
Perm returns with a new EP on LACK Records.

Straight from the depths of the burgeoning Austin, Texas weirdo scene, JT Whitfield delivers a six track mini-LP for L.I.E.S. after an impressive run of releases for Chondritic Sound. Whitfield follows suit where he left off on his cut from last years Eminent Domain comp. with absolutely punishing slow beatdriven industrial electronics. This is for true fans of metal on metal music as these tracks desperately plod and grind, ripping apart everything in sight. The appropriate soundtrack to endtimes.

“Fear And Desire” is a new Aufnahme + Wiedergabe release featuring four tracks from Italian producer/DJ Max Durante.

Arnaud Rebotini started to give away free tracks on his soundcloud page a month ago in his “Quarantine” series. Since then he release 8 EP with tracks by himself and remixes from producers from all around the world. “To (Wo)Men On The Assembly Line”, the last EP of the series, is including an original and 6 remixes from David Carretta, Djedjotronic, Jensen Interceptor & Kris Baha, Max Durante and Perel.
“We are now in our last week of strict confinement. So I’m going to interrupt this weekly EP series but with the eight title, I want to pay tribute to the women and men who have allowed the country to continue to operate during this period. But also to all those who will resume their work in factories, in the construction, food processing and services that will boost the economy, often in jobs that are poorly regarded and low paid but so essential to the functioning of our society.’

The first 2020 release on SolarOneMusic’s sublabel Between Places comes from Galaxy87 a duo from Italy. One half of them regular release his music under the CEM3340 moniker for Curtis Electronix. The other one is Nicola Loporchio aka Cosmic Garden, founder of Cosmic Rhythm. Perfectly produced deep space electro with bubbling 808 beats and basslines. Start your engine of your spacecraft and follow the message of Galaxy87.

Adapta and Uexkull find themselves becoming affected by recurring nightmares and visions of strange alien beings including greys, blue doctors and bugs. Eventually they’ll have to confront their frightening visions,.. real or not… Spheric electro cuts with dark, cinematic feel.

A non-partisan group primarily operational in the late 20th Century. Their only confirmed action was creating and compiling previously unreleased music to highlight various events of the time. Although there continue to be persistent rumors of technological inventions and other creative diversions, no evidence exists to support these ideas. The plans outlined in the half completed and frankly garbled manifesto was to distribute the music and text to several sources simultaneously in the hope of sharing the stories of the various situations that best needed attention. Most contacted media outlets initially postponed the release saying the information could interfere with ongoing operations and that disclosure might have minor effects on their prime narrative. Whilst the music survives, the text has been scrambled beyond recognition. The names of the situations, locations and characters have been changed but the story remains the same.

This is the second to last UV050 compilation records. Purple kicks off with Krakow’s Chino, who shows us how to balance perfectly between straightforward urgency and mystic playfulness. His acidic “Forbidden Voices” sports just the right amount of chaos to make you go crazy on the dancefloor. Berliner Johannes Albert brings his debut releases on Uncanny Valley with his “Vision Utopia”, a subtle House bomb, that pushes just the right buttons to trigger your desire to escape into cosmos. Also from Berlin comes Lake People, who does what he does best with “Roaming The Streets”. A subtle and razor-sharp track that points out that good dance music can sweeten your life everywhere, not only in the club. Finally, RVDS, one of Hamburg’s finest, blesses us with “Moon Operator”, a deep and masterful dive into sonic sceneries.

New Gesloten Cirkel release on his bandcamp via his Ratsnake alias. On ПЛЕДЖЕ, the enigmatic producer compiles six tracks fresh our the studio and a bonus live version. Oozing in raw synthesis, fiery acid lines and classic hardware drum sounds they both embody a sound that is the elixir of life for the true analog freaks. Released as a pay-what-you-want download through the Gesloten Cirkel Bandcamp.

The first release on the OMO Recordings is coming from the Czech master Exhausted Modern. “Power is not an institution, and not a structure; neither is it a certain strength we are endowed with; it is the name that one attributes to a complex strategical situation in a particular society.” M. Foucault.


Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco’s straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul.”Jingo” is an all-time classic dance record, sampled, edited, re-configured and coveted by too many names to mention! It’s a killer funky Disco version of master Nigerian drummer Olatunji’s 1969 percussion suite of the same name, Salsoul style, while over on the flip we have one of the deepest Disco records of all time; “Thousand Finger Man” a testament to Candido’s percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more.

Pamela Records is the new sister label to Moton Records Inc – the London imprint headed up by Dave Jarvis & Darren House, who have carved a name for themselves in quality and very collectable edits over the last two decades. The legendary Andrew Weatherall had produced and written Pamela’s first EP alongside studio partner Nina Walsh before his devastating and untimely passing. The tracks were written by Andrew in a studio laboratory inside of the Woodleigh Research Facility with Nina Walsh sharing the writing credits in part and also contributing samples from her extensive arsenal of weapons.

“Suburban Tales 1 was born as a VA dedicated to push local talents: it was our intimate dedication to Milan, the city which raised us, made us know each other, forged our sound. Before this worldwide emergency we were already planning the sequel, but this peculiar situation drove us to extend it both to Italian and international friends and affiliates. A powerful project was born to finance the “Fondo San Giuseppe”, a fund instituted by Comune di Milano, to support the people who lost their job during this struggle which sees Milan as one of the cities that had been hit most by the virus. We will devolve the entire revenue to this association.”

After a string of successful releases, Norwell returns to Crisis with three mind-altering electro trips and an epic remix treatment by label favourite Timothy J. Fairplay.