
Free Tracks From XLR8R 26032012



First in a series of free digital EPs from Toob. Heard over the last few weeks in nightclubs from Fabric to Berghain and on the airwaves across Europe and the t’interweb. The tracks have been lovingly mixed + mastered at Musicland Studios, London.

Gareth Clarke delivers his long awaited sophomore release, underlining his reputation as one of the brightest lights and best-kept secrets in electronic music today. Oozing elegance and sensory richness throughout; subtle, playful and visceral often in the same moment, somehow. GC has elicited the perfect pleasure amalgam for body and brain.

Accroupi Recordz is proud to announce the release of its 10th EP ! Free internet download, as usual. The duo HTTP takes care of it, with 4 tracks, going from 110 to 150 bpm.

Plant43 returns on Semantica with a four-track electro EP. Most of the new material exhibits the melodic and placid side of electro, starting with “Neon”, good for nocturnal downtown cruising in a light drizzle. “Stellar Nursery” embarks on a space mission in more upbeat mood, expressed by blooming arpeggios and subtle disco bass, all resulting in a hefty dose of analog harmony. After futuristic dreaming and little melody played in “Metamaterial Cloaking”, the gates are smashed open in “Fluid Reasoning” for a turbocharged cavalry, whereas Plant43 is not afraid adding some trance quotient to this wake-up call.

Eargoggle and Inkinen produced track in their signature mind bending style. Highly limited picture disc mini LP.

Tracks by Humandroid, Dark Vektor, Antoni Maiovvi & Synthesized. ‘In the interstellar medium are regions known as nebulae, they formed by gas and heavy chemical elements in the form of cosmic dust. Have a significant cosmological importance since many of these regions are where stars are born by phenomena of condensation and aggregation of matter. One of the most beautiful is M42 or Messier 42, the Orion Nebula…’

Big release by one of the best electronic Cold Wave bands from Italy. Janitor Of Lunacy were an Italian New Wave electronic band, active in Brescia from 1981 to 1986, composed by Kovre, Claudio Asserini and Gabriele Farina. With this line up, JOL produced a demo tape in 1983 entitled ‘Crimes On The Dancefloor”, which was very well reviewed by the italian music press. Thanks to such great feedbacks, the band was choosed for various compilation of the era, playing many live shows in historic clubs like Xenon in Florence or Odissea 2001 in Milano, sharing the stage with Weimar Gesang and some others Supporti Fonografici related bands. In 1986 JOL entered in studio for recording their first full-lenght for this label, album publicized by various magazine but that never saw the light of the day, due to artistic divergences.

Hippos In Tanks’ carefully assembled roster, White Car are the label’s darkest, sexiest operators. Hailing from the Pilsen neighbourhood in Chicago, their debut album ‘Everyday Grace’ channels that Eurotic undercurrent of Techno/Wave/drug music which has fuelled the city’s subterranean scene since the earliest days. Like an hallucinatory audio version of the scramble suits in A Scanner Darkly, their chimeric, cyberdelic fantasia assimilates elements of 30 years + of debonaire, thrusting automatik funk, from DAF to NIN to CTI, to ’80s Bowie, Prince and way beyond, refracting each glint until it becomes an amorphous nebula of digital info masking an ice-cool, thermo-controlled interior. The stuttered vocal of central figure Elon Katz expounds ideas of bodiless cybernetic sex and binary sensuality, melding his urging physicality into a virtual matrix of jagged, shoulder-jerking rhythms and writhing synthlines saturated in bacchanalian dissonance.

Old school minimalsynth, nostalgic but with a glimpse of the future from Swedish band Kinder Aus Asbest.

Mi Ami is the five year old project of exotic punk-gone-House types Daniel Martin-McCormick (Ital) and Damon Palermo (Magic Touch). ‘Decade’ signifies a suitably decadent sea-change to their sound in keeping with respective solo projects. Basically they’ve ditched the guitars and drums for a hypnotic, electronic blend of Deep House and Disco filtered through their sly post-punk sensibilities, stretching their svelte, club-and-gig-toned laptop muscle over four extended groovers aimed squarely at the more misty, pie-eyed ends of the night. On ‘Horns’ Daniel’s snotty no-wave vox jar very nicely against cocoa-buttered Chicago simulations, while the luscious ‘Time Of Love’ coolly sidesteps their punk roots with smoothly tucked-in disco bass and a sense of debonaire, balearic Dub romance. Deeper yet, ‘Free Of life’ meditates on rippling congas and hyperreal reverbs looking for that Panorama Bar booking while ‘Bells’ sounds something like a long lost Virgo dub starring a cameo vocal from Zed off of the Police Academy films.

Berlin based Brit Ed Davenport presents his debut LP on NRK Music. Counterchange has plenty of concessions to filmic home listening rather than straight up dancefloor fodder. Notably, breakbeats feature heavily up the spine of the album, as does subtle vocal sampling and plenty of atmospheric tension. Starting with the brooding drums and moody voices of “Of Light & Shade” the album unfurls through the barely restrained rave euphoria of the title track, the beautifully re-worked melodies of “New Yorkshire” and “More Red Lights” as well as touching on some sombre downbeat bleakness, bold concrete funk and under-lapping deep techno. The penultimate track, “Somewhere,” is to be the album’s forceful first single: an obvious choice for its deeply hypnotic rhythms and train-track grooves.

The fourth release on Farden from Sweden who keep on pushing the boundaries of pure and relentless techno. This time two funky ’90s inspired tracks by techno legend Aubrey.

Great Detroit Techno inspired trax by UK drum and bass head Marcus Intalex under his Trevino monniker.

Delsin launches of a new house-focussed series and the first release is from the mysterious and 19 year old Gerry Read.
“Yeh Come Dance” explores dusty and rusty loops of drums, vocals and wooden hits all of which are held together with a knackered jazzy glue. ‘Crawlspace’ on the other hand is a foggy gaggle of kicks, drums, hi-hats and cowbells coated in plenty of hiss and crackle. ‘Bozza’ again demonstrates Read’s ability to produce something that sounds two decades old yet wholly contemporary at the same time. Chord prods here, raw hits there, jazzy motifs buried within – it’s house music designed for cosy little basements in the dead of night where ‘Crooked’ is more in yer face. The loops in this one are more exposed and loud in the mix, but still feel unmistakably elliptical and raw.

Italian producer Nicholas serves you his debut album for 4lux called Still Playing House, showcasing his love for the earlier USA house sounds in 14 original deep house tracks. The album includes also 2 remixes by Hunee and label head Gerd.