
New release on Dekmatel by Vedomir. One deep & cosmic ambient track and one deep & cosmic house track that will raise hands.

New release on Dekmatel by Vedomir. One deep & cosmic ambient track and one deep & cosmic house track that will raise hands.

Wurst presents two remixes of Native Underground’s boogie pop masterpiece, “Push 4 Love”. Runaway’s remix sees a return to form for the duo of Jacques Renault and Marcos Cabral, and a Wurst homecoming of epic proportions to the label that released their debut smash. A monstrous bassline drives the mix, signaling a different direction for Runaway one that we’ll hopefully see more of. Flip it over for an altogether alarmingly groovy remix courtesy of none other than In Flagranti. Tuff beats and nasty low-end form the rhythm section of this cyber-boogie jam, saving the vocals for the last bit, keeping them dubbed out and dreamy in the best way possible.

Fresh and crispy Electronic House with bags of soul from the Fourth Wave regular. ‘All By Myself’ shaves the drums to a slinky shift while keys and bassline are smudged to a hazy, hypnotic blur beneath hushed and jazzy vocal. Similarly the teasing Jazz vibes of ‘What A Mess’, with the sort of textural detailing and studied swing of a producer far beyond his years. Aces.

In spite of 3 tracks on the original Transmissions that fell a little closer to what the heads would expect from Detrot Beatdown man Norm talley, on Transmissions, Chapter 2 he serves up two techno tracks.


New label by Ron Trent who presents a amazing track as first release, taken from his forthcoming album. Lovely mixture of spiritual house, classic Chicago tracks and Ron’s jazzy side. Beautiful and hypnotic dance music that we could hear for hours in a row.

Linkwood returns home to the Firecracker fold with a monumental EP for sister label Shevchenko. Containing three beautiful and timeless pieces of house music, the release also precedes the producer’s long awaited LP on Firecracker early in 2012.

New All Inn Records release, featuring a remix dream-team. “The Brick Remixes” sees two of the All Inn family, Sailor Mood and Summed & Dot, receive the remix treatment from DJ Qu and Kassen Mosse. NYC legend Qu gets to grips with “Brick Brick Brick” and builds this house from the very depths, up. Smooth atmospherics flow between rasping hats, gattling-snares and spine-tingling synth notes. Leipzig’s Kassem Mosse takes on the task of reworking “East Brick Wall” and with hi-hats taking centre stage again, turns in a beautifully deep, wintery soundscape of invitingly textured bass and considered keys.

The Social Background series on Ethereal Sound continues with another deep house 2 tracker from label boss, Anton Zap.

Two killer dub versions of ‘Mass X’ from Fudge Fingas. Vakula turns the original tropical cut into a brain-melting, dark warehouse soundtrack. Meanwhile, Juju & Jordash slow things down and get lost in a shimmering bass odyssey.

Volta Cab present a new release on Finale Sessions, including 4 tracks. “Empire Times” is a throwback to the early nineties classic New York signature four on the floor sound with fuel injected synths and a great dance floor peak time get down groove. The other tracks differ from an 80’s disco sound to massive deep techno.

Skylax Records present the 2nd release on Wax Classic, featuring 5 fantastic trax done by Nicholas’ new incarnation as Soul System. Deep and analogue synth heavy grooves.

DJ Kaos’ debut on Discofil imprint, with some cool selection of tracks, ranging from slo-mo disco house to more jacking tracks with classic house grooves.

The 2nd release of Arthur James Denton on Endless Flight. Title track “An Odyssey” is dark chicago house track, a2 “Loon” is funky rave house track. Legowelt remix on b side is more tech house style.

Matt Whitehead returns with the 3rd installment on Rebel Intelligence. This time 4 tracks of finely crafted acid house in keeping with his acclaimed live sets of the past 2 years. From the Inner City inspired ‘Good Fun’ to the deep atmosphere of the title track ‘Obsession’, this EP captures a sound and feeling guaranteed to move both hearts and feet on the dancefloor.

Paul Mac & mark Broom revisit those aciiied days to show us how it’s done with the four-tracker, ‘Essex Acid EP’ on Mark Broom’s own imprint, BeardMan. Joining their production forces for the first two tracks, Paul Mac then goes it alone for the second half of the EP. Originally recorded back in the day, ‘I Don’t Know’, ‘A Certain Era’ and ‘Knocker’ were first released on Mark Broom and Dave Hill’s seminal Pure Plastic label (PP066), while ‘Remember When’ was never previously released.

The third artist-EP by Uncanny Valley comes from Cuthead and is nothing less than a proper power package. With ‘Vibratin’ things start off as deep as the bottom of the sea. Underneath Cuthead’s dense drums there is an intense and meditating synth line which is eventually complimented by an acid figure as if it was an evil twin. ‘Brother’ rolls in with a mighty kick drum, before a catchy sample and not less catchy piano motives prepare for a propitiating end. With ‘Transgressions’ and its bass line for the bigger floors things get down to House business once again. The remaining two tracks then give an impression of what happens, if Cuthead takes to the MPC for his liveset. In ‘Seram Lembah’ and ‘Heartless’ Cuthead combines his drumming with South East Asian disco-mantras und bittersweet Blues chants to heavy Hip-Hop-grooves.