Tradecraft – The Body Needs Purpose [BHT006]

Absolutely killer darkside mutations from Tradecraft, aka Carrier aka Shifted, a stunning hour-long session of dank, highly atmospheric technoid alchemy that plays from the Pan Sonic/Vainio/T++/Actress songbook. Key tech­noid shapeshifter Guy Brew­er chas­es a trio of aces under his Carrier alias with the murky arrival of his Trade­craft project, forg­ing heav­ing down­tem­po slugs and vapours from a sig­na­ture palette of iri­des­cent elec­tron­ics deployed some­where along the line between Actress, Bur­ial and Mika Vainio, on a cyber­goth bent.

Tradecraft – The Body Needs Purpose [BHT006]

Shifted – Constant Blue Light [AVNLP006]

SHIFTED - Constant Blue Light

Shifted offers the latest distillation of his trademark sound. Guy Brewer’s fourth studio album and the first to arrive on his own Avian imprint, “Constant Blue Light”, explores new avenues in caustic minimalism. Eschewing the booming effervescence of his own more plosive dance floor material – Shifted takes a no less nuanced, but decidedly more introspective angle on this new LP. At the centre of Brewer’s practice as an artist, there has always been a sense of dedication to the refinement of a singular idea. In some ways “Constant Blue Light” represents a move closer to the apex of this approach. A continued exploration from a focused and diligent artist that provides yet another fully formed and beautifully articulated component to his own discography and that of the Avian label.

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Shifted – Constant Blue Light [AVNLP006]

Shifted – Appropriation Stories [HOS470]

How does one appropriate oneself? In the case of Guy Alexander Brewer, the situation is complicated by his various current projects in techno, noise and experimental electronics overlaying a once-hidden past in drum’n’bass. ‘Appropriation Stories’ tackles the matter head-on at length, the endpoint of the mounting inward focus already evident in his work as Shifted. For years shunning his previous work in Commix, more recently Brewer has learned to look back, even making sideways stabs into breakbeat territory with his Covered in Sand alias. The process grows more intricate and subtle on his new album for the Hospital Productions imprint helmed by Dominick Fernow (aka Prurient, Vatican Shadow, et al.). Here rigorous processing and studio treatments transform classic breaks into deeply hidden components that add new layers of character to his highly-developed techno sound.

vinyl / CD

Shifted – Appropriation Stories [HOS470]

Covered In Sand – Crescent Shapes Scars [MIRA008]

The release features three abrasive noise workouts. Thud of drums and ritualistic rhythms define the opener Luarica on the A-side alongside a near-melodic whine that stays present throughout the tracks. Orapa (An Interview) on the flip swallows and evokes scuffed voices of a conversation, striving into isolation, while Venetia resumes the haunting rhythm and layers of distortion.

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Covered In Sand – Crescent Shapes Scars [MIRA008]

Shifted – Under A Single Banner [NAIL007LP]

Cover art - Shifted: Under A Single Banner

It’s been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as “S-M techno.” His new album as Shifted, Under a Single Banner, finds the producer converging these strands into a lucid re-imagining of techno, starting off from the toughened, purist templates honed down by the likes of Sandwell District and Marcel Dettmann, and stretching out into more textured, sometimes noisy, often introverted and melancholy signatures. It’s a perfect fit for Bed Of Nails, a label that’s given a platform for the more direct dancefloor mutations of Dominick Fernow’s own productions as Vatican Shadow, Rainforest Spiritual Enslavement, and Christian Cosmos, as well as familiar Hospital Productions affiliates such as Kris Lapke under the Bronze Age guise. There’s a rich and earthy warmth to Under a Single Banner that’s perhaps at odds with the puerile fixation on all things noisy at the fringes of techno these days, but for the most part, the tension and momentum keeps the album definitively aimed at the floor without ever resting on its laurels.

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Shifted – Under A Single Banner [NAIL007LP]

Alexander Lewis – A Luminous Veil [BLACKEST014]

https://imagescdn.juno.co.uk/300/CS480431-01A-MED.jpg

A Luminous Veil is the debut release by Alexander Lewis. Six tracks of heartsore modern industrial and S-M techno created using synth, microphone and pedals. Recorded in one take with minimal computer processing or post-production.

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Alexander Lewis – A Luminous Veil [BLACKEST014]

Covered In Sand – Heaven’s Gate Suicides [MIRA003]

Shifted unveils yet another cloaked figure with his Covered in Sand project, the first release on the Avian sub-label Mira following two impressive turns from the mysterious Bleaching Agent. The title track to Heavens Gates Suicides is saturated in overdrive with cloudy Regis and BMB influences evident. Vatican Shadow remixes “Heavens Gates Suicides” adding subtle musicality to his version, almost throwing the track out of sync with it’s awkward snare hits – if you can call them that. “Russian Gold & Blood Diamonds” is like a beatless Severed Heads piece pulling desperately at your heartstrings while “Pale Skin” is another electronically shambled scuzz of hollowed hisses and jittery sound design.

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Covered In Sand – Heaven’s Gate Suicides [MIRA003]

Shifted – The Cold Light (Part 1/2) [AVN008]

Expert attention to detail across all visual and sonic elements is present and correct once again on this sick new release from the Avian nest, with the label opting for a cardboard sleeve this time. Label co-founder Shifted is at the helm, presenting the first of a two part Cold Light series; “Cold Light Sektor A” is all about the contrast between elements as the near incandescent lightness of those dubby chords battles with the growing weight of Shifted’s sludgy rhythmic arrangements. Complementing this, “Sektor B” opts to burrow down a plinking locked groove making it a perfect DJ tool.

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Shifted – The Cold Light (Part 1/2) [AVN008]

Shifted – Sickness By Means Of Clairvoyance [OCS005]

Cover art - Shifted: Sickness By Means Of Clairvoyance

Shifted makes a welcome return to Our Circular Sound. The four tracks EP don’t deviate from the established Our Circular Sound template, at times channeling the same intensity and single minded “heads down” momentum that ran through much of Crossed Paths, Shifted’s debut LP for Mote Evolver. “Chapter” sets the grainy tone, locked grooving from the off yet slowly introducing extra rhythmic wallop and minute textural details that keep its head well above mere DJ tool. “Feeding” provides some brief yet ominous respite before launching straight into late 90s Downwards functionalism of “Aun Weor” and “Unveiled”.

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Shifted – Sickness By Means Of Clairvoyance [OCS005]

Shifted – Crossed Paths [MOTECD01]

Shifted’s ‘Crossed Paths’ is a record which pushes the formal possibilities of techno and is the first full length work to be released on Mote-Evolver. On ‘Crossed Paths’ the breadth of Shifted’s ideas is both subtle and devastating. As a producer Shifted’s methodology is like that of a sculptor, he works principally with textures knowing precisely when to leave edges raw and fault lines exposed. ‘Crossed Paths’ is constructed of 11 ominous cuts carved with precision and poise.

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Shifted – Crossed Paths [MOTECD01]

Shifted / Samuli Kemppi – Parallel Series 2 [MOTE028]

Having become something of a regular fixture in the Mote Evolver camp, Shifted is back once again to head up Side A of the second Parallel Series 12″. As you might expect, the techno comes bleak and throbbing from the Shifty one, although avoiding excessive heaviness over immersive progression and dubby FX. On the flip Samuli Kemppi plies his quirkier trade, using offbeat synth mess to counteract the steady rhythm of the bottom end on “Trans Neptunian”. “Detached Object” meanwhile fires off streams of interlocking sounds which spiral around the relentless kick for a classy exercise in techno restraint.

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Shifted / Samuli Kemppi – Parallel Series 2 [MOTE028]