Radio Slave – Radio Silence Part One [REKIDS158]

Rekids label boss Radio Slave ventures further into unknown territory in a three-part sophomore album entitled ‘Radio Silence’. The UK artist delivers his latest body of work in the form of his ‘Radio Silence’ album, which will be dropping in three parts. The first chapter features perhaps the most leftfield tracks we’ve ever heard Radio Slave product. There’s a rawness to the album, which is in part due to the fact each track was recorded live and without edits, using hardware and Ableton as the main sequencer. Across the seven tracks, Radio Slave hone’s in on a sound that’s haunting and hypnotic.

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Radio Slave – Radio Silence Part One [REKIDS158]

Adiel – If Not Now When? [SA036]

Sharing the same forward-facing approach to techno music, it was about time that Roman DJ and producer Adiel lands her debut EP on Stroboscopic Artefacts. ‘If Not Now When?’ is an ode to the all-enveloping strangeness of eternal nights that cuts a path of ecstatic light in the dark.

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Adiel – If Not Now When? [SA036]

Black Meteoric Star – Disco [VOL004]

Voluminous Arts happily announces its third official release, a 12 track album entitled “Disco” by Gavilán Rayna Russom’s elusive alias Black Meteoric Star. This is not a Disco record. The title deliberately troubles the music biz’s incessant tendency to hierarchize genre classification over the experience of listening. If you must categorize these mutant sounds think of them as a proposed alternate score for those long, caffeinated sessions in Abby Sciuto’s forensics lab, the soundtrack to a heavy workout in the Westchester Danger Room or perhaps the musical accompaniment to deep body investigations of your own ancestral memories. What this record really is, and why it’s called “Disco” has to do with the layering of time and life energy present in the spaces where we have traditionally danced to music which are sometimes called Discos. From the pounding urgency of “Muscle Machine” through the unbridled night vision romp that is “Fluid Feline Forms” and the shimmering investigations of “Whispers Between Worlds” to the extended lazer pointer focus of “I’m Unmelting” this record lays out a broad slab of practice-based research into the ghosts we connect with on the dance floor. Whether it be through partying in former industrial buildings, contested spaces of labor built on lands violently appropriated from indigenous people, uncomfortably inhabiting vacuums in queerness left by the AIDS epidemic, lifting lineages through sampling, or the relentless cycle of whitening that accompanies dance music’s march into the market, our experiences in the Disco have been permeated by the spectral and the haunted. Through rhythm and frequency, organized over time, this music blurs the veil between the living and the dead inviting those who move to it to connect with experiences beyond that false binary. What you have here is another fantastic Black Meteoric Star record, as always made without multitracking or overdubbing, recorded directly from single live takes. It is is utterly consistent with all that name has come to mean, but on “Disco” Black Meteoric Star’s vision has been allowed to expand into an almost mythologically epic space. Ancestral time works differently. Settle in and absorb the frequencies. As the closing track suggests, the virtual Disco these sounds evoke is for “Freaks Only”.

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Black Meteoric Star – Disco [VOL004]

Norwell – In Between EP [FAN012]

Known for his grainy, analogue dance floor hits, Hungarian artist Norwell has returned with a powerful and transcendent 4-track EP, releasing through Fanzine Records. Inbetween EP is a drum-heavy, intricate series of grooves and soundscapes that draw the listener in from the beginning. While remaining faithful to the tendencies of techno, this record brings something of its own to the table in the form of acidic basslines and retro Kosmiche synth parts, resulting in a stunning array of textures. As Norwell’s first release through the Fanzine Label, this EP is dark, it is foreboding, and with the unexpected turns the rhythm takes, it doesn’t care about your feelings. If you’re ready to be punched in the face by this sci-fi horror listening experience, watch for the release of this EP, Fanzine latest addition to their roster of tasty electronic jams.

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Norwell – In Between EP [FAN012]

VA – Raval Rave Breakers Part 2 [MUSA003]

The second Raval Rave Breakers instalment continues with another strong five tracker. A Swiss knife where different sides of electro manage to coexist in blissful harmony. Some of them do so in a clean and classic way, like Dark Vektor’s “Time Space Rhythm & Bass”. A small 80s odyssey that fondly reminds of a certain quartet of well-known robots. Some others take a a more raw and contemporary approach, like Spoiled Drama (Nous, Fleisch), who plays the aches-and-pains card in a glorious way: “Drama’s Welcome To The Synthesized Pain Society” goes straight to your cortex and it won’t be easy to forget. Univac (Bunker, Moustache) sits in a more middle ground, bringing us “Collider”: a powerful electro-techno track that will uplift any possible dancefloor. Larry McCormick, head honcho of the renowned label Monoton, signs as his usual alias Exzakt, but now gets accompanied by the mysterious BFX. Their track “Close” is a as perfect as it could be: a pure, raw, super intense breaker electro rhythm, a ratchety lead, a couple arps, a distorted vocal and a tremendous sub that, even at low volumes, it might be heard even from the Mariana’s Trench. Closing the EP, Eel travels back to the more lo-fi side of the genre with “Sich Kreuzende Linien”, an eerie and hypnotic track which surrenders to an absolute jackhammer of a rhythm section.

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VA – Raval Rave Breakers Part 2 [MUSA003]

Captain Mustache – How Come U Know [EE031RTM]

Summer kicks off with ‘How Come U Know’, a 4-track EP by accomplished producer and DJ Captain Mustache from Paris. For this EP, he teams up with rave legend Adamski and electro goth star Linda Lamb. Title track ‘How Come U Know’ is an electro rave basher featuring Adamski’s vocals and cheeky lyrics about the all-seeing eye and loss of privacy. On ‘Bliss’, the deep and esoteric voice of Linda Lamb takes us to another world without possession – electro wave in optima forma. The remaining two tracks on ‘How Come U Know’ showcase Captain Mustache’s crispy electro pop sound, made to dance all summer long.

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Captain Mustache – How Come U Know [EE031RTM]

Onont Kombar – Epitaph Of Ego [V-030]

A few years back label boss I-F was listening to a dj-set from one of his favorite dj’s Do Te Ra Ho! which contained a track which is a weird cross-over between ambient, electro and industrial and which was seemingly without ending. He asked him what track this was and it turned out to be an unreleased track named The Last Day Lasts Forever from the mysterious outfit Onont Kombar who previously only had a release on his own imprint Ordo Viatorum. After connecting to Onont Kombar he told him he wished the track would never end and that is why he decided to release it full-length on Viewlexx to make sure it will, indeed, last forever. The title track Epitaph Of Ego is a catchy psychedelic minimal synth track which has been used as jingle on Intergalactic FM for quite a while now so you may recognize it from there. Then there is Moondust In My Eye, a wonderful dreamy dance floor track, warm and cold at the same time, almost like watching a full moon all night while being warmed by a campfire.

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Onont Kombar – Epitaph Of Ego [V-030]

Darren Nye – A Clear Vision Of A Distant Future [CHILDTEN]

Since the first time Childhood Intelligence connected to Darren, they could hear a very unique energy in his music, an almost healing Spirit. They are very happy to Welcome him with his Debut 2×12 Album “A Clear Vision Of A Distant Future” – to the Childhood family and celebrate Childhood Intelligence’s 10th Official Release.

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Darren Nye – A Clear Vision Of A Distant Future [CHILDTEN]

Controlled Weirdness – Presence Unknown 003 [PUNK003]

The third release on Presence Unknown contains four slamming tunes, crafted with precision by Controlled Weirdness using a variety of analogue and digital machines in his South London studio. The A-side features some deep and bass heavy electro acid for the dance floor. ”Ghosts of the Heygate” and ”Running on Empty” feature rolling 808 boom with 303 groove. The flip side starts off with ”Are you angry or are you boring?” a future-retro rave anthem with lately bass and killer mentasm stabs and has been destroying dance floors on dub during Controlled Weirdness’ DJ sets the past six months. The EP closes with, ”Strange Desires”, a slow, sleazy, slinky and salacious groove.

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Controlled Weirdness – Presence Unknown 003 [PUNK003]

Regis – Hidden In This Is The Light That You Miss [DNLP028]

Regis lets his rhythmic noise opus out into the world, a bruising and hauntingly absorbing album – his first since 2001 – dispatched on his pivotal label; Downwards. On a masterful twenty-year followup to ‘Penetration’, Karl O’Connor yields a definitive solo LP that distills his passions for sonic brutalism and bastardised Chicago tracks with syncopated UK swagger and reverberating warehouse ballistics. Its lip-bitingly gripping effect is testament to a resounding reputation as one of Industrial music’s most influential producers, and sees the artist bring his own influences – from Test Department to Jeff Mills – into line with his potent palette of narcotised tones. Recorded in Berlin with Einstürzende Neubauten’s producer/engineer Boris Wilsdorf, the album’s supple, spartan, and rhythmic gymnastics notably benefit from acres of icy room to roll around and lash out. Snagged around muscular bassline revs, and caressed with keys and vocals by postpunk catalyst Annie Hogan (whose recent turn for Downwards was a total revelation), the 9 tracks portray Regis at his leanest and most mesmerising, which is all the more impressive coming from an artist who’s deliberately held his line through club music’s mutations for more than 30 years.

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Regis – Hidden In This Is The Light That You Miss [DNLP028]

ED1999 – Original Sin [PORPAX004]

Completing the trilogy of releases in collusion with graphic artist Oliver Sperl, Belgian techno producer ED1999 chooses to nish on ‘Original Sin’ EP, a 4-track dark experiment of audio-visual harmony, complete with blasting industrial beats and doom- metal growls.

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ED1999 – Original Sin [PORPAX004]

Bill Anagnos – The Sizzler [PHXS07]

PHXS07 comes from the Athenian experimentalist Bill Anagnos. It is the final outcome of several projects and performances held in 2019. Throughout long periods of almost complete isolation and loneliness and with a basic amount of audio equipment those 11 tracks are mainly fragments of manually managed and arranged in house performances using two analog synthesisers, a turntable, a loop station and a cheap sampler. Obvious is the influence of Kraut rock and retro wave due to the severe use of synthesisers and locked grooves.

Bill Anagnos – The Sizzler [PHXS07]

Boris Divider – Generative Operations [DCOM016]

After a long break of around seven years, Drivecom the Spanish label based on advanced electro conducted by Boris Divider is back again to the scene delivering a minimal concept (as stated on its first roots) but with avantgarde elements to keep a vibe on the contemporary edge. This is the first episode of a new project under the name of “Generative Operations”. A project born from a new vision and workflow at the B. Divider’s studio. From the technical side, the use of massive modular synthesis and generative sequencing make the tracks to be different each time are being played, so here you have a unique recording of a certain moment as if it was and imprint of an instant. Also the minimalistic percussion tries to be slowly developed in an electro rhythm structure. In the other hand all the tracks have a cinematic vibe, it seems as they were composed thinking about to fit in any hi-tec sci-fi thriller movie. Granular sythesis pads, background noises, experimental compression routines help to fullfill the vision. At the moment of this info three volumes are being planned to be released in this year 2020.

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Boris Divider – Generative Operations [DCOM016]

VA – Early Works: Funk, Soul & Afro Rarities from the Archives [ATA019]

ATA Records announces the release of Early Works: Funk, Soul & Afro Rarities From The Archive, a compilation of tracks that were recorded at the very outset of the label and haven’t been available since the initial limited run (Released as Funk, Soul & Afro Rarities: An Introduction To ATA Records on Here and Now Recordings) sold out 5 years ago. The compilation features 12 tracks that include the very first 3 tracks from The Sorcerers that led to their self-titled debut LP & the first proper release on ATA, as well as the first recordings by The Mandatory Eight and The Yorkshire Film and Television Orchestra.

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VA – Early Works: Funk, Soul & Afro Rarities from the Archives [ATA019]

Frankosun & The Family – ELOSSA05 EP [ELOSSA05]

Hailing from the Voodoo backwoods of Benin, Oladele Franck Komolou, founded the band Frankosun And The Family in Helsinki 2013. Since then, the band has conquered peoples hearts with their amazing music, shows and energy. Heavily influenced by the rhythms and history of the Nago. The word “Nago” derives from the word “Anago”, a term Fon-speaking people use to describe Nago – Yoruba speaking people residing in Benin. The Nago–Yoruba community is characterized by the masked dance called Guèlèdè – a special dance rich in songs, music, epic and lyrical poems under the rhythms, and sounds of tam-tams. The band excellently combines 70’s and 80’s style beninese and nigerian afrobeat with afrofunk and afrorock.

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Frankosun & The Family – ELOSSA05 EP [ELOSSA05]

Velvet Season & The Hearts Of Gold – Voices / Having Fun [BV001]

Velvet Season & the Hearts of Gold (VSHOG) is the musical adventures of Gerry Rooney & Joel Martin. VSHOG present two versions of Aldo Tamborrelli – ‘Voices’ and Stefano Torossi – ‘Having Fun’.

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Velvet Season & The Hearts Of Gold – Voices / Having Fun [BV001]

ADJ – Selected Transmissions From The Pyramid [KNOE10/1]

Andy Jaggers (aka ADJ) is a name that has been synonymous with the underground electro scene since the mid-nineties. Andy released his early works as 3 Elements on his own label Analogique, delivering 4 now very hard to find records in between ’95 and ’96. Later he would set up Pyramid Transmissions with Pathic to release their own productions and those of likeminded individuals pushing the envelope of the electro sound outside the normally accepted boundaries. For Those That Knoe has worked extensively with Andy to put together a deliciously cohesive eight-track compilation of his works spanning the more recent period of his production career. The LP includes Pyramid Transmission vinyl favorites, cuts only previously available on his digital albums and some pieces released for the very first time.

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ADJ – Selected Transmissions From The Pyramid [KNOE10/1]

VA – Exit Planet Earth: Oxygen [EPE02]

The second release in the Exit Planet Earth compilation vinyl series features four exclusive tracks designed for space travel, including the first ever collaboration between Keith Tucker of Aux 88 and Carl Finlow. The resulting track ‘Coder’ is an electro masterpiece. The more established electro pairing of Jensen Interceptor and Assembler Code hit heavy with ‘Red Cell’ while Voigtmann brings the bass to space with ‘Subtopia’. The record is rounded off beautifully by Cignol with Detroit infused string sections and harmonies on his ’51D’ track.

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VA – Exit Planet Earth: Oxygen [EPE02]