
Deep space electro-techno tracks by Estrato Aurora. He drops this solid 4 track EP on the Spanish NNY label. Magnificent productions ranging from immersive building tracks to fierce electro cuts with touches of ambient and dub.

Deep space electro-techno tracks by Estrato Aurora. He drops this solid 4 track EP on the Spanish NNY label. Magnificent productions ranging from immersive building tracks to fierce electro cuts with touches of ambient and dub.

Brokntoys presents “Cold Light, Low Tide” a free digital compilation of tracks from affiliated artists, featuring Black Propaganda, Obergman, K100 Signal, Trance Remix, Annechoic, Non Punire and XY0815.

Los Angeles-based Inhalt assemble a strikingly unique selection of eight producers across generations styles and musical backgrounds to remix and simulate Inhalt’s 2018 Commerce EP. On a backdrop of EBM, techno, electro, industrial and more these new remixes vigorously intensify Inhalt’s examination of neo-liberal capitalism and identity. Through this process a new alluring narrative of the tensions of 2020 is born.

Meet the pop brainchild of Delroy Edwards, Earth to Mickey. The mercurial Los Angeles producer known for experimental, urgent and soulful synth sounds has returned with a new project, more polished than ever and featuring vocals from Mickey van Seenus in her debut on LA Club Resource. Most of Edwards work carries an anthemic nature and this project is no different, the opener ”Brace and Bit” particularly stands out in this regard.

A soul-funk studio project for the Italian label S.P.Q.R. (Sound Production Quality Record) featuring vocals by Nathaniel Bush and arranged by Marco Colucci (aka Mark Owen).

Mr. Disc Organization is back again with the reissue of some italo classics, this time from Crazy Gang. Remastered tracks from their ”We Are The Crazy Gang” album from 1983.

XXX009 provided by a really talented guy from the east of the Netherlands who goes by the name of Luca dell’Orso. Full on italo on this EP from high energy italo to more sophisticated slow burners. Machinegewehr on remix duties who takes one of the originals into a more darker approach suitable for dark basements when we’re able to party again.

Reemerging from the threshold of the cosmic vortex, Black Lodge returns with another sonic artifact that is charged with vigorous chaotic energy, known as EXPERIMENT_ZERO. Accounts of the radiant object’s origin are as mysterious as the raw energy that utters from its core. Following a close study, the guardians of the portal suspect that “Experiment Zero” was a primordial experiment rooted in the slam jack pits and DIY warehouse rituals of ages passed. A sonic dialog constructed of various languages, spanning from roots-house jak to bare-knuckled electro are revealed across the artifact – a revolutionary tale that surpasses the constructs of ephemerality, with a refusal to be ignored. Across the release the listener is confronted with fearless acid lines that are underscored by a tone of revolution, and sets the stage for a human voice that switches between modes of a sharp and mutated presence. The power of such sonic objects are both celebrated and rejected by various tribal societies. It is all dependent on the belief structures and traditional histories of its members. It is for the dedicated, not the light-hearted. After further research it has been discovered that, Experiment Zero is the product of Dona, aka Dj Plant Texture and Mike Tansella Jr. of Son of Traders, both products of the ancient mercantile city of Bari in Southern Italy. All sonic experimentation was recorded in one take to capture the raw energy of instantaneous collaborative sound craft operating in flux.

Mark du Mosch returns to Pinkman, after his debut EP The Red Hour back in 2016. Magneto takes you on a rollercoaster ride from an industrial factory workout to a soulful frenzy and back. Filled with heavy, borderline tribal rhythms intertwined with glitchy loops and spacey melodies, it’s a vortex into a dreamlike state where the routine is the villain and the practice of discipline unfolds into the liberation of creativity. And all given groove Mark du Mosch’s style.


L’Embrasse is a compilation originally released in 1987, less than 50 copies were distributed at the time through local shops and it is a portrayal of a unique and very little known scene, generated in the deep underground milieu of Amsterdam. None of the tracks presented on this album has ever been re-released after the ultra-limited original edition on cassette format appeared. At the time, a dozen different acts were featured: Menko (S.M. Nurse founder), Robbie Horsfall, Peter Van Garderen (Nine Circles founder), Der Rudi, Antonia (Tonny Timmermans), No Honey From These, Incredible Coöp (S.M. Nurse members), Tranquil Eyes, Beatnik Love Affair, Cheiron, Spin & Kokkie and The Male Ego.

Interstellar Funk & Robert Valera roll out a wealth of EBM, darkwave and acid leaning electronics in a new instalment for Olf van Elden’s (Interstellar Funk) label Artificial Dance. Devil’s Juice is a split twelve and the result of two analog recording sessions that took place in New York and Amsterdam in 2019. Van Elden and Valera met each other through mutual friends, sharing a love for deep and twisted bassline explorations, visceral melodies and analog machine funk. Robert Valera is a seasoned live performer but this will be his first release. Devil’s Juice is a testament of Van Elden’s and Varela’s fascination for analog instruments and how they are able to communicate in spontaneous and unpredictable ways.

RØDHÅD has continuously pushed the boundaries of modern techno to new hypnotic and theatrical heights on his Dystopian party-turned-label imprint, where he released his debut Anxious back in 2017. This time, RØDHÅD tunes into a place of reflection and reformation on his most avant-garde project to date: WSNWG – BACK TO ZERO. Intended to provide a space for solo releases, the imprint comes at a crucial turning point, as society circles in on itself during the pandemic. RØDHÅD christens the label with MOOD, his first ambient experimentalist release, comprised of his own solo archival material mostly from 2017/2018, working on a plane of spontaneity, devoid of set structures. The result is a life-giving, intimate and solipsistic work. Awash with field recordings, droning loops and subtle granulations, the sparse soundscapes on the 18- track album are deeply profound and satisfying. Crafting emotive textures through detailed layering of ethereal pads and simple synth melodies on ‘When They Returned After Midnight’ reflects the producer’s meditative sensibilities, whilst more beat-driven tracks such as ‘He Didn’t Seem The Kind of Guy Who Would Just Talk To A Stranger’ and ‘Pigeons Dancing On The Roof’ employ trip-hop beats atop washed synths and textural loops for a more downtempo affair. The album often has the dynamics of a sci-fi film score; the slow-building distortion on ‘A Huge Plume of Ash Rose From a Volcano’ carries a profound weight and substance, whilst the eerie ‘Like Sleepwalkers Ghosting Through A Dream’ breathes as if it had a life of its own.

Weird shapes emerge from the darkness, illuminated only by muted street lamps and neon signs. The CPR album sifts through the shadows of night life decadence, influenced dimly lit romantic and mysteries that lurk on the streets in the early hours of the morning. CPR is a collaboration of a mysterious Berlin duo of lovers, Alexandra Ismalone and Tobias Lisius. Together they conjure a sound that paradoxically traverses darkness and brightness – diving into the depht of the unconsciousness leading to a hypnotic, transportive and psychedelic state done within a dark, intriguing and mysterious way.

This is the sixth journey with the Africa Airways. The flight opens with the punchy horns, afro rhythms & groovy bass of Eko Roosevelt’s “Ndolo Embe Mulema”. Keeping the tempo high we usher in fellow Cameroonians JM Tim & Foty for another punch of brass with the funky “More And More (Ye-Male)”. We stay in Cameroon with Ngalle Jojo, here he lays down another funktastic bass heavy stomper with “Ngigna Loko”. Jude Bondeze hails from Bangui, Central African Republic and is probably best known for his more traditional Tene Sango album. Next up, Nigerian Vicky Edimo gets his thumb out and lays down some glorious slabs of deep funk… along with a rather splendid bass solo! JK Mandengue played bass off & on for the British Afrobeat band “Osibisa”, playing on the uber funky “Super Fly TNT” Motion Picture Soundtrack album.. Certainly putting him on a path to the Wahahwah’tastic “Kosa Mba” taken from his 1979 self-titled album. Slow percussive classic raw street funk from Nigeria’s Akwassa, who’s line up is the same as “Heads Funk Band”, are up next. Another outing for Vicky Edimo on this 1978 beauty from Mike Kounou. Also on guitar duties for Mike Kounou is Francois Amadou Corea, who’s funky chops can be heard on “Ngigna Loko” & “Njonjo Mukambe”. Hi-Octane funk from Airto Fogo, percussion, rhodes & horns aplenty on this 1974 instrumental cut “Black Soul”. As we prepare to start our decent Francois Misse Ngoh drops in some filth with this 1980 bass face monster “Njonjo Mukambe”… head nodding isn’t essential, but it’s best to brace yourself for impact.

”Joseph Van Het Groenewoud”, who would later become known as ”Nico Gomez”, was a musician & composer from the Netherlands. He spent his youth in the Antilles, Cuba and other islands of the Caribbean, which had an unmistakable influence on his music. As a passionate musician and skilled guitarist he was familiar with the typical rhythms and melodies of this region. Later he returned to the Netherlands, before fleeing from there to Belgium in 1946 to escape from serving in the Dutch army in Indonesia. From then on he called himself ”Nico Ooms”. It’s said that he was so obsessed with Cuban music that he changed his name to ”Nico Gomez” – in any case, the name fit better with the Latin American music he brought to the stage. ”Baila Chibiquiban” is a killer cut, which is now finally available again on 7” single. The original version is complemented by a great edit by Frenchman ”Tonton Boom” (aka ”Mr. Boom”).

“The international electro and techno producer community has come together to raise money for two charities doing vital health work during the Covid-19 crisis – NHS Charities Together and Médecins Sans Frontières. The project began in April this year. The resulting release is an essential compendium of techno and electro featuring some of the most respected creators working in the genre including The Hacker, Radioactive Man, Anthony Rother, Delta Funktionen, John Selway, Carl Finlow, Kronos Device, and more than 120 more!”

Early 2020, while the Covid-19 crisis was taking over the world, I-Robots was introduced to Electronic Emergencies. Calling it a magical parallel world, I-Robots immediately fell in love with the retro electro and disco noir feel of the label from Rotterdam. It was a nice surprise to discover that the guys of Electronic Emergencies have been fans of I-Robots since the early days. I-Robots and Electronic Emergencies have found each other in their eclectic taste in electronic music. While their friendship evolved, they started discussing ideas on how to collaborate. As a first step in this collaboration, I-Robots has curated this digital compilation of 14 of his favourite Electronic Emergencies tracks. These reflect the deep melodic eighties atmosphere of the label and the elaborate and sophisticated taste of I-Robots.
“As you know the physical festival has been cancelled for the weekend of May 21st. But since we’re one of the web’s oldest streaming organizations we came up with an alternative and asked everybody who was supposed to come (and more) to record a special performance for this alternative festival.
A new low in social distancing!
The response has been insane and we expect at least 75+ hours of special content from electronic rockers from all over the galaxy!”
The line-up is truly a dream come true and you can keep track of it via this site: https://www.intergalactic.fm/ifmfestvisitors2020/