The Air Texture Series asks two Producers/ Performers to select a double CD worth of unreleased music. The only guidance is the music should not be main floor bangers, other than that we get out of the way, allowing them autonomy over their selection. This time Steffi and Martyn were asked to step up. Exciting, since as residents at Berghain/Panorama Bar – two of the most important dancefloors in the world… how would two such respected artists approach our experimental ethos.
After two big EP’s, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel.
Dutch power duo Doms & Deykers a.k.a Steffi (Steffie Doms) and Martyn (Martijn Deykers) step up to the plate with a brand new action packed offering. Following up their “Fonts for the People EP” and their track “Whirling” on Ostgut Ton’s Zehn LP, the two take their continuous collaboration to a new level. The three tracks on “Dedicated to those who feel” see Steffi and Martyn recognizing their respective strengths, combining their 90s heritage with a vision of the future, modern techno soul with all its flaws and bright euphoric moments. “Dedicated to those who feel” serves as the introduction to a full length Doms & Deykers LP, scheduled for later this year.
Its been zehn years, ninety-two 12”; EPs, twenty albums, fourteen DJ mixes, seven Unterton releases, two compilations, one 7 single and one cassette. Within this time, Ostgut Ton has grown as a label not only in terms of catalogue numbers and musical variety, but also in terms of experience, professionality and as a musical haven for Berghains and Panorama Bars residents.
Reissue of 2008’s highly sought after Vancouver with a new special remix by Head High aka Shed.
Big follow-up of Dolly Dubs 1 by Martyn. Both ‘Newspeak’ and ‘What is room 101’ are ecstatic contemporary house tracks making you remember once again what this music is all about. Pure bliss. ‘Oceania’ on the other hand goes deeep, very intense track with beautiful broken beats and mesmerizing melodies for the more adventurous dj
Martyn presents an exclusive addendum to his all-taking ‘Ghost People’ album, backed with remixes of LP tracks by Redshape, and L-Vis 1990 & Bok Bok. ‘Hello Darkness’ is Martyn at his most shark-eyed and deadly, and possibly his most blatant Burial tribute. Hovering ’98 Tech-Step bass sets the vibe, while bony 2-step woodblocks and chiselled Techno drums keep the motion locked-on and hard swinging, all counterbalanced by a bittersweet rave melody and bubbling electronics. Next, L-Vis 1990 & Bok Bok rework ‘Bauplan’ according to an Eski-schematic; sparse percussion and wide-gauge sound design set a minimal and precariously balanced Techno structure ripe for crafty DJs. Redshape concludes with an ominous, driven Breakbeat Techno remix of ‘We Are You In The Future’.
Martyn takes a step back to reflect in his new release Ghost People out on Brainfeeder. The LP gives off a jigsaw effect, pulling apart genres of music while delicately piecing together a mass of influences from all over the musical spectrum. The album itself is a masterpiece; ram packed with deep nostalgic notes while being filled to the brim with crunching dance floor bangers!
First 12″ in an exciting new series from All City – ‘Collabs’ joins the label’s favorite musical minds together, and this first killer pairing of Martyn & Mike Slott is a hell of a way to kick things off!
3024’s milestone 10th release arrives with 2 brand new Martyn tracks. ‘Lefthander’ clatters in on heavily filtered drums, flickering high hats & garbled radio transmissions before a carousel synth melody breaks through the percussive murk accompanied by a roaming bass line that prioritises restraint over bludgeon. Steam age industrial monolith ‘Shook Up’ swaps slink for haunted metronomic brutality, snapping quickly into focus first with relentless kicks before bass akin to an Atari2600 playing Berghain looms over the clouded horizon.
This is the first of three samplers, showcasing some of the exclusive new tracks chosen for Ben Klock’s forthcoming Berghain 04 mix compilation.
First out the gates is 3024-006, helmed by a pair of artists as unique as they are elusive; Zomby and Redshape. Easily one of the most talked about new producers of the last few years Zomby continues to evolve upwards and out, never settling on a particular style and constantly twisting the technicolour DNA of his output. Those smeared neon fingerprints are all over his reworking of Hear Me’ which lights up clattering percussion and a black hole of a bass drop with layers of sparkling neon crystal SID chip melodies. Tackling “Seventy Four” on the flip side is determinedly enigmatic Techno classicist Redshape. Responsible for a string of unashamedly human releases since 2006, his rich organic sound has recently caught the imagination of a 4×4 scene beginning to look beyond icy [and boring] minimalism for inspiration. A highlight of the forthcoming Fabric 50: Martyn mix CD, the original’s glowering pulse is carefully built on with walls of murky analogue warmth and hissing industrial ambience before reaching a monolithic climax.
The Hipodrome Of Music 