VA – Out of Addis [SHBLP001]

VARIOUS - Out Of Addis

Presented in collaboration with Sheba Sound, and originally released on the ‘Eastern Connections’ this compilation was Paradise Bangkok’s first foray into East African music. This album presents a selection of contemporary recordings from Ethiopia, an ancient country where incredible musical traditions have been brewing for centuries, unbeknownst to much of the Western world. The Horn of Africa nation is most often associated with the famous Ethio-Funk sounds produced during the latter years of the Imperial era, which lasted until 1974. But in this defiant culture – Ethiopia was the only African state never to be colonised by Western powers – the golden age for music never ended, despite decades of war and social upheaval. Ethiopia is home to over 80 ethnic groups, each with its own deep-rooted language and culture. Contemporary musicians living outside Addis Abeba, the capital, have little opportunity to record their mesmerizing sounds. Sheba Sound is redressing this by recording and releasing high-end audio music of local stars. So far, Sheba Sound have recorded more than 25 groups in ‘pop-up’ studios across Ethiopia.

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VA – Out of Addis [SHBLP001]

Praed Orchestra! – Live in Sharjah [DOSER040]

PRAED ORCHESTRA! - Live In Sharjah

If you’ve ever travelled to Egypt and wandered through its crowded streets, you probably ended up buying a cassette or a CDR of popular synth based music heard in most cabs, cabarets, or alleys around town: the almighty Shaabi. Raed Yassin and Paed Conca based their project PRAED on research between Shaabi and Mouled (traditional trance music from Egypt) and the hypnotic structures of both these genres. Repetitive beats, loud Mizmar and loads of energy, with a strong influence from psychedelic rock, free jazz and electronica. During the years in which the duo produced 4 albums and performed on an endless number of stages around the globe, PRAED started working on anambitious expansive project: an orchestra that could transpose this study of rural and popular culture into an immense, iconic work. In autumn 2018, supported by the Sharjah Art Foundation, PRAED Orchestra! premiered “Live in Sharjah”, interpreting new material merged with some of the band’s iconic pieces. The composition process started with the choice of musicians: the line-up consisted of some of the most innovative artists coming from a wide spectrum of musical practices. Each musician was chosen for a defined role, and the common denominator was their capacity to interpret written material, and their ability to improvise effortlessly. Each role was clearly set to work in unison with the rest of the group, while simultaneously sustaining a centrality in the choir. Solo parts masterfully drawn over the structure as a fil rouge connecting every piece of the entire concert; massive and powerful orchestral sections leading to a breathtaking trance-like state of mind; all of this material ultimately coalescing into an Egyptian Operette that narrates the sorrow, love, and deeply rooted culture of this urban music called Shaabi.

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Praed Orchestra! – Live in Sharjah [DOSER040]

Robert Hood – Mirror Man [REKIDS168]

HOOD, Robert - Mirror Man

Detroit pioneer Robert Hood joins Rekids label with a new album entitled ‘Mirror Man’, showcasing his innate knack for crafting paired back but intricate rhythms that deliver punch and soul. Opening with the cinematic ‘Through A Looking Glass Darkly’, the album quickly flows into precise, powerful four four. There’s mesmerising cuts such as ‘Fear Not’ with its throbbing bass and spectral vocals, the twisted and off-key ‘Run Bobby, Run’, not to mention muscular tracks designed to light up dancefloors like the machine driven ‘A System of Mirrors’ or the mesmerising ‘Face In The Water’. Hood also breaks things up with downtempo and mind-bending interludes, including the tranquil yet spooky ‘Black Mirror’ and the beatless and murky ‘Freeze’. Each of these are aural feasts that demonstrate his vast musical pallet. From start to finish ‘Mirror Man’ is an education in finesse from one of techno’s most heroic artists, landing on one of electronic music’s most important labels.

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Robert Hood – Mirror Man [REKIDS168]

Israel Vines – And Now We Know Nothing [IT046]

ISRAEL VINES - And Now We Know Nothing

Debut album from Israel Vines on Interdimensional Transmissions, a futuristic fusion of UK bass, post-jungle breakbeats and techno with the rhythmic flex of Detroit Electro. Across its nine tracks, Vines channels the spirit of undulating UK techno and bass — think Bristol and London — into a form and shape all his own, indebted to his American Midwestern roots. Rolling beats, uncommon rhythms, and club-floor sensibility paired with a polyrhythmic touch.

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Israel Vines – And Now We Know Nothing [IT046]

Human Space Machine – Cycle EP [DLEP03]

HUMAN SPACE MACHINE - Cycle EP

De Lichting shines their light on one of their core members, Human Space Machine. The Amsterdam centered collective known for their forward-thinking live sessions and highly praised compilation series now presents the third edition in their run of solo projects. Over the course of three tracks, HSM explores the rich territories in between moody breakbeats, mesmerizing percussion riffs and drifting house. Its a well-varied collection capturing a wide range of moods that makes this a well-deserved and right on time solo outing from a producer that shows his true musical diversity.

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Human Space Machine – Cycle EP [DLEP03]

Group Rhoda – Passing Shades [DE279]

GROUP RHODA - Passing Shades

Group Rhoda, the solo project of Mara Barenbaum, returns to Dark Entries with ‘Passing Shades’. An integral member of the Oakland electronic music scene, Barenbaum has been writing, performing, and plunging into oneiric depths as Group Rhoda since 2009. This is the project’s fourth LP, and the third time Barenbaum has collaborated with Dark Entries. Passing Shades is an investigation of the metaphysics of loss and the transitory nature of the material world. But it is not a grim collection; over 8 songs, Group Rhoda diverges through synthesizer-laden symphonics, four-to-the-floor inflections, and cosmic musings. Barenbaum’s striking voice and singular songcraft guide us through this labyrinth. Arpeggiated waltz “Flow” channels wisdom sought through martial arts; “Earthly Ark” sets a Margaret Atwood poem from the God Gardener’s Hymn Book to somber electronics. The vocoded canticle “Nevermore” is dedicated to the memory of a beloved cat. ‘Passing Shades’ is both mystifying and revelatory. Folk forms are echoed only to detour into the alien. Each song functions as both a fragment of a larger puzzle and a koan unto itself.

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Group Rhoda – Passing Shades [DE279]

Group A – Initiation [BFE060]

GROUP A - Initiation

Japanese industrial-experimental-synth outfit group A is formed by Tommi Tokyo (synths, drum machines, vocals) and Sayaka Botanic (violin, sampler, tapes). They create a unique mixture of dark minimal synth and avant-noise with striking visuals and stage performances. Group A carries on the very breath of early pioneers such as Throbbing Gristle, Cabaret Voltaire and the Japanese underground scene from the early 80’s. This is the vinyl edition of group A’s 2nd self-produced album released in October 2013 only in CDR format. 9 tracks of genuine experimental minimal electronics.

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Group A – Initiation [BFE060]

Robert Bergman – Champion Sound [B012]

BERGMAN, Robert - Champion Sound

Heavyweight 12” just in time to soundtrack the demise of humanity. No internet-ready ‘deep’ home listening tracks but a continuation of the previous 12”s. Big nods to the past, but then again it somehow seems fitting that our demise is founded on the relics of the past. For those who like to get wild or die trying.

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Robert Bergman – Champion Sound [B012]

Gegen Mann – Hypnotic Connection 013 [HC013]

Moscow musician Alexander Lomakin performs his debut on Hypnotic Connection under his pseudonym Gegen Mann. Alexander presented in this release a dark and somewhat melancholic synthesizer sound, balancing between electro and EBM, smoothly plunging into a hypnotic trance and unpretentiously obliging to dance. The remixes were performed by the head of the label Muzikalist and a mindfriend from Moscow Unit-83 aka Sergey Timoshov.

Gegen Mann – Hypnotic Connection 013 [HC013]

VA – Malmø Traxx 001 [MTRXX001]

EARGOGGLE, Luke/OBERGMAN/DIP SHIM/SPH ALLIANCE/BABYLON BARSEBACK - Malmo Traxx 001

First release of Malmø’s Electro Label. Stunning 5 track VA record with loads of stiff Electro from the Scandinavian parts of the mind. Eargoggle, Obergman, Dip Shim, SPH Alliance and Babylon Barseback delivers a mix between classic Electro sounds, club bangers and Breaks and neo-trance atmospheres.

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VA – Malmø Traxx 001 [MTRXX001]

4Cantons – Principi d’incertesa [ET69/GOOILAND43]

4CANTONS - Principi D'incertesa

”Principi d’incertesa” is the debut by 4Cantons, a Berlin based musician from Barcelona. The EP is filled with dark elektro tracks, spiced up with touches of techno, EBM and acid, making them perfect for some body work on the dance floor.

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4Cantons – Principi d’incertesa [ET69/GOOILAND43]

Kid Machine – The Lone Wolf [AH007]

KID MACHINE - The Lone Wolf

No presentations are necessary for one of the boss referents in the international scene as far as Synth and Italo Disco are concerned. Our admired Kid Machine is in charge. This extremely prolific artist comes to Aspecto Humano after releasing real gemms in reference labels such as Viewlexx, Red Laser or Cyber Dance. The record consists of five tracks and is conceived open-mindedly and with sounds which refer us to Synthwave, Electro and Italo Disco.

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Kid Machine – The Lone Wolf [AH007]

Loud-E – Cherry Chocolate Chaud Vol. 2 [DISCOS023]

LOUD E - Cherry Chocolate Chaud Vol 2

Discos Capablanca are back. Loud-E is back. Cherry Chocolate Chaud edit series volume II is a double A sider with two mouth watering, instant classic floor melters from the maestro.

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Loud-E – Cherry Chocolate Chaud Vol. 2 [DISCOS023]

San Proper – L.O.V.E. Pt. 3 [DG13003]

SAN PROPER - LOVE Part 3

San ”Dr.” Proper presents his third EP on Dopeness Galore with a selection of kindred sounds and spirits encountered around the earth while on tour. The result is an intriguing six-track EP that documents the musical collaborations that sparked to the pulse of cities like Casablanca, Bogota, Amsterdam and Medellin, straight back to the dungeon of Volkshotel where they fused these tracks in an Amsterdamic fashion. L.O.V.E. part 3 features upcoming artists such as Mr. Cruz, Bobbi, Elias Mazian, and V. Bannier as well as local musicians from studios around the world, moulding a colorful record with traditional Arabique, Latin-Americain and western influences to create that unmistakable Proper sound.

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San Proper – L.O.V.E. Pt. 3 [DG13003]

VA – Wamono A To Z Vol. I: Japanese Jazz Funk & Rare Groove 1968-1980 [180GWALP01]

DJ YOSHIZAWA DYNAMITE JP/CHINTAM/VARIOUS - Wamono A To Z Vol 1: Japanese Jazz Funk & Rare Groove 1968-1980 (reissue)

Wamono A to Z Vol. I – Japanese Jazz Funk & Rare Groove 1968-1980, Selected by DJ Yoshizawa Dynamite & Chintam. Dig right now into the Wamono sound – the cream of the Japanese funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan. Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring Akira Ishikawa, Jiro Inagaki, Chikara Ueda, Kifu Misuhashi, Toshiko Yonekawa and more! Tracks selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite and Chintam.

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VA – Wamono A To Z Vol. I: Japanese Jazz Funk & Rare Groove 1968-1980 [180GWALP01]

Han Sotofett & Jaakko Eino Kalevi with Andres Lõo – Jazzsomdub [AMFIBIA25]

HAN SOTOFETT/JAAKKO EINO KALEVI with ANDRES LOO - Jazzsomdub

Finnish multi instrumentalist Jaakko Eino Kalevi & Norwegian producer Han Sotofett (aka DJ Sotofett) teamed up with Estonian drummer Andres Lõo on the “Jazzsomdub” album for a wide & improvised excursion within a narrow world of drums, percussion, saxophone, flutes, electric piano, monophonic synths and tape delays. Besides distinctively exploring Lõo and Kalevi’s batterie & percussion work with deep-listening quality drum mixes there are elements of impulsive beauty, particularly on “Essens” free carrying sax solo. The album partly reaches for well known directions of jazz in the vain of the cosmic, psychedelic, improvised, atonal and spiritual, but the particularness lies within the rhythm & mix – like a rubber band stretched in 4 dimensions.

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Han Sotofett & Jaakko Eino Kalevi with Andres Lõo – Jazzsomdub [AMFIBIA25]