
Ernestas Sadau – Phormix Podcast #136



Mannequin Records presents a 2xLP retrospective compilation of the french electro/wave pioneer Le Syndicat Électronique, the historical electro/wave project by Alaxis Andreas G., founder of the seminal Invasion Planète Recordings – the first French minimal electro/wave/experimental label founded in late 1998 by the insurance proceeds of a car crash. Heavily influenced by the work of masters like Kraftwerk/John Carpenter/Front 242, Alaxis Andreas G. is responsible for many others dark electronic / industrial / neofolk projects – to name a few: A//, Bruta Non Calculant, Swesor Brother, La Séduction Des Innocents, It & My Computer, Eva VIII.

Soft Vision returns to Acoustic Division with ZWEI, a 4 track 12” EP that breaches the flood walls between synth pop and techno. This Austin, TX duo proves not only make you cry or laugh, but possibly dance and lose any notion of self at all. The tobias. remix of the A1 Track ”Tractor Beam,” glides the original into a hallucinogenic territory. Melody and rhythm dissolve into each other as an ethereal voice guides you in from the fog.

Next on the Discos del Quebranto series, Sébastien Michel, best known as UVB, presents his Elements of Joy alias where the French producer explores post punk, industrial and wave influences across 4 rugged tracks. First released as a cassette on his own Body Theory label and now remastered for vinyl on a limited edition of 300 copies.

Nick Klein is an artist making electronic music born in southern Florida and based in Brooklyn, New York since 2012. Upon moving to New York the concentration of his works output has been to mine and investigate the troped qualities in various forms of electronic music, and then to realize singular directions in how to communicate these ideas himself. Alongside Miguel Alvariño he runs the music imprint Primitive Languages.

The German label Dominance Electricity presents Phase 4 of the Global Surveyor various artist album series (launched in 1998). Featuring heavy-weights of the international Electro genre such as Anthony Rother, Hardfloor, Silicon Scally aka Carl Finlow and Heliopause (a project of Germany’s Dynamik Bass System & Detroit’s Keith Tucker of AUX 88) and many more, this carefully selected collection includes a total of 24 productions out of 13 countries / 5 continents ranging between clubbish acid power, deep space cruiser, playful kraftwerkesk melodic downtempo and ambient synth magic.

Boris Bunnik is no stranger here at Shipwrec, having graced the label with some beautifully deep and textured music under his Conforce, Hexagon and Versalife monikers. It is to his Versalife guise that the Rotterdam based producer returns, this time for a quartet of works in the shape of Vortices. A spectrum of musical radiance from a modern day master.

Second album by Vril on Delsin Records. A deep excursion for mind and body, combining his trademark dub techno grooves with experimental ambient trips.

Inimitable percussionist Eli Keszler takes time out from 0PN’s ensemble to unfurl the incredible, dextrous rhythms and electro-acoustic jazz keen of his masterpiece, ‘Stadium’. An isolationist avant-jazz masterpiece that is a total must-hear for late-night listeners, perhaps the most wondrous thing about ‘Stadium’ is the way it describes the paradoxical quality of keeping your head amid the chaos – a notion that will surely resonate with inner city dwellers as much as fans of the finest noise, jazz, avant-garde music of all stripes, and is firmly at the heart of ‘Stadium’ and its amorphous milieu of sound.

“An Island In The Moon” is the perfectly conceived minimal ambient project from Italian composers Pier Luigi Andreoni (Doubling Riders, ATROX) and Silvio Linardi. Andreolina being a mix of the names of the two musicians who were both deeply involved with the label Auf Dem Nil on which the album was originally released in 1990. The duo stick to a disciplined and simple palette using only two synthesizers and a Roland S50 sampler. They are joined by fellow electronic journeyman Riccardo Sinigaglia who contributes piano and samples on two tracks. Taking influences from Italian minimalism while adding some jazz hints Andreolina sprawls, weightless instrumentals that never stay soporific for too long on this singular rare album.

Label boss Matthew Oh is back for Outlaw 005. The title track “Lacuna” is a hushed and hugely atmospheric early morning techno shuffler full of dubbed-out electronic riffs, crackling aural textures, ultra-deep breakdowns and hypnotic, locked-in beats. “Black Rainbow” offers a bolder and slightly tougher take on spacey, Detroit influenced dub techno, while “Intro” is a gloriously atmospheric blend of fuzzy field recordings and gentle ambient chords.

The song “When I Let You Down” is the music for the trailer of a Gucci film “The Second Summer Of Love: Distant Planet” by Josh Blaaberg (2018). This is an Italo classics remastered. “When I Let You Down” on the a-side, “Boogie Tonight” on the flip.
listen Continue reading “M&G – When I Let You Down [MD31805]”

Californian electronic pop duo Peaking Lights make a splash on Dekmantel with ‘Sea of Sand’, the band’s first release in 2018. It’s a kaleidoscopic melting-pot of dainty dub, experimental and leftfield beats, with wondrous sunny soundscapes that blend together the unconventional home-fashioned electronics, and windswept vocals that have defined Peaking Lights to date. ‘Sea of Sand’ is the band’s first record in three years not released on their own imprint. With six tracks, exceeding 30 minutes in total, the extended EP is a prelude to a forthcoming LP. With a DIY aesthetic and approach to analogue instrumentalism, Peaking Lights retro-digital sound is one that sits perfectly with Dekmantel.

Originally pressed on a now very hard to find 7”, this gem crosses over the dub with disco with the rock and the wave. More Talking Dreads than Heads. Dug out for MFM by Satoshi Yamamura. Comes with original Dub mix and new remixes.

Co-founder of Endless Illusion, Exhausted Modern returns to brokntoys with a limited white label. Ampér shows the Czech producer running the gamut accross 6 tracks covering melodic acid, hypnotic slomo grooves and celestial electro.