
Two mind melting acidic drippers that Ron Hardy would’ve been proud of by RVDS & Sneaker and a Katrina Fairlee, Joshua Cordova & Sneaker collab on the flip side.

Two mind melting acidic drippers that Ron Hardy would’ve been proud of by RVDS & Sneaker and a Katrina Fairlee, Joshua Cordova & Sneaker collab on the flip side.

Next up on COS_MOS is a label debut from Tom Dicicco. The four cuts he offers here kick off with the hammering synth stabs and coarse claps of ‘Varykino’, a brutal twisted dance floor mover. ‘Laser Life’ then cuts loose, with squeaking machines and alien life-forms jumping about in a broken beat framework that brings off balance grooves to the party. Acidic bouncing bass lines jumping over the b-side on ’99 Rising’, where ‘Quiet Theory’ flips the script again, this time with percolating and trippy synth loops rising and falling with skeletal beats stuttering below. A well balanced party pack for every hour of the night.

Vernacular is all about loyalty and machines. The cycles of influences and ideals converge to a specific creative bulk. And so from Whole emerges Few, interlinking, telling its story. Stories that are all about dance and dreams need a common core. Vernacular Collective Sequence inks these and spreads them into the wastelands of club-music enthusiasm. The first VCS release features Terror Feedback Industry, with four tracks of apocalyptic dance music, shaping visions of galactic raves, hi-speed travel and dumbass roommates

Following up on his contribution to the first Five Years Of Tears compilation, Randstad steps up to the bill and delivers his first solo release for Pinkman Records. Six tracks ranging from twisted industrialized beat trax to brain melting weirdo dance. A great cross-over record for adventurous DJs and fans of the cold, minimal DIY sound of the 80s alike.

SSTROM is back on Rosten with ‘Drenched’, 12 tracks for the floor, divided on 3 EPs, each to be released three weeks apart. SSTROM is the project of Hannes Stenstrom, once part of Swedish band Slagsmalsklubben, and one half of enigmatic techno duo SHXCXCHCXSH (SHX).

Here’s a new atmospheric techno release by Conforce on his own imprint Transcendent. ‘Conical Surface’ showcases a diversity of carefully selected techno tracks, all with the profound character you can expect from a new release by Mr.Bunnik. Lush pads and interstellar bleeps send you straight into his musical universe again. Performed and recorded with accurate precision for maximum impact.

One half of the group Vault, Daniel Holt makes his solo 12 inch debut on L.I.E.S. with a killer three tracker. Holt immediately locks in on the a-side with the massive 11:00 minute electro-wave groover ”Demonic City”, think heavy fm synth bass, graveyard strings, and Alesis drum machines all coming together creating a sullen and hypnotic gothic-funk cut, yes that’s right, gothic funk (you heard it right). Turn to the b-side for two more wave style jams, top production on both…exploring the realms of downbeat electronics throughout. Huge debut by this up and coming American artist.

Domina Trxxx welcomes Kovyazin D to the Family. The young and talented man from Russia already released on well known imprints like Chiwax and M>O>S Recordings. The Minimal Funk EP is a puperb electro record.

St Theodore presents his brand-new EP “Last Dance” on Clasicos Del Ruido. This is a slow, true immersion in cold and even sometimes frightening work. Minimalistic basslines, cold synthesizers, simplicity and accuracy of compositions cause aesthetic delight. The classical TB-303 sound takes to memories of raves in the buildings of former factories, where you always feel very far from reality.

Electro and atomic sequences from hell, dark future baselines. Psych energic rave and tunnel acid from 1986. Four tracks, 1 system from the underground city of Barcelona. Half the amount of drugs in the world got consumed here.

Pumping West Coast electro in a new jacket, with bouncing 808’s, driving acid, and old school futuristic vocoders. Justin Cudmore (Bunker NY) is taking it to a darker space in his more abstract and highly effective remix.

Founded in Rome in 1964, ‘Il Gruppo D’Improvvisazione Nuova Consonanza’ was a collective of noted and noteworthy composers who challenged the very structure and performance of music itself. Today the most celebrated of its members is the renowned film composer Ennio Morricone but each contributor has an intriguing history in Italian music. Drawing on Jazz, Serialism, Musique Concrete and other extended techniques, the group performed on many of Morricone’s experimental soundtracks of the 1970s including, A Quiet Place In The Country and Gli Occhi Freddi Della Paura). The collective improvised live (according to strict exercises) and in the studio (recording for RCA, Deutsche Grammaphon, General Music and others). In 1970 ‘Il Gruppo’ (as ‘The Group’) recorded The Feed-back (for RCA Italy), an insane amalgam of avant-improvisation and motorik Krautrock-influenced beats that understandably has become one of the most collectable ‘Library Music’ related LPs ever issued. In 1971 ‘Il Gruppo’ returned to the studio to record a sequel. This is that record. For reasons unknown Niente was never originally issued but one listen will convince that not only is it the sequel to one of the most sought after LPs of all time, but it is also by far its superior. Brain melting jams collide with unhinged intensity in a hothouse of Italian avant-improv. You have been warned.

Danish drummer Terkel Nørgaard presents his trio consisting of some of the key players in the Copenhagen scene and American star trumpeter Ralph Alessi on the lineup. Not merely a ”feature”, Alessi and the Danes form a coherent band unit capable of producing memorable and highly inspired contemporary jazz which links to the Nordic tradition of dynamic sound ranging from delicate minimalism to powerful avantgarde eruptions. The album Terkel Nørgaard ”With Ralph Alessi” is released by Helsinki’s We Jazz Records. On the new album, the Danish trio plus Alessi achieve something that can always be regarded a remarkable feat. They deliver a highly inspired set of music which links the album onto the ever-evolving lineage of jazz music, and at the same time introduce a new band capable of stunning the listener in the here and now.

Star Creature continuing it’s pursuit of bold LP’s, this time teaming up with Italian disco don, Giovanni Damico. With recent major dance floor releases on Lumberjacks In Hell & Kalakuta Soul, Damico shifts gears to his Italian roots to give us a modern funk twist on Italo & space time boogie.

Project Gemini is the brainchild of West London-based musician, producer and music journalist Paul Osborne. It makes its debut on Delights with a spooky library-influenced psych-funk double-sider, recorded by Osborne at his home studio, Gardens End, with contributions from the prolific Haifa-based producer Shuzin on drums, and the label’s main man Markey Funk on lead keys and production duties. With its otherworldly electronics, fuzz guitars, sinister cinematic groove and sharp funky drums, the new 7inch is ticking all the boxes that define the Delights label’s distinctive aesthetic.

The Italian Fuzz Dance! Just said almost everything about the global dance music scene. One of the most prominent labels to connect the old Continent to the new Continent. For many top players it is considered the blueprint of Italo-disco, for many others the beginning of the House sound. Some of the records on its catalogue are merely timeless and in the history forever. And ”Plastic Love” is definitely one of those.

A7 Edits is back with its second installment from JD Twitch (Optimo). Volume 2 offers two edits alongside their sought after original counterparts from Africa Seven favourites’ M’Bamina and Tala AM.