy a sleepless night; the soundtrack to a Lynchian fantasy about the creatures that haunt the murky waters of the modern mind. It’s an album for finding yourself on a stranger’s couch, tearing at the fraying edges of another endless night, wrapped beneath a blanket of drugged-out kraut.
MTLP0012 ‘Transmissions’ will be divided into two separate releases – Part 1 and Part 2. Part 1, presented here, is released in June, while Part 2 will be released in the 2nd half of September 2023. The album was written and produced by Khidja over the last several years. Part 1 consists of 5 gems showcasing the diversity in the Romanian duo’s production – from shuffle to slow mow, to ‘chugging’ to new age 4th world…
Aufgang B never disappoint with their rough sound excursions. Finally they continue the infamous Demo series with three techno tools rich in mind-melting sound design.
Nonetheless come forward with another sound lecture in Intelligent Downtempo Music, this time with an EP consisting of four cuts well balanced in between the dancefloor and a high fidelity sound installation.
To relaunch his seminal imprint, Infrastructure New York, Function presents his new 12″, Green EP. Celebrating 27 years of Function releases this year and the label’s 25th anniversary, the label will serve as an outlet for his new material, reissues of out of print classics from Synewave, Sandwell District and Ostgut Ton (and of course, Infrastructure), as well as developing new artists. Green EP encapsulates the same raw power and hypnotic energy of his genre defining Sandwell District releases updated with a modern flair.
‘2023’ is the rather unexpected new project of the Dutch cult hero Wladimir Manshanden. 32 years ago, in 1991, Wladimir M founded together with techno icon Stefan Robbers, one of the first Dutch techno labels: Eevo Lute Muzique. While Robbers (as Terrace and Acid Junkies) pursued an international techno career in the years that followed, Manshanden preferred to remain in the shadows. His discography is as small as it is peculiar. But his track ‘Evil’ is an undisputed classic. On ‘2023’ he disassembles the eighties pop hits of his youth into sober, futuristic spoken-word techno. On the one hand, he does not shy away from some cringe (Dire Straits, Simple Minds, Tina Turner). On the other, he pays tribute to some genuine electronic heroes like Kraftwerk, New Order or Master C&J. The path to the bare essentials leads through a futuristic labyrinth. Along the way, you get hints of monotone voices, cipher codes and wondrous Dutch titles like ‘Privé Onderzoek.’ The outcome is alienating and magical at the same time.
This is the follow up the 2021 Alchemulator – “Larping At Fairsnake Hamlet” album that was released on Hunger! records. The sound goes in a bit of a different direction, the cheap digital FM homekeyboard is replaced with simple FM synths, old “obsolete’ samplers and some other stuff. There are a lot of vocals and experiments with them. I would describe them as synthesizer ballads…or hauntological hypnogogic synthesizer folk songs….a bit of a devotional psychedelic spacejazz influence. Instruments used: AKAI X7000, S900, Yamaha DX100, Yamaha DX21, Arturia Microfreak, Korg Microstation, Yamaha PSR373, Alesis Quadraverb, Alesis Midiverb II ZOOM mS70CdR, zILog Vocoder, Soundcraft Mixing desk, computer running Ableton Live.
Mule Musiq dives into the archives of humanoid Ambient music history, bringing the vinyl premiere of a classic work by German DJ, producer, and musician David Moufang, globally known as Move D. Released in 1995 on Pete Namlook’s fabled Fax +49-69/450464 label, the album marks his only output as Solitaire, featuring heroic, supple ambient scenes, that some people call one of the best works by Move D.
The Hipodrome Of Music 