

Three analogue synthesizer tracks by Mark du Mosch. On remix duties, we find French producer Voiski, who brings the title track ‘Amulet’ into overtly darker, techno territories. Comes with silkscreened sleeve by Ruben Verkuylen.

Still no one knows who Gerstaffelen is, but with this release the producer becomes a regular on the MOS Deep label and is now back with four more of the rawest cuts you could imagine. Wasting no time in getting gritty, ‘Bombara’ is a frazzled and gauzy deep techno cut with muffled voices, beams of melodic light and lots of percussive hustle. ‘Invisible Ghosts’ is a less urgent but equally monstrous track with dark groaning bass, prickly hi hat patterns and frenzied synth lines. ‘Night Flowing North’ actually offers a slightly lighter sound, with celestial and heartfelt melodies darting about between ping ponging drums and percussive hits before ‘Night Flowing South’ comes over like a classic jack track from Chicago, with a quick baseline riding up and down the scale and propping the whole track up

Debut release showcases 3 of Tel-Aviv’s emerging electronic music producers. A-side is defined by Tv.Out’s hard-driven machines and Pharaoh’s hard jackin’ house miniatures. Stamp-side features two deeper House cuts by Jerusalem’s Yogg followed by a killer Fred P remix.

Sunil Sharpe and DefeKt unwrap more electrified madness with a second release as Tinfoil. More Sunil Sharpe techno than DefeKt electro comes through on this EP with “Foil 9” battering down the hatchet for a synth heavy, hi intensity hit of colourful industrial beats. Snares are added to the mix in “Foil 8” create a syncopated concoction of R&S rave mechanics mixed with detuned Drexciyan similarities. “Foil 10” sounds like something you’d image Oscar Mulero playing in Tresor while “Foil 5” is stripped back and sinister.


Debut solo full length from Chicagos Ike Release. Ike is an accomplished solo producer as well as being one half of acclaimed duo Innerspace Halflife with Hakim Murphy, and has a long and fruitful relationship with MOS Recordings. For the last five years or so, Ike has been releasing a mind-expanding brand of analogue rich music that continues in his native Chicago’s fine traditions without resting on the usual tired tropes. Labels like MOS, Machining Dreams and his own Episodes have released it to date and now this full length, Noir, comes as a fully formed artistic statement that lays out his sound in all its glory.

Hinode & Chris Mitchell join forces and deliver 4 tracks of pure underground analog techno & acid action.

Computer Controlled Records is a vinyl only electronic music label operating out of Belfast, Northern Ireland specializing in the raw analogue sounds of techno, house and electro keeping a DIY ethos with screen printed sleeves. The first release comes from Mark Forshaw who has previously released on Tabernacle, Mathematics, III Rivers and Apartment and is one third of Phantom Planet Outlaws alongside Binny & John Heckle. This EP delivers 4 tracks of raw analogue acid and Detroit techno funk.

German based imprint BAROC return with their second instalment. Paperwork steps up with three untitled cuts of properly raw, atmospheric house and techno. Drums thump whilst synths and fx float around the perimeters. Comes hand stamped, limited copies with inserts.

Pronounced Ay One Four, the A14 label is a new offshoot of Blackest Ever Black dedicated to issuing everything from “serpentine breakbeat reductions to straight-up terminator trax” in the 12″ format. The debut release comes from December, the recently adopted alias of Parisian producer Tomas More whose earlier material for Correspondant and Items & Things is far removed from the music he now makes. If you picked up the December tape for Where To Now? issued back in August you should have an idea of the abstract textures More now deals in, and there’s something a bit Beau Wanzer about the wave-indebted techno of lead track “In Advance Of The Broken Arm”. Proceedings get a bit more bugged out on the flip with “Collapse” accurately summed up as “khat-crazed small hours death-dub” by the label.

Lobster Theremin debut yet another young Berlin talent in the form of the electro and new wave future-son Privacy. Drawing on a rich heritage of Detroit and Dutch staggered soundworks and beat engineering, Privacy’s debut is a spectral reminder of the power of the swung beat with roaring synthesizer mechanics and industrial leanings all present and correct.

New Jersey’s Joey Anderson joins the TANSTAAFL family in fine tripping, jacking & twisting style. Body & soul music for the headstrong. Joey ‘s take on techno and house – sparse and mechanical, but heavily influenced by both classic Detroit futurism and the twisted pulse of Chicago acid.