

Truss continues his recent run of form with a 12″ on Our Circula Sound that demonstrates the depth and breadth of his palate. Auden’s slow burning groove and metallic dub call to mind Silent Servant’s Historia Y Violencia imprint, while Splot’s distorted kicks and frantic pace blur the lines between Truss’ sound and his current MPIA3 project. A huge MPIA3 remix of Beacon takes over the B side for maximum acid damage.

New release on Fachwerk by Roman Lindau, featuring one bare killer Berlin flavored techno track and a more house flavored track.

Delsin’s sister label Ann Aimee has unearthed another techno talent here in the form of Yan Cook, heavy dancefloor techno with haunting atmospheres. ‘Rhomb’ is as heavy and subterranean as they come. Apocalyptic sounding searchlight synths pan over the whole arrangement as microbial sounds busy them selves in the foreground. Vast, echoing claps seem to hang in the air and you can imagine someone like Dettmann dropping this in Berghain to a rapturous reception. ‘2×2’ bangs the box even harder – the kicks hammer the same spot over and over rather than rolling onwards, where the gradual forward motion instead comes from the rattling, melting synth chords that flood the arrangement each bar.

Delsin’s house series is back once again, this time with mysterious producer Low Jack. His Free Pyjamas EP is house, of course, but thick, dense, gauzy textures fill every inch of the airwaves throughout. The title track is a big barrelling loop of warehouse music that has rattling drum fills, muffled r&b vocals and plenty of noise in its heart. And flipping to the bside, ‘LJs Jam’ is even more fucked up, with harsh, raw drums hidden under layers of dust, static and hiss. Various synths add some ethereal light to the backdrop and a vocal struggles to be heard in the midst of all the chaos. Finally, ‘The White Towel’ is a crunchy groove, with melancholic melodies dampening down the sonic destruction all around. Light yet dark, heavy yet groovy, it closes out a wholly arresting EP from this little known talent.

Lucy makes a return to Curle with Finnegan, a 12″ release made all the more intriguing by the presence of two Pariah remixes. “Finnegan” is a prime example of Mortellaro’s trade, lurching forebodingly through the dark recesses of chugging, industrial techno for nearly eight minutes. Pariah’s two remixes retain the dubby aesthetic while transplanting the track into more relentless, driving territory. The Dub mix is markedly harder in execution, sounding like a halfway point between his solo productions and his techno-focused Karenn project with Blawan.

The Appointment crew (Emg, Marieu, John Swing and Lucretio) add another file in their already bulging folder marked “buy in sight”. “Track 1” from the Les Appointment Royale EP features all the lo-fi brilliance the label is know for by the way of cut up vocals, Roland symbol crashes and a thrumming bass lines. “Track 2” hits up jazzy party loops whereas “Track 3” gets deep and dirty with a gritty and circular groove. Broken beats, distortion and industrial sensibilities are employed in “Track 4” which rounds out one of their most versatile EPs yet.

Volume 2 in the ‘Compiled Pleasures’ series, featuring some underground key figures and tastemakers. ‘Aim Vinyl’ labelhead Tristen delivers an ultradeep and rolling deephouse track in his very own tradition. Dario Zenker’s ‘Dining’ is an uncompromising lecture in clever simplicity, straight in your face and stomach. Freestyle Man, the finnish oldschoolmaster drops a big synth-peaktime bomb. And British newcomers Dax J and Chris Stanford deliver a dubby and deep dancefloor shaker.

Ben Klock hypnotizes you with his signature style on Trus’me’s most popular club track to date ‘W.A.R Dub’. Ryan Elliott takes you on a similar journey, looping the fundamentals of Trus’me’s debut release ‘Nards’. Closely followed by an acid workout of huge proportions of another popular Trus’me hit “Need a Job’ by the ever shape shifting Vakula.

The second full-length self-titled album by Ren Schofield’s Container project, “Container” is spare, minimal, Noise-influenced outsider Techno with a rigid focus. The opening track establishes the tonal palette of the record, with bit-crushed rhythms set against a deceptively simple drum pattern. A careening, looped oscillation appears midway through the track and steadily gains momentum and position in the mix. Schofield is adept at making these jarring juxtapositions feel organic and coherent. Standout track “Acclimator” teems with insectoid chatter and whips up fascinating polyrhythms by way of its creative and judicious use of delay. Some may write off Noise-Techno as trendy and topical (and perhaps much of it is), but Schofield’s efforts are well worth a listen.

Killekill is at catalogue number 10 and is an occasion to make something special. They had collected tracks from their regular label artists plus some guests. The compilation features dark and epic experimental tracks by Lakker, Dadub and Bill Youngman, electro stompers by DJ Stingray, Radioactive Man and The Almost People, techno and acid beasts by Furfriend, J.T.C., Cassegrain & Tin Man, Snuff Crew and Neil Landstrumm plus a breakbeat rave superhit by Affie Yusuf.

Muhk present their debut EP as a small label specializing in hardware made electronic music. The Elokuu EP produced by Finland’s Matti Turunen; one half of the Morphology electro duo, is Matti’s 2nd solo EP and within these 3 hypnotic techno/house/electro analogue jams, Matti shows us the beauty of producing electronic music the old skool way with glowing synths and clattering drum machines.

Sigha a.k.a James Shaw confidently returns to Hotflush with his heavily anticipated debut LP, ‘Living WIth Ghosts’. For this offering he presents twelve impressive techno and ambient productions and fuses his love of classic UK techno with the contemporary sound that currently pulses through Berlin’s Berghain. Since his 2009 debut on the label, Sigha has organically shifted further and further into the straight 4/4 realm of techno, embracing the subterranean, darker soundscapes of his new production homebase, Berlin. However, hiding under all that bass, one can still hear the whisper of many long forgotten shoegaze numbers. Years of playing guitar in London bands defined Sigha’s musical start and gave him an ear for the emotive. He was able to merge both worlds after quite literally stumbling across techno by chance, igniting his love of electronic music.

Binny brings his own unique take on Detroit techno to the table. He transforms his energy into mind-boggling ol’skool floorwork detroit techno with some amazing synths and throbbing baselines. He is accompanied with a remix by Abstract Division.

The adoption of a new name and a new sound by Marcus Intalex has been one of this year’s success stories, with his rattling brand of warehouse appropriate techno under the Trevino moniker. Now he returns to Martyn’s 3024, the label where this new name was first established, with a full release in Tactical Manoeuvre EP which brandishes three tracks that showcase the different styles and sounds of the producer.