RØDHÅD has continuously pushed the boundaries of modern techno to new hypnotic and theatrical heights on his Dystopian party-turned-label imprint, where he released his debut Anxious back in 2017. This time, RØDHÅD tunes into a place of reflection and reformation on his most avant-garde project to date: WSNWG – BACK TO ZERO. Intended to provide a space for solo releases, the imprint comes at a crucial turning point, as society circles in on itself during the pandemic. RØDHÅD christens the label with MOOD, his first ambient experimentalist release, comprised of his own solo archival material mostly from 2017/2018, working on a plane of spontaneity, devoid of set structures. The result is a life-giving, intimate and solipsistic work. Awash with field recordings, droning loops and subtle granulations, the sparse soundscapes on the 18- track album are deeply profound and satisfying. Crafting emotive textures through detailed layering of ethereal pads and simple synth melodies on ‘When They Returned After Midnight’ reflects the producer’s meditative sensibilities, whilst more beat-driven tracks such as ‘He Didn’t Seem The Kind of Guy Who Would Just Talk To A Stranger’ and ‘Pigeons Dancing On The Roof’ employ trip-hop beats atop washed synths and textural loops for a more downtempo affair. The album often has the dynamics of a sci-fi film score; the slow-building distortion on ‘A Huge Plume of Ash Rose From a Volcano’ carries a profound weight and substance, whilst the eerie ‘Like Sleepwalkers Ghosting Through A Dream’ breathes as if it had a life of its own.


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