Yugoslavia is a raw cold minimalist band from Murcia, Spain, and “Vertebra” is their debut on Catalan label Oráculo Records.
Yvgoslavia – Vertebra [OR_DUB01]
post punk
Puerta Negra – Costo Humano [OR113]
Puerta Negra delivers amazing industrial breaks covered in a very simple but extremely effective by funky bass lines perfectly finished by ensoniq style super synth leads culminated by harsh raged vocals sung in castillan language. This is for sure one of the most fresh and brilliant modern ebm work coming from the states recently.
Initial Light – 40 Degrees In The Air [OR112]
Many people consider the Tbilisi scene (thanks to the artists that turns around Khidi club) as one of the most advanced and influential in the entire world. Giorgi Kolbaia (aka Downwell) & Giorgi Kharanauli are a good example of those talented Georgian artists. They have made partnership as Initial Light to present a more relaxed work in relation to their solo acts stuff, “40 Degrees In The Air” is a blend of Italo, breaks, synthwave and modern EBM / new beat keeping a common pleasant industrial taste in the 6 tracks included in their vinyl debut.
Sad Madona – Dramatic Dance [OR111]
The very young Paris based Rémi Lauvergne signed some of the best post-punk and dreamy synthwave tracks digitally released in 2022. Oráculo Records put them all together and asked his usual partner in crime Skelesys to remix “Idole”, one of the very best tracks included on this mini- album. You could expect all genre classical approaches as repetitive drums, cold melodies and mesmerizing cavernous vocals.
Years of Denial – Suicide Disco Vol. 2 [VEYL036]
Years Of Denial is back on Veyl with their second LP ‘Suicide Disco Vol. 2’. The follow up to 2019’s ‘Suicide Disco’, the duo makes a triumphant return, elevating their distinct sound which fuses dark wave, goth, new-beat, post-punk, EBM, and techno. The LP features 12 tracks all written and produced at Ark of Noise studio, located miles away from the polluted noise of social turbulences, immersed in isolation, creative indulgence, and poetic writing.
Ambassade – The Fool [OMLP25]
Optimo Music presents Ambassade’s new album ‘The Fool’. Following hot in the heels of the acclaimed ‘Young Birds / Palette’ 12″ on Optimo Music, ‘The Fool’ is destined to be another Cold Wave, Synth, New Industrial, Experimental …whatever you want to call it …classic. “Born from several years of research and contemplation on the human mind ‘The Fool’ can be understood as a reflection to the dark energies – natural, political, human and otherwise – that are released when it comes to religion, greed and power.”
The Dysphoria – Joy Without Ceasing [CDT-TR-224]
Glasgowian label Clan Destine Records presents the debut album of The Dysphoria, great post punk from Tashkent, Uzbekistan.
Plague Pits – The Light [TNP3]
Plague Pits is a collective from Bern, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet.
VA – Casting Shadows: Maja Pa [CSMP]
After releases curated by the masters Mick Wills and Intergalactic Gary, brokntoys presents the third and final installment in the Casting Shadows series with five tracks showcasing Maja Pa’s unique style. The EP opens with ‘A Perfect Day’ by Art Teachers, an excellent example of their distinct synth punk sound, providing the perfect introduction to the Veveo-verse. Next up is Vastechoses associate Brique Corps, who delivers the jagged body music of ‘Has Yo For All4,’. On the B-side, Czech duo Kontrajas contribute ‘Lunt,’ a circuit-breaker from their self-released Laguna EP. Label regular Rory McPike returns to his post-punk persona 2200 for the goth-infused Outlaw. The record concludes with Geoid Color Circle’s mournful ‘Adieu Trois Mort En Juin’, taken from their Six Sad World tape.
Plague Pits – Punishment & Extinction [YCR-161]
Plague Pits is a collective from Bern and Zurich, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet. “Punishment & Extinction” compiles some of the stand-out tracks from an array of self-released, cassette-only EPs Plague Pits have put out since late 2021.
VA – Tributo The Arch [BNS011]
Banshees Records presents a tribute for The Arch with ten fine remixes.
Roberto Auser – Flush b/w Spy Satellite [FLR02]
Here comes the second release from Ferry Lane Records, Flush b/w Spy Satellite by Roberto Auser.
VA – TechnoAcrazia [FRV043-2LP2]
The 1980s saw Spain become a new country. The former stranglehold on the arts loosened and experimentation flourished. This was plain to hear in the music of the time but history can be cruel and many of the artists and groups that were catalysts of change have faded with time. “Technoacrazia” rights this wrong with 16 unreleased tracks and 4 bonus tracks by Muzak, TodoTodo, Megadeath Extreme and V Generación as a compilation that brings the sounds of a pioneering outfit back to vinyl. Raw and young musical machinations, elegant and refined electronics, new and exciting sounds that cross the lines of electro, house, synth and wave to create something truly unique.
The Actor – Exploded View + Demos 1981-1984 [MNQ156]
Mannequin presents an expanded double-LP of ‘Exploded View’ from minimal synth Dutch pioneers The Actor. Originally released in 1982 by Trumpett Tapes, the album was repressed for the first time by Mannequin Records in 2014, and now is coming back to life again in 2022, enriched by an extra full-lenght of demos from a 1981-1984 period. Singing both in English and German, The Actor songs are often related to modernism, fashion and dancing, like a sort of early incarnation of Depeche Mode but totally devoted to home taping and diy recordings.
Plague Pits – Poetry From The Future [TNP2]
Plague Pits is a collective from Bern, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet.
Tout Debord – Ça ne veut rien dire [DR126]
Tout Debord is a Paris-based project founded by Leonid Diaghilev in 2020. This is the second release on Detriti Records for the Frech artist.
Varsovia – Diseñar y Destruir [BR135]
Diseñar y destruir [Design and Destroy] is the second album by Varsovia, an electronic punk project created in Lima at the beginning of 2012 by Dante Gonzales (synthesizers), Fernando Pinzás (synthesizers) and Sheri Corleone (guitar, vocals). Unlike their celebrated debut album Recursos inhumanos [Inhuman Resources] (2014), this new production reflects a greater influence of styles such as industrial music and EBM, but maintaining the sound of analog synthesizers as a principle. The lyrics follow a concept based on the period of violence that Peru experienced in the 1980s, with samples of General Juan Velasco Alvarado and songs that refer to situations such as blackouts, bombings of terrorist groups, and the uncertainty of living in the midst of the armed conflict in a city lost in chaos.
Bourbonese Qualk – Bourbonese Qualk LP [MNQ115]
The self named LP marked the fifth album and end of the first incarnation of Bourbonese Qualk. Julian Gilbert left the group after ‘The Spike'(1986) to concentrate on writing and theatre, leaving Steven Tanza and Simon Crab who parted ways after touring in Europe in early 1986 and recording this album. Steven Tanza went on to found the group ‘The State’ and while Crab continued as Bourbonese Qualk (with the new line-up of Miles Miles,Crab and Owen If), dissolved the Recloose Organisation label and founded ‘New International’ as the outlet for future Bourbonese Qualk and Recloose Org releases.
Bourbonese Qualk – The Spike LP [MNQ114]
Bourbonese Qualk’s third album “The Spike” was recorded during the period 1984-1985 and published by the Berlin based Dossier/Atonal label while Bourbonese Qualk were involved in organizing the Berlin Atonal festival. Parts of Side 2 of the album is a recording of pieces made for a dance and film performance at the Bloomsbury Theatre in London in 1985.
VA – Couler Sur Le Visage Vol. I
Comme Des Larmes introduces their first various artists compilation, called “Couler Sur Le Visage Vol. I”, featuring producers making Industrial Techno, Experimental Electronics, Minimal Synth, Leftfield and Post-Punk worldwide today
The Hipodrome Of Music 