Ostgut Ton present the first remix packaged for Steffi’s album “Yours & Mine”. Remixes are delivered by Lone, The Analog Cops and Staffan Lindberg.
Steffi – Yours & Mine (Remixes) [OSTGUTTON48]
ostgut ton
Norman Nodge – The Happenstance EP [OSTGUTTON045]
Berghain resident Norman Nodge offers up his first full EP for Ostgut Ton with three contemplative tracks; expanding and contracting with countless subtleties and enriched with bold artistic license.
Steffi – Yours & Mine [OSTGUTCD016]
With her debut artist album, “Yours & Mine”, we discover an even further developed producer in Steffi. Steffi shares with us her personal journey. A long period of intense experimentation and self-discovery led to this sensitive, instinctive and extremely insightful long-player. Carefully mixing old and new, warm analog synth and drum textures flow in unison with modern studio finesse over nine tracks, each telling its own story.
Ben Klock – Compression Session 1 [TON042]
Ben Klock continues his exploration into the many zones and movements within the techno world. ‘Compression Session 1’ was previewed in the mix, segued between other tracks, but now we have the chance to experience its full melancholic beauty, along with two other new tracks. Climbing synth themes float and swell amongst a thick and fittingly crisp barrage of drums in this rather anthemic yet controlled session from Klock.
Shed – The Traveller [OSTGUTCD014]
One of the most cherished artists in the Ostgut family, Shed returns with his sophomore album “The Traveller”. It’s a more subtle and perhaps more confident record than Shedding The Past, taking in austere dub minimalism (‘The Bot’), gauzy ambient interludes (‘STP 2′), imperious acid techno (‘My R-Class’), and, on closing track ‘Leave Things’, a kind of scuffed, ecstatic jungle reminiscent of Aphex Twin’s ‘Polynomial-C’. FACT’s Kiran Sande called up Pawlowitz in Berlin to discuss the LP, and the unlikely debt it owes to the Pet Shop Boys…”
L.B. Dub Corp – Take It Down (In Dub) [OSTGUTT039]
After only a handful of productions and remixes under that illusive moniker, British techno pioneer Luke Slater’s “L.B. Dub Corp” arrives on Ostgut Ton in its latest electronic mutation.
VA – Berghain 04 [OSTGUTCD013]
Martyn & Roman Lindau – Berghain 04 Part I [OTON037]
This is the first of three samplers, showcasing some of the exclusive new tracks chosen for Ben Klock’s forthcoming Berghain 04 mix compilation.
Tama Sumo & Prosumer – Rarified EP [OTON036]
Panorama Bar’s most respected residents go toe-to-toe on two tracky new cuts for Ostgut, backed with a rare remix from Oliverwho Factory! Chicago influenced techno tracks.
Marcel Dettmann – Dettmann Remixed [OTON033]
Norman Nodge and Wincent Kunth are on remix duty for these tracks of his forthcoming album. Proper stripped down berlin techno tracks.
Steffi feat. Elif Bicer – Kill Me [TON032]
Well known for her electrifying Panoramabar sessions, representing her love for all things deep, sensual and musical about house music Steffi’s talent has blossomed out of her relationship with the musically entwined cities of Amsterdam and Berlin. “Kill Me” continues the warm, traveling night-time vibes and opens Steffi’s signature sound up into a full vocal-led celebration of house. Besides Steffi killer Chicago inspired throb and moody melodic structure, “Kill Me” features the sultry vocal talents of close friend Elif Bicer, also recording partner of label mates Prosumer and Murat Tepeli.
VA – Sub:stance mixed by Scuba [OSTGUTCD11]
When combining the energy of Berghain and Panorama Bar, together with a (in context) unusual side of dubstep, the Sub:stance club manages to take out the best of both “sides” – and fuse them into a concrete monster. Even though the sharp and ambitious sound may seem a bit uneasy as well as clever, the direction in which Sub:stance is going seems more natural than ever. Keeping the essence of the sounds that define dubstep, as well as the tempos, structure and attitude while fusing them together with a very techno-fied city and all the inspiration, aspiration as well as unique sense of bass music – Scuba seems more than just fit to create a mix CD of it all.
The Hipodrome Of Music 