
Digital Tsunami presents this summer their 3rd rave camp in the wild Lithuania forests, with an insane line-up that makes us droll.

Digital Tsunami presents this summer their 3rd rave camp in the wild Lithuania forests, with an insane line-up that makes us droll.

Athens based producer Morah returns to brokntoys for a full solo EP to showcase his DIY ethos across 6 tracks of unrefined, sinister electro suitable for murky dancefloors.

L.F.T., Marc Ash, Morah and Helena Hauff are combining forces to pollute the world with a little bit more banging industrial techno on the latest Return To Disorder release.

Formed in 1997, and inaugurated that year with a split 12” from newcomers and label founders, Solvent and Lowfish, this year Suction Records celebrates it’s 20th anniversary with the reintroduction of their famed Snow Robots series of compilations. While originally started as a North American answer to UK electronix labels like Rephlex, Skam and Warp Records, a sound that is still a staple of the current Suction Records catalog, Suction’s sound has also swerved into new territories, reflecting our love of dark ‘80s electronic music synthpop, EBM, and beyond…. Snow Robots Volume 4 features an international array of artists, from Suction Records mainstays like Digital Poodle, June, Celldöd, and Ceramic Hello (with their much sought after 1982 vocoder anthem), to label favourites appearing on Suction Records for the first time: Beau Wanzer, Morah, and one of Skanfrom/Sleeparchive’s lesser known aliases, Civil Defence Programme.

The twelfth Modal Analysis release brings Athens based Morah to the frontline of the label’s roster, along with the New York based, Vapauteen on the remix duties. Voltage EP carries 3 original tracks by the Greek electronic music producer, along with a very special reintrpretation by the American artist, also known as Shawn O’Sullivan. Aesthetics vary from slow and hypnotic rhythms to driving EBM riffs and harshly distorted percussions. Morah approaches the sound of Modal Analysis while maintaining his distinct charachter as a producer, using here field recordings and processed vocals.

The eccentric producer and resident dj of the Phormix parties in Athens, Morah, after his releases on Return To Disorder, Berceuse Heroique and Lux Rec, returns with a fourtracker Ep on Vanila, delivering the sixth release of the label.

BT17 The Glowing brings together an array of fresh up and coming producers. Morah has cut his chops as a producer with releases already under his belt on Helena Hauff’s Return to Disorder, Berceuse Heroique and Lux Rec. One Conversation with a Funny Demon is pure grimy power electronics for the freaks. Solid Blake from the Copenhagen based Apeiron Crew makes her production debut with the creeping Burns. On the flip, Ivna Ji’s celestial beauty of Oscillating Universe opens up proceedings before Vertical67’s Distortion takes us deep into the rabbit hole to finish.


Morah comes from Athens and his record on Lux Rec mirrors this magnificent, spendid, decadent, rotten and grimy metropolis. A long journey into the greek maze. Unsettling at times, not without fear or dismay. And those noises coming from a great distance away, are of fools, demented, lunatics. The release begins with “Around You, Around Me”, a sparse-but-energy packed fusion of wild acid lines, rising and falling, high register melodies, and sweaty, full-throttle drum machine hits. “Don’t Tear My Soul Apart” drops the tempo, but persists with the bold electronic riffs (it’s kind of like the original 1988 version of The KLF’s “What Time Is Love” after a session smoking crack), while standout “It’s Been A Long Time” whips off its shirt for a muscular dance around the altar of mid-80s EBM.