Always hot on the hard-as-steel plates and murky subterranean atmospheres, Public System turns in a haunted double package from the crypt. Spanning hi-octane indus bullets, half-baked mutant salvos and shadow-clad juicers from a host of reputed names and rabid underdogs, this new comp collates ruff’n’tuff joints from gritty techno don Container, genre-unbound explorer E-Saggila, Berlin’s electro arsonist Privacy, acid-spitting hydra DJ Loser x Penelopes Fiance, basement guerilla Yabboq Penuel alias Le Syndicat Electronique, neo-punk beat thrasher Crave, Yves Tumor collaborator and sine-wave crusher Anthem, expert circuit dissector Beau Wanzer, Liquid G as remixed by Mick Wills, Night Gaunt’s Lower Tar, occult machine funk preacher Maenad Veyl, DJ Chupacabras under new guise 110, soundwaves cross-pollinator DJ Richard, vibrant mood-scapist Gavilán Rayna Russom, as well as label boss Myn going ubiquitous with studio fellows Kluentah as Myntha, and NYC’s R Gamble under their Fade Accompli moniker. A much desirable feast of raw, unhinged, all-round spine-tingling jams for both inside and outside the club.
Ren Schofield, otherwise known as Container, has already released two LPs for the label, both called LP, but each one has seen a constant rebirth of his distorted and utterly screwed up view of techno. There’s seven tracks on here, seven devilish pieces of brain dynamite masquerading themselves as jams made by a human and not by an extra-terrestrial. The LP starts with a shock, “Eject”, and doesn’t get any more sweet or easy on the ears. From “Remover” to “Calibrate”, Container unleashes a filthy collection of clusterbombs which will render any dancefloor a living, walking hell…and we love that idea! A must, as per usual.
With a sprawling discography that can be traced as far back as 2005, the last few years have found the Providence-based noise artist Ren Schofield shifting his attention towards his Container guisewith increasing vigour, delivering full-length albums for Spectrum Spools and I Just Live Here, as well as an acclaimed EP for Rabih Beainis much-lauded Morphine Records. With Liberation Technologies having already exhibited the fiercely confrontational style of BMB, and coaxed an EP of skewed electronics out of Vessel for Misery Is A Communicable Disease, the Adhesive is a natural fit for the imprints burgeoning canon. As uncompromising as youd expect, the four tracks on offer display the work of a producer working intuitively with the machines he surrounds himself with, a relentless pulse ever present at the core of these abrasive workouts.
Highly destructive four track EP from the irrepressible, Container, on Morphine Records.
The second full-length self-titled album by Ren Schofield’s Container project, “Container” is spare, minimal, Noise-influenced outsider Techno with a rigid focus. The opening track establishes the tonal palette of the record, with bit-crushed rhythms set against a deceptively simple drum pattern. A careening, looped oscillation appears midway through the track and steadily gains momentum and position in the mix. Schofield is adept at making these jarring juxtapositions feel organic and coherent. Standout track “Acclimator” teems with insectoid chatter and whips up fascinating polyrhythms by way of its creative and judicious use of delay. Some may write off Noise-Techno as trendy and topical (and perhaps much of it is), but Schofield’s efforts are well worth a listen.
Container is a recent moniker of Nashville, Tennessee resident Ren Schofield. The sounds on this release are a thick stew congealing new ideas and naive experiments, abstract and minimal in nature with time stopping tendencies. This music, by being so unruly and defiant of any kind of trend, has created a fresh and wierd fusion.