
Points label owner Dona (AKA DJ Plant Texture) returns with three killer Acid tracks for More About Music.

Points label owner Dona (AKA DJ Plant Texture) returns with three killer Acid tracks for More About Music.

Ike is no stranger to Finale Sessions at all with his release under the guise Innerspace Halflife with fellow producer Hakim Murphy. This time he flies solo under his real name Ike Release. The first cut called “Tangerines M” it takes you for a ride with its rawness and it’s thick pads and morphing keys and its wicked bassline . Track two called “Tungstun M” is another floor stomper with this one with its filtered pads and in and out synths just drooling with rawness.

Neville Watson’s debut on Riverette, with 3 tracker full of bangin’ techno with a bit of house on top. Already on its 12th release Riverette goes for the techno route this time with none other than the mighty Neville Watson at the driver’s seat. Straight up in your face, dancefloor weapons this release delivers what the title of each song promise.


The Argentinian based NGLY had seemingly appeared out of thin air landing on the Brooklyn based L.I.E.S. label in 2014 with an untitled four track white label ep. On this ep, the unsuspecting track “Speechless Tape” ended up becoming a cult hit with select djs in the scene (I-F, Mick Wills, Intergalactic Gary…) eventually leading to it being voted as Intergalactic FM’s #1 track of the year in 2014. On the heels of his successful debut Rudolfo could have stayed the path and produced an easily digestable follow up dance record or two, instead he chose to take his time and reflect. Sitting back in the studio tweaking his live act, recording endlessly, transforming and refining his sound. In the end we get his debut eight track lp, Cities of Illusion, a record that walks a fine line between many of the original strains of the electronic realm. The elements are all there to be picked apart, to be used, to be abused, thrown against the wall smashed to bits…played in the club or on the late night mix shows, it’s magic you heard in the past and crave in the present. To say the music on the lp is one thing or another is an injustice…it pays reverence while at the same time turns a corner; held together by a loose yet cohesive thread. It is a full presentation that is unafraid to challenge or confuse, with no concern for genre imposed limitations.

Beau Wanzer returns with another LP of archival material plucked from the mutant mounds of shitty coughs and smelly feet. Wanzer digs deep and delivers twelve tracks in his inimitable style, with some dating as far back as 1999. The brutal electronic punk productions like ‘Something Stinks’ are balanced with moldy movements such as ‘Staring at at Fish’. This LP takes a more vocal heavy and menacing approach, but it’s not without moments of respite. Undoubtedly another oozing outing from the Chicago deviant.

Dominick Fernow presents another dark and confronting opus entitled Media In The Service Of Terror. Read between the lines of the titles then listen and learn via these harsh textural abrasions on offer. The sombre and brutalist opener “Ziad Jarrah Studied Mathematics” sets the scene well, the tunnelling slo-mo techno of “Take Vows” is great and follows the same path as Vactrol Park or L’estasi Dell’oro have in recent times. “Interrogation Mosaic” shows Fernow still has the knack for some chilling imaginary soundtracks while “More Of The Same (Tunisia)” has the classic outsider techno sound that Fernow has honed on previous efforts like Remember Your Black Day or Ghosts Of Chechnya.

After 5 years of Exploration, it’s time for the first album on the label. Johannes Volk proudly presents Mutual Codes, a conceptual album which contains 12 tracks between detroit infected techno and experimental classical compositions. Colourful synth adventures which take you on a journey to far away galaxies and beyond.

Hypnotising drone techno from the other world. Entangled In Vines is an intricate collection of tracks that span across the entire techno realm, from slow-burning hypnotics to high-tech warehouse blasters. “Enter” is the perfect example of this man’s style, a largely beatless tune that still drags plenty of movement across the groove, and “Getting Closer” quickly ups the tempo with a fine layer of bass and kicks. “Escape” transports us across a deep techno wormhole, and “Wrapped” delivers Acronym’s inimitable swarm of hollow tones in the same vein as artists like Donato Dozzy.

The Kill Zone EP by Jeff Mills. Taken from the recent Free Fall Galaxy album. The 12″ contains two previously unreleased tracks.

Ben Sims’ Symbolism imprint returns with Spanish newcomer JLG’s four track ‘Convolution’ EP. Characterised by intricate and interwoven melodic rhythms, some at the forefront and some almost there, JLG’s debut for the label is an infectious and consummate affair.

Two deep atmospheric, spiritual tracks with deep hearted melodies and driving percussion parts. Find Ron Trent’s remix ‘Regard’ on the A side and NYC based producer Trinidadian Deep’s take on ‘Cross My Mind’ on the flip.

For number 09 Office Recordings comes up with four slow bottom up intense house groovers from Baaz.

The second chapter of this young Danish talent’s Spectrums, with more post-bass techno hybrids, and inspired by the early 90s sounds of Belgian labels like R&S and Buzz.

The second and final release of Scott Grooves’ Parts Manager series on Natural Midi- representing another four parts of the Scott Grooves sound.
Red Light Radio’s lovely Orpheu gave us a typical taste of his deep knowledge via some percussive loveliness.