
Marco Bernardi – Motorways [FBR014]



Mark du Mosch’s second Tabernacle release exemplifies his trademark sound with tracks that overflow with goodness and surprise.

New release of Creme Organization. These amazing Jam & Spoonesque Proto-Trance Electro Jams have been turning dance floors inside out since their inception.

The first release on Mental Distortion is coming from Caio, featuring four raw house/techno tracks.

Instruction is a new label based in Rome. ‘Analog Schema’ is a trip into industrial Chicago Hyperspace gate. Side A is a mix of deep and techno Chicago sound with space pad and amazing drums. Bumps (b1) is more static, perfect for a sound dark and full. Throuw Up (mapleAve) B2 has a more minimal sound, good for an after-hours psychedelic session.

More twisted dome-wreckers from Samo again surfacing on the L.I.E.S.-BLK sublabel. One track throws down a Latin vibe somewhat in keeping with his first effort for the label, while the other two deploy sample-heavy, smoked-out production over slamming bass for something that goes a bit outside of the norm.

L-Vis 1990 makes his debut on Clone Records with a 4 tracks EP, a consistent source of jacking, hardware-centric monsters.

Second EP from Vereker picks up right where the last one left off starting with the track Fear Eats the Soul which somehow reminds us of Nitzer Ebb meets techno meets your face in a meat grinder. Chock full of paranoia, deceit, and all things bad that happen that you wish never would, the remainder of the ep continues on in a bleak and unforgiving manner painting
a grim picture of the decaying present and lost future. Heavy music for the dark hours.

Originally from the UK, now San Francisco based artist Oliver Vereker makes an amazingly strong vinyl debut with three crushingly tense and off-kilter techno tracks. All three tracks contained within are designed to rip the listener apart like a sickened animal on the loose.

Elect Pt1 becomes the latest collaborator in The Exaltics Meets series following prior introductions to Morphology and Gosub. German speakers will be able to decipher Elect Pt1’s “Drei Chinesen Mit Dem Acidbass”, a potential retrospective nod to Bunker’s “acid planet” squat parties. A flabby kick, crushed hats and white noise sounding more like a baby robot tantrum than synthesis opens “The Party”, before unexpected doo-doo-doo vocals become the tracks centrepiece. The Exaltics opens his side of the 12″ with throbbing drums and hardedge acid in “The Midnight Connexion”, which later gives way to uplifting chords. Acid and breakneck drum loops make up “Nichts Aber Auch Nichts” which also receives some euphoric synth treatment.

MRSK coming with yet more styles on Skudge, this time he darkens up the rave and goes into some serious warehouse territory.

EPM Music welcomes The Third Man to its label roster in 2013 with his ‘Beyond The Heliosphere’ album due for release in the Spring. As a precursor to the album are two EPs, the first of which is ‘Double Dawn’ featuring remixes from John Heckle and Claro Intelecto.

Big follow-up of Dolly Dubs 1 by Martyn. Both ‘Newspeak’ and ‘What is room 101’ are ecstatic contemporary house tracks making you remember once again what this music is all about. Pure bliss. ‘Oceania’ on the other hand goes deeep, very intense track with beautiful broken beats and mesmerizing melodies for the more adventurous dj

Throughout the ’90s and early 2000s, the Missile imprint was responsible for releasing a slew of blistering techno cuts from production heavy weights DJ Hyperactive, Inigo Kennedy, Frankie Bones and DJ Slip. In 1998 the label released Heiko Laux’s Re-Televised EP, which 15 years later has earned itself a repressing on New York imprint Thema. It has commissioned two 2013 remixes in Donor and Truss, the labels New York connection and Stroboscopic Artefacts boss man Lucy. Haux’s original may lack the weight of their modern day reworks, but its stone-crunch kicks certainly don’t lack punch. Donor & Truss share the B-Side with Haux’s exemplar, creating a quintessential ’90s infinity loop, intermittently injecting a rough samples from “Re-Televised”. Lucy’s remix remains loopy also, only adding dour and industrial atmospherics, unsettling children’s voices and Strobo’s trademark low end.

It’s increasingly hard to keep tabs on everything Boris Bunnik does these days, but one of his most loved aliases is Conforce. It is that identity he assumes here for a return to one of his most regular homes, Delsin, following the still excellent ‘Escapism’ album he served up at the end of 2011. This Time Dilation EP is designed for deeper dancefloors: ‘Nomad’ roams in dark and derelict spaces with the clatter of machines off in the distance and a sense of tension never far away. ‘Receiver’ is a more purposeful cut that rolls on vast techno kicks as glassy tinkles and ominous synths colour the backdrop before ‘Last Anthem’ bangs the hardest of the lot. It’s techno, but techno stuff with cinematism, techno that really traps you in the imagined alien world of Conforce from start to finish. Closing out the EP with ‘Embrace’, Bunnik brings you back to earth with a softening dub cushion that glides forwards through more huge open spaces that sound like underwater caves. Few design sounds as evocative as this man, despite the fact he does so on such a regular basis.
