Next M.U.S.A release by the enigmatic Spoiled Drama with remixes by L.F.T and Kris Baha.
The Raval Breakers strike back, blasting a rather fitting soundtrack to the dystopian times we are living in. This third volume gets together old and new friends of the M.U.S.A. family who show their personal takes on electro. The first track is a deep and explosive yet somehow contended cut; made in Rub by its legendary producer Univac, inspired by The Hague and remixed in Russia by the duo Fractions. La Maquina Corrupta sends a trancy, breaky and acidic cut from Berlin and Sistema, which inaugurates his new alias Brodmann 41 for some paranoid electroclash action. On the flip, Privacy does a great remix of Exzakt & BFX, mixing electro rhythms with a narcotic and nocturnal atmosphere that adds dubstep flavor to the formula. Finally, Barcelona’s own RNXRX closes this third EP with a broken and dirty track that sounds like a high-definition face punch.
The second Raval Rave Breakers instalment continues with another strong five tracker. A Swiss knife where different sides of electro manage to coexist in blissful harmony. Some of them do so in a clean and classic way, like Dark Vektor’s “Time Space Rhythm & Bass”. A small 80s odyssey that fondly reminds of a certain quartet of well-known robots. Some others take a a more raw and contemporary approach, like Spoiled Drama (Nous, Fleisch), who plays the aches-and-pains card in a glorious way: “Drama’s Welcome To The Synthesized Pain Society” goes straight to your cortex and it won’t be easy to forget. Univac (Bunker, Moustache) sits in a more middle ground, bringing us “Collider”: a powerful electro-techno track that will uplift any possible dancefloor. Larry McCormick, head honcho of the renowned label Monoton, signs as his usual alias Exzakt, but now gets accompanied by the mysterious BFX. Their track “Close” is a as perfect as it could be: a pure, raw, super intense breaker electro rhythm, a ratchety lead, a couple arps, a distorted vocal and a tremendous sub that, even at low volumes, it might be heard even from the Mariana’s Trench. Closing the EP, Eel travels back to the more lo-fi side of the genre with “Sich Kreuzende Linien”, an eerie and hypnotic track which surrenders to an absolute jackhammer of a rhythm section.
First record of the “Raval Rave Breakers” compilation. This VVAA contains 5 tracks of electro with artists like Boris Divider, the remix of the American Patricia to the Argentinean Nehuen, or the flagship artist of M.U.S.A, RNXRX delivers a psychedelic jam, an industrial acid track as catchy as it can be. Heroine From The North sounds a bit like when New Beat became faster and more agressive, being mixed with styles like EBM and trance.
The free will of Struments has led them to concentrate in one 12inch the encyclopedic knowledge of Marc Pinol, a duo of kids that present themselves as T.A.L., and the responsible for all that, Spastor, that appears in a remix signed by Florian Kupfer. Lliure Albir sounds as if Pinol was dazzled by the light of a lantern in a chill out while Paranoid London resound in the next room. In his remix, Palms Trax bet on tom toms and certain tribal groove, adding soft eighties keyboards, deep atmosphere, speeches and dub deliriums that perfectly fit in the freak universe of Pinol. Florian Kupfer remix made of Spastor’s Death In La Paz: a hit made in the German musician style whose groove is created by a fold in the sound and the apparent imbalance it has with the bass drum. If after this dawn breaks, it will not be small thing. T.A.L. are guided by a retro-spatial pulse to open a fan of sounds that expands and contracts threateningly, and delicately form what looks like an EBM hit stripped of the hammers.
CWS (pronounced ”Classicworks”) is the new brainchild of Cardopusher and Nehuen, and their debut release for Barcelona imprint Struments Records presenting their first explosive statement as a formulated duo. ”Untitled EP” sees them experiment with new forms of production and creation. These four tracks of raw, analogue fetishized techno draw you out of this world and into an acid drenched bunker in outer space, with rhythms and synthesis drawn exclusively from analog gear. The A side showcases two very blunted electronic jams – beginning with the overdriven synth and drum layers of ”Untitled 01”, and rounding off with the tape saturated, funky yet introspective electro jam of ”I”. The B Side sees things set off into hypergear; ‘Untitled 02’ ignites the dancefloor with its relentless kick and hard, acid-inspired bassline. The EP is topped off beautifully with a remix by Rephlex Records electro superhero and Breakin Records boss DMX Krew, flipping the forward drive of ‘Untitled02’ into a staccato old skool electro breakdance, drenched in sinister pads and block-rattling orchestra stabs. An absolute essential for the DJ crates worldwide.