
Shaknis with a new 4 tracks solo cassette release on Soil Records.

Shaknis with a new 4 tracks solo cassette release on Soil Records.

Greek-born DJ and producer Alex π is the founder of Pi Electronics label and event series, as well as co-founder of record label Modal Analysis. In the post pandemic era, he releases his archive of productions from the years 2016 – 2021 : a blend of Techno/EBM influences, with processed vocals and noisy textures, in a ’song’ like structure. Aiming to crossover the 80s aesthetic to a techno type of production using machines of the ’10s, the concept here is to avoid the sounding of a tool track while still staying within the boarders of dance-floor minded music. The archives will be released in two instalments: Part I on Tripalium Corp and Part II on Soil records.

A dream collaboration with Dario Argento for the soundtrack of his new film ”Occhiali Neri”, Maestro Arnaud Rebotini is back on Mannequin Records with a brand new 4-tracks ep ”I Drive East”. For this new ep, Arnaud started working more on a song form, deeply inspired by his rock’n’roll roots. Having heroes like Suicide or Alien Sex Fiend in mind, he was able to create the perfect link between EBM and Industrial Rock. The final production was orchestrated diving deep into percussive drums and digital synthesizers, a mega hybrid of analog and digital, recalling back our favourite mid-80’s productions.

Plague Pits is a collective from Bern, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet.


The label’s first release is a carefully curated V.A. comprised of six original tracks that illustrate and radiate the curated sound, vision and atmosphere of Phases Records. The V.A. combines genre-bending music from six different artists, exploring the broad sonic landscape of electro-industrial dance music, pushing boundaries in sound, without breaching the sanctity of the dance floor. The V.A. features tracks by New York techno legend and owner of Sonic Groove records Adam X, Mannequin records boss Alessandro Adriani, Maedon (Sonic Groove), 3.14 (Pi Electronics, Modal Analysis), E-bony (PAG TLV) and Chloe Lula (Aufnahme + Wiedergabe).

Israel Padilla is back to his own label Banshees Records with “Control De Vidrios”, a darkness-embedded eight-track release featuring six originals and two remixes by Skelesys & Larionov. Expect a nervy combination of Electro, EBM, Industrial, Cold Wave, Electronica and Techno.

“Krishna Goineau is well known for his starring role in ‘Los Niños del Parque’ with Liaisons Dangereuses and in other projects such as Velodrome and Xeroox. Through one of his friends we have been lucky enough to receive a hard disk on which there are a variety of unreleased tracks by Krishna Goineau with MCL (Micro Cheap League) recorded in the year 85-86. Krishna lived in Barcelona at that time and was involved in different groups while traveling through Germany and Belgium to create new projects. After dissolving Liaisons Dangereuses in 1983 Krishna started a new project with MCL where you can identify the essence and influences that he had at that time, touches of EBM and metal synthesizers with vocals in Spanish as in the track ” No Information”. These tracks are preserved in excellent quality in which Alden Tyrell has done the mastering on vinyl and digital. Having something like this is like finding a treasure in the middle of a secret island. To finalize the release we have edits from Silent Servant, Curses, Esprit Divers. Deckard & Lucient.”

Naamal M’bae aka Nam’s is next on Lux Rec, namely, number 49. The young musician is all dark and desperation, fast, angry and on point. Song titles are quite explicative of the mood one will swirl into. A 7” with an extremely fresh take on all the things we like. Bitter frustration. Spiralling down into chaos.

Following up on last year’s first EP by Chris Mitchell, Feral Colony continues to bring grimey cuts. 5 tracks of gutter realness for adventurous DJs only.


Diseñar y destruir [Design and Destroy] is the second album by Varsovia, an electronic punk project created in Lima at the beginning of 2012 by Dante Gonzales (synthesizers), Fernando Pinzás (synthesizers) and Sheri Corleone (guitar, vocals). Unlike their celebrated debut album Recursos inhumanos [Inhuman Resources] (2014), this new production reflects a greater influence of styles such as industrial music and EBM, but maintaining the sound of analog synthesizers as a principle. The lyrics follow a concept based on the period of violence that Peru experienced in the 1980s, with samples of General Juan Velasco Alvarado and songs that refer to situations such as blackouts, bombings of terrorist groups, and the uncertainty of living in the midst of the armed conflict in a city lost in chaos.

Ofelia Ortodoxa is an electronic music project inspired partly in her family history and on the other hand as a criticism of the imaginary of the people of Medellin in the 80s and 90s in which society refused to accept the new trends of art. This is the project’s second release on Soil Records.

Eye For An Eye explores non conformist electronic music that strives to push the boundaries of genres and practices. Here is a split 7″ featuring Privacy and Cardinal & Nun.

The self named LP marked the fifth album and end of the first incarnation of Bourbonese Qualk. Julian Gilbert left the group after ‘The Spike'(1986) to concentrate on writing and theatre, leaving Steven Tanza and Simon Crab who parted ways after touring in Europe in early 1986 and recording this album. Steven Tanza went on to found the group ‘The State’ and while Crab continued as Bourbonese Qualk (with the new line-up of Miles Miles,Crab and Owen If), dissolved the Recloose Organisation label and founded ‘New International’ as the outlet for future Bourbonese Qualk and Recloose Org releases.

Bourbonese Qualk’s third album “The Spike” was recorded during the period 1984-1985 and published by the Berlin based Dossier/Atonal label while Bourbonese Qualk were involved in organizing the Berlin Atonal festival. Parts of Side 2 of the album is a recording of pieces made for a dance and film performance at the Bloomsbury Theatre in London in 1985.

Comme Des Larmes introduces their first various artists compilation, called “Couler Sur Le Visage Vol. I”, featuring producers making Industrial Techno, Experimental Electronics, Minimal Synth, Leftfield and Post-Punk worldwide today

PHXS24 is coming from Irish producer Erik Eviston. The release named Sickness is a mix of raw contemporary uncoversional industrial, EBM and Chicago acid house unleashing blasts of noise, expressing the sound beyond merely jacking your body.