
Rawax welcomes Iron Curtis to the artist family with the “Weather Report EP” on Chiwax.

Interpretations created by The Jak. Made In Chicago. The Kid Jak strikes again with two infectious dance floor cuts. The A-side brings that oldskool Chicago and New York house music feel in it’s most direct form while the b-side has that psychedelic flavor over a simple beat track. “Experiencing music collectively is a critical part of absorbing it’s meaning and it’s unique ability to communicate abstract ideas that resonate differently with different individuals.”

Palmbomen II’s new album ‘Make A Film’ can be viewed as a faux crash course in film making plus the soundtrack to score your first movie. This beautiful double vinyl album comes with an extended step-by-step course on writing, directing and shooting your first film. To make it easy, Palmbomen II included twenty four tracks that set the right mood for different scenes, from “Medium Melancholy” to “Slightly Dark”. Everybody could ‘Make A Film’.

28 years ago Chris Mann and Paul Darking released their debut EP on Andrew Weatherall’s (RIP) Sabres Of Paradise. A year later another EP came out on the same imprint, followed by two albums on Weatherall’s label Emissions Audio Output and a bunch of EP’s on Emissions’ sub- labels. Two more albums saw the light of day on Iris Light Records, but the start of the new millennium brought a stop to the creative output of the production duo known as Blue.

Icelandic dub techno linchpin Yagya returns for a second release on his emergent label, Small Plastic Animals. The music Yagya crafts is spacious and atmospheric, using the techno tradition as a vessel for meditative as well as emotional exploration and experimenting with sound design according to a specific, patiently cultivated style. “Always Maybe Tomorrow” finds Yagya ruminating on the behavioral energy of environments as viewed from afar – the man-made electricity of urban expanses and the interconnected flora and fauna of ecosystems. Looking to his chosen tools as a means to express these ideas, he employed a non-linear approach to each of the four tracks on this EP, choosing to create musical systems in constant flux rather than composing each piece in a conventional left-to-right narrative. Yagya’s trademark voluminous chords and vast pads ebb and flow through filters controlled by LFOs and randomness, creating their own micro-incidents and macro evolution as though holding a mirror up to the environments the initial inspiration was drawn from.

Outer-national dance discourses, that strive for no country and obey to no flag: when Düsseldorf based producer, Stefan Schwander creates music as Harmonious Thelonious, highly percussive rhythms, dissonances and melodic twists tango chatoyant virtuosic. All eight musical objects collected on “Instrumentals!” document a chapter in Harmonious Thelonious’s work, that left the noisy background drones behind in favor for a signature sound full of echoes of ancient rituals and ecstatic ceremonies. Eight growing outlaw music studies crammed with living, deeply haunting entities. They all came to life in different cities like Berlin, Düsseldorf, Hamburg, London or Paris, first published on labels like Asafa, Disk, The Trilogy Tapes, or Versatile. United under one roof, they unfold their magical groove symbolism, notable hypnotic harmony and agitating rhythm archetypes in a total overpowering coalition.

Krokakai is an emergent Glaswegian producer with a penchant for hardware – largely using an MPC2000XL, SH09, MS20 Mini, TT-303, Roland Alpha Juno and other trusted tools. He’s already turned heads on labels such as Invisible Inc and PowerStation Records. Right here he lays down the label’s parameters with four unique, far-reaching escapades.

A collection of name-your-price/free download tracks compiled by Hard Fist, featuring edits by Aaron Maple, Alexis le Tan, Anatolian Weapons, Curses, Daniel Monaco, Disco Morato, Facets, Fabrizio Mammarella, Hysteric, Jonny Rock, Perdu, Thomass Jackson, Younger Than Me, Zombies in Miami and many more.

Italian DJ and producer Gianluca Pandullo a.k.a. I-Robots has chosen six of his favourite Electronic Emergencies tracks to reconstruct. The second part of a collaboration after a digital-only compilation of EE tracks by the founder of Opilec Music in 2020, the six rigorous reconstructions on this double 12-inch are long, luscious, and full of energy. “Move Like Rays” by Machinegewehr was injected with a high-energy vibe, while Das Ding’s “Want Need” was transformed into an electro classic. Skeleton Head’s queer anthem “Beaten, Bloody, Bruised” was given the percussion treatment, “Danza Obscura” by Borgie got an Italo Wave twist, and New Wave legends Chris Davis and M/A/N/O/S had their tracks worked over by dubby electro and minimal techno. Electronic Emergencies reconstructed by I-Robots consolidates the label’s frontier electronic underground reputation.

Here’s a brand new EP for the italo lovers. Released for the first time in 1982 on Full Time Production off-shoot Good Vibes, 4 M International’s “Space Operator” is repressed on hand-numbered limited edition vinyl on Mr Disc Organization. This special EP includes the Techno producer Donato Dozzy “Cadillac Rhythms Reshape” and the vocal and instrumental versions of the record. Spaced out disco electro. The mysteriously named 4M International was a side project of the production team behind the Italo group Trilogy (“Not Love”, “Black Devil” etc). “Space Operator” is the only record the outfit recorded and is an ultra spacey, pitched down, cosmic anthem with a wealth of killer sound FX, synth washes and sinister vocoded voices inviting us to join them in some intergalactic space travel.

Second chapter of the ‘Inside’ series of various artists EPs selected by Neroli’s very own Volcov. This time with a more eclectic approach than the previous volume, exploring more electronic landscapes with Domu’s downtempo ambience song aptly titled ‘Point Of Entry’ and Jamal Moss’s unmistakable sound on his opus ‘Black Hands Sound 63’ on the first side. On the flipside Mother Tongue’s own Patrick Gibin returns with another bouncing collaboration with Kaidi Tatham entitled ‘Don’t Read’ and new upcoming wonder producer EDB serves ‘You Bring Me Joy’ with the help of Alberto Lincetto on keys and NTS resident Marshmello on vocals.

Black Key recruit the consistently excellent Dan Piu for their nineteenth vinyl release, laying out three tracks of sophisticated deep house.

Human Sense Technology returns for their 2nd entry; this time from the man of many styles, Eastern Zurich’s very own Dan Piu, with Modern Utopia Thought EP. Dedicated to his youth and influenced by future visions of creation, the atmosphere and arrangement on this EP permeates into the imagination with colors of suspense, harmony, and spherical textures showcasing the finer lines of deep frequency. Courageous indeed as this EP embraces the mysterious in an eccentric bliss that charms the listening experience in a way that grooves the body as much as it moves the mind. Imaginative bleep infused mix of IDM, trance and braindance.

Since 1991, Tresor has provided a home for artists to germinate their ideas for advanced new sounds and broadcast them to the world. The pioneers that first traversed the Detroit-Berlin connection and were at the forefront of a new cultural movement gave to Tresor its original and continuing mission: community, resistance and reshaping the world to come. The Tresor 30 compilation represents a major land- mark in this continuing history of electronic music. This unique collection of music profiles some of the artists that gave the previous three decades of Tresor its sound and foundation, but it also casts its gaze forward. Writing new postcards from the future, this collection brings new artists who main- tain a connection to that original mission to the fore, charting ways in which this ethos can contin- ue to build bridges and break walls in the next 30 years. Bringing together 52 essential tracks – both clas- sics and exclusive commissions – each of the 12 records in this box-set charts a unique line of flight from those artists that helped define the shape of this new music to those who continue to pattern its landscape further.

ORBE debuts on Token. The Spanish producer arrives on the label with a brace of high energy, atmospheric dance floor cuts. Leaning tentatively towards a more booming, warehouse-ready finish, the four track EP channels funk, density and smart sound design in equal measure.

Housewerk presetns a limited re-press of the classic of Dan Nurse aka Dave Sumner, “Other Side Of The Tracks”.

Delsin welcomes Jayson Wynters into the fold for a four-track EP that embodies techno as a vibrant, expressive artform with the ability to uplift. On The Affect Heuristic, Wynters strides forth with an electrifying machine language, calling to mind the feverish, psychedelic tweaking and layering of visionaries like Dan Curtin and Lee Purkis (In Sync). Across four tracks, Wynters pivots between distinctly Motor City-indebted funk, springy electro-techno and vivid, immersive soundchasms.

DOMINA TRXXX welcomes Lello Di Franco & Javonntte, with the 10th edition “Tales From The Space”. Vocoder dreams.

On Back Up: Mexican Tecno Pop, Dark Entries brings us 10 divergent tracks of Mexican electronics from 1980-1989, full of skittering analog drum boxes and saucy synthesizer hooks. 8 of these songs were culled from the 2005 CD-only compilation Backup: Expediente Tecno Pop on AT-AT records. Also included are two previously unreleased cuts. This release marks the first time many of these songs will have appeared on vinyl; it is also the first ever vinyl compilation of Mexican New Wave and post-punk. While synth pop and obscure electronics from Europe and the United States have been extensively documented, much less attention has been paid to such offerings from the periphery. Back Up serves as a vital document of Mexico’s flourishing DIY scene in the 1980s, surveying a wide range of styles and moods. By using home recording techniques, the bands featured here were able to circumvent relying on the expensive studios of the era. Tracks by Avant Garde, Vandana, and Silueta Palida mine the kind of dreary-but-infectious wave that long-time Dark Entries fans will celebrate. Meanwhile, Volti and Artefacto offer a floor-ready pop sound that has echoes of NY freestyle, with Latin percussion and boxy beats. But darker turns are present as well, with Decada 2s New Beat-inflections and electro experiments of Syntoma and their side project Escuadrón Del Ritmo.

After his first record “Alamogordo/The Optimist“, Flood is back on Hanover’s “Kein Rauch Ohne Feuer“ label with his second EP. Following the heavy, hard-hitting debut, the new record now explores a more 80s-inspired sound between italo disco and electronic body music that despite its playfulness doesn’t lack the clarity and straightforwardness of Flood’s older productions.