Kris Baha – Palais [CDALP003]

‘Palais’ is a 12 track multi-faceted exploration of Kris Baha’s musical sensitivity. The one man band’s namesake LP title, ‘Palais’ is based around the concepts of alienation, detachment, melancholia and lust. All songs written, performed, recorded and mixed by Kris between 2015 – 2018 in Berlin, laced in his signature industrial sound. ‘Palais’ encompasses a range of shades from dance-floor works ‘ Living Nothingness’, ‘Brink Reality (Part 2)’ & ‘Non For The Sane’ to experimental cinematic undertones ‘You Told Yourself This Would Get Worse’. Also embodied are modern classics like the machine funk metallics of ‘Steel Sands’ and ‘Defied’, a year 2042 cyber punk hit. There’s even a dark room inspired theme for the black leather lovers. From his own batch of psychedelia to post-punk and electronic romanticism this album is full of surprises and we at Cocktail d’Amore Music are absolutely proud to present this outstanding work.

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Kris Baha – Palais [CDALP003]

Cosmo Vitelli – Un Episode Psychotique EP [DLM024]

Les Disques De La Mort presents the meaner side of Cosmo Vitelli. The aptly titled “Un Episode Psychotique” is disco gone wrong, italo with neurosis, straying from polished clichés, musical yet strangely anxiogen. This is turned into an Eighties monster by GOTT aka Sneaker and Scannoir. Their Creatio Instrumentalis is a cold funk monster.

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Cosmo Vitelli – Un Episode Psychotique EP [DLM024]

The Hacker – Nancy [EE027RTM]

The Hacker needs no introduction. The 4-track 12-inch ‘Nancy’ on Electronic Emergencies finds him at his best – oscillating wildly from electro to new wave, his true musical roots. For the title track, he collaborated once more with post-punk hero Michael Zodorozny, vocalist of Crash Course in Science, resulting in a slippery wet dance floor killer. The three instrumental tracks have a gritty feel, breathing over the cold wave atmosphere.

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The Hacker – Nancy [EE027RTM]

VA – Hooch! [SAMEHEADS002]

Second Installment of the Sameheads’ bi-annual vinyl compilation highlighting the Berlin based bar / club / playground / space / collective / cult / whatever’s musical mavericks. An-i, Franz Scala, Alexander Arpeggio & Marlene Stark, Epsilove & Ohlandy, Anklepants and Umlaut are all featured at the top of their game. A unique-clutch of oddball bangers.

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VA – Hooch! [SAMEHEADS002]

Velodrome – Au Velodrome 141 [DE256]

Velodrome are the duo of Krishna Goineau (Electronics + Vocals) and Jordi Guber (Electronics + Programming). At age 15, Jordi played guitar in Barcelona punk band Ultimo Resorte, and formed Líneas Aereas with Frank Palomo after becoming interested in electronics. Krishna had been performing with Chrislo Haas and Beate Bartel in Liaisons Dangereuses. Krishna and Jordi met in 1979 through Jordi’s brother Raul, who was in the no wave group Xeerox. The idea of collaborating came when Krishna paid a visit to the rehearsal studio that Xeerox shared with Líneas Aereas. After dissolving Liaisons Dangereuses in 1983, Krishna, who was impressed by Jordi’s synthesizer skills, decided they should move to Brussels. There they formed the short lived Metropakt, releasing two songs on various compilations in 1985. Not long after, they re-named their project Velodrome and began to rehearse with greater discipline. Experimenting with the latest Roland machines, which were equipped with MIDI, was an exciting challenge for the duo. In November 1987 they recorded three songs, “Au Velodrome 141”, “Glassfabrik” and “Capataz” at ICP Studios in Brussels, with additional vocals from Annemie Gers. They found a home on German label Animalized, and the songs were released in 1988 as the ‘?? ????????? 141’ EP. The record is striking, dynamic, challenging yet accessible, with Krishna’s frenzied vocals sharply contrasting with the cool, angular production. In more recent years, the release has become much sought after by fans of techno, electro, minimal synth, and avant-garde music.

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Velodrome – Au Velodrome 141 [DE256]

Konstruktivists – Glennascaul [DE258]

Konstruktivists is the Industrial project of Glenn Michael Wallis from Kent, England. In the late ’70s Wallis was a “control agent” for Throbbing Gristle and the Industrial Records crew. Glenn began to record his own material and after several cassette releases, Konstruktivists’ first LP ‘A Dissembly’ was released in 1982, followed by ‘Psykho Genetika’ in 1983 and ‘Black December’ in 1984. In 1985, Glenn spent a week at Chris and Cosey’s studio recording 11 tracks that would become the ’Glennascaul’ album originally released on Nigel Ayers’ Sterile Records. Produced and mixed by Chris Carter, it marked a complete change in style for the band towards a beat-orientated rhythmic sound. ‘Glennascaul’ is proto electro at its very best, with Glenn’s hallucinogenic vocals on top. A musical collage designed to invoke images in the mind. The back cover clearly states “No guitars. No Fairlights.” For this deluxe reissue we’ve added two bonus tracks recorded around the same time, now vinyl for the first time ever. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley.

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Konstruktivists – Glennascaul [DE258]

Frust – Stone I EP [OR61SE]

Oraculo Records presents the new side project of Blind Delon featuring and a special remix of Antoni Maiovvi of Giallo Disco Records. Dark Italo or minimal synthpop could perfectly define what FRUST is; hypnotic glacial synths and mesmerizing cavernous sad voices for darkwave lovers.

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Frust – Stone I EP [OR61SE]

Velvet May – Unknown Bodies EP [TWS002]

Velvet May returns on “ Tears On Waves” with the 4-tracker EP “Unknown Bodies”. This time he is joined by the live duo Years of Denial and the northern-irish artist Autumns who delivered their own interpretation and vision of the tracks in the B side.

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Velvet May – Unknown Bodies EP [TWS002]

Le Chocolat Noir – Crna Ruža [SLK009]

Five cuts of obsessive electro/ebm from the cold heart of Croatia that will make you sweat. Unchaste vocals on brash basslines and slicing snares are melted with acid sounds and thumping beats. These tracks tie together a journey beginning in the 80s Yugoslavia, among rituals and lies, leading to the relation with sexuality and eroticism within the collective consciousness of mankind. How do you deal with your purely physical desires?

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Le Chocolat Noir – Crna Ruža [SLK009]

Mr TC & Lo Kindre – PHASE001 [PHASE01]

“It’s not easy to transform a jam into a proper tune that haunts forever. The two Glaswegian friends MR TC and Lo Kindre are in possession of that special skill that can transform spontaneous tuned-in music into something significant without losing the gut feeling along the way. As solo artists they have released on labels like Optimo Music, 12th Isle and Against Fascism Trax, and together released ‘The Storm EP’ in late 2018 on Vienna’s Neubau. Now they continue their collaborative work on PHASE001 – an EP that also marks the launch of their own label that listens to the same name. The start-up brings four analogue tracks that courageously link cold waving synth-shocks, neon-light nonchalance and haunted spoken words; deep hypnotic musical witchcraft that peels itself out of the history of dark electronic music with a pulsating and haunting atmosphere.” Words by ML

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Mr TC & Lo Kindre – PHASE001 [PHASE01]

Abstraxion – Black Vulture [DA011D]

Dischi Autunno welcome Harold Boué to the fold for another full-strength cosmic expedition. Best known as Abstraxion – and, since last year, Lion’s Drums – Harold is the man behind the Biologic label and is renowned for his sprawling, hypnotising productions. As a deep as he is decorated, Abstraxion lives up to his name and rips you from the plugs of reality without safely disconnecting. Take this EP; the lead track ‘Black Vulture’ hurls you into a space on a Black Strobe rocket that tears through black holes like us mere humanoids drink black coffee while the breakbeat-driven ‘Deleuze Fight’ flips us 360 in the anti-gravity flow sending us spiralling into an ocean of lasers. For a heavier intergalactic trip head for ‘Remember Bourdieu’ where more and more turbulence kicks in on every bar, creating a driving hypnotic intensity that you’ll never forget. Finally we crash back into reality with the fittingly nihilistic ‘Nietzsche’s Future’; spiralling, cascading arpeggios with more than a mild touch of prang; it’s a poignant end to yet another unique trip from Jennifer Cardini & Noura & Labbani’s Dischi Autunno imprint and Abstraxion himself. And that’s before we even touch on the killer remix missions en route… Black Merlin cranks up the noir to mind-melting technoid levels on ‘Black Vulture’ while Interstellar Funk smelts ‘Deleuze Fight’ down to a deep dark acid swamp.

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Abstraxion – Black Vulture [DA011D]

The X Initiative – Snapshots of the Past [F//014]

The X Initiative is the follow-up to Adam X’s ten volume series project “The Secret Initiative”. Now one year on since unveiling the secret, Adam continues the spirit of the original project with four previously unreleased songs recorded in the end of the aughts decade. New beat grooves awash with icy atmospheres that were well ahead of their time in their moment of creation.

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The X Initiative – Snapshots of the Past [F//014]

PS+ISF – PS+ISF [LIES135]

Dutch powerhouses Parrish Smith and Interstellar Funk team up for their debut collaboration on L.I.E.S. with a new four track EP. Striking up the perfect balance of both their signature styles, this record hits the sweet spot between metallic synthwave, slow beat industrial, and clanging EBM hybrids. The duo effortlessly weave together a sonic narrative with nods to the past but unmistakable emphasis on their ever expanding foward thinking future sound.

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PS+ISF – PS+ISF [LIES135]

Caroline K – Don’t Belive It’s Over [MNQ130]

Mannequin Records presents a rare lost demo tape recording of Caroline K – real name Caroline Kaye Walters – founder member of Nocturnal Emissions, one of the best UK experimental/industrial music groups in the 1980s. With the help of Beverley Ireland – a mysterious friend of Caroline, who nobody seems to know anything nowdays – on the vocals, Caroline used a full weapon gear made of Sequential Circuit Six Tracks and Drumtracks, Roland SH-101, Roland Tr-808, Powertran Vocoder, EMS Synthi, some Casio, all recorded on a Fostex 8 tracks reel-to-reel. Presented in 4 different versions – Original, Dub, Instrumental and Alessandro Adriani Edit – ‘Dont Believe It’s Over’ was recorded in 1983 at Caroline’s home studio in Brixton.

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Caroline K – Don’t Belive It’s Over [MNQ130]