Analogue synthesizer enthusiast Bezier first surfaced on Dark Entries in 2012, delivering the hard-wired retro-futurist fantasy Ensconced. Two years on, he’s finally ready to release the follow-up, the similarly sharp and sci-fi themed Telemores. As with his previous output, the influences are obvious – think Radiophonic Workshop, electro, minimal, new wave and Italo-disco – but he smartly steers clear of pastiche and empty revivalism. Instead, we’re treated to a range of dancefloor-friendly instrumental cuts, cyborg jams, and intoxicating robot rinse-outs. Closer “Fukushima”, in which he doffs a cap to the synthesized horror-disco of John Carpenter, is particularly potent.

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