The notorious R-A-G team up once again on their homebase M>O>S to present four of their excellent acidic deephouse affairs. The whole squad featuring Aroy Dee, MaSpaventi and G-String giving a perfect representation of their long going Amsterdam studio sessions.
Jerome Hill again delivers treats for the dancefloor, keeping things typically underground and raw, channeling elements from all over into this peach of an EP.
This is a collection of House tracks spanning the last 15 years of the L.I.E.S. label. As the catalog touches upon numerous genres, L.I.E.S. makes the heavy lifting easy and gives fans, old and new, a focused sampling of some of their favorite and maybe even overlooked House tracks from over the years. From mega hits to forgetten classics here are 20 tracks for you to play on the floor.
This is PAY WHAT YOU WANT for the this week, so be quick!
Non Stop Rhythm presents their first DEMO release, comming from Code Zero.
Great house/techno release by Alejandro Zoras for Non Stop Rhythm.
Seven years following their first record, Noise To Meet You return with their tenth and final release: an eclectic and powerful compilation featuring a diverse range of exceptional artists. To mark this milestone, world-renowned electro pioneers like DMX Krew, Exzakt, Dark Vektor, and Synth Alien join forces with outstanding names such as PΛЯΛПD, Terrestrial Access Network, or KafkaCtrl, among others. The result is an essential collection for true fans of the genre, making this a remarkable farewell to an unforgettable journey.
The best tracks by Michi Bormann, all released under his alias Latex on Müller Records and some tracks released under the pseudonym Steril on Gigolo and Lasergun. All newly mastered and processed. Seven tracks will be released on vinyl and the edition is limited.
Noamm delivers a deep electro statement that resonates far beyond the dancefloor. A dark and introspective six-track journey through fractured emotion and internal tension.
Members Only presents the first volume of this new series called ‘4 The Ones Who Know’. These edits were done on the fly with a Zoom Drum and SP303 in 2011 at Music Box Lisbon & in Madrid for Red Bull Music Academy.
Members Only is back with the 15th volume of The Worst Edits featuring 5 previously unreleased edits pulled from the archives for experimental artistical purposes.
The Infinite Wheel are a visionary duo who emerged from the DIY and Anarcho-Punk underground of the early ’80s West Country scene. Both members have been deeply involved in numerous influential projects, releasing chart-topping music under names that are instantly recognisable. But it’s their groundbreaking work in the ’90s that truly captured the attention of Midnight Drive label. “Java Dub / Enviro” are immersive, longform explorations that stay true to the dub tradition – expansive soundscapes that pull the listener in, treating the mixing desk as an instrument in its own right. Thunderous basslines and cavernous echoes intertwine with tribal percussion and celestial ambient synths, creating a rich, enveloping sonic universe for both deep listeners and dancers alike.
Swedish EBM hero Celldod is back on Electronic Emergencies with a full album on transparent magenta vinyl! På Liv Och Död is an electronically driven emotional bomb with references to D.A.F. and Front 242. It features collaborations with Leroy Se Meurt from Paris and Michael Zodorozny of Crash Course in Science, as well as Anders Karlsson’s own Swedish lyrics about death and the meaning of life. Each track is a wild invitation to dance away our fears in this complex world of impending doom.
Marking their first release on Zodiak Commune Records, Minimum Syndicat unleashes the Revelation EP, a powerful showcase of electro and acid techno. Featuring the hypnotic electro-driven “Knowing That We Know Nothing” and the collaborative acid techno powerhouse “Disclosures” with Voiron, this EP is a bold statement. Belgian acid virtuoso G303 transforms “Knowing That We Know Nothing” and “Disclosures” into high-octane journeys, layering hypnotic 303 acid lines, pulsating bass, and intricate rhythmic structures.
De:tuned welcomes the Purveyor of Fine Funk, Midwest house and techno originator Dan Curtin, to the label with his first new album in 15 years entitled ‘The 4 Lights’. The now Berlin-based DJ and producer channels his inner DC and opens up his soul on this exceptional eight-track LP. Dan showcases his unique take on techno and early 90s influences rise to the surface. The result is an in-depth masterclass of cosmic funk, spaced-out vibes and warm pads that stimulate the mind, while the distinctive groove moves your body.
Detroit’s own DJ 3000 returns with a futuristic techno-electro offering in the form of the Waiting in the Dark EP, featuring heavyweight remixes from electro pioneers Aux 88 and DJ Stingray 313. Set for a limited vinyl release, this project captures the essence of Motor City’s deep-rooted heritage while pushing sonic boundaries forward.
Bristol’s techno dreamweaver A Sagittariun returns with ‘The 23 Enigma’, his first release since 2022’s ‘Strange Brew’ EP. A Sagittariun traverses genres with ease, peddling raw and hypnotic techno, ambient dub, breakbeat and deep electronic sounds each tinged with a heavy dose of psychedelia and cosmic power. ‘Fountainhead’ and ‘Mind Games’ take it back to the raw, with panel beating drums, frenetic percussion and wigged out synths designed for the more discerning of dancefloors, whilst lead track ‘The 23 Enigma’ goes down a wormhole of muscular electronica as deep as a wizards sleeve.
Long in the making, Compton’s own AshTreJinkins debuts on L.I.E.S. with the seven track Left 2 Rot LP. The seasoned producer delivers an amalgamation of reimagined electronic styles going from stripped back. Terrance Dixon-esce minimal techno psychedelia to classic 2013 L.I.E.S. hybrid cuts sitting in the hazy grey area between gnarled house and techno. An ode to the City of Lost Angels from where he hails, this record is a perfect backdrop for the dystopian ruins the city has become over the last years. Stark, gut wrenching cuts that will leave you for dead as the title suggests.
Dark distorted acid, on and on 808 rhythm tracks and swinging 909’s. Zopelar for president! The Brazilian Jackmaster delivers a 6 track ep adding some samba to the Chicago influenced jack tracks.
“I’ve been partying since 1984,” says Jamal Moss, the living Chicago legend known by his dedicated cult following as the one, the only, Hieroglyphic Being. “40 years later, it’s drastically different – everybody’s angry!” So sets the stage for Dance Music 4 Bad People, the artist’s first album for Smalltown Supersound. Tapping back into the same cosmic frequencies responsible for the prolific house virtuoso’s most vital work, the album sees Moss coaxing nine anthems for those up to no good from out of the ether. With driving drum machine workouts and low-slung synth sexuality, Hieroglyphic Being pays homage to human fallibility, drawing focus on the revolutionary potential of house music and club culture that is so often lost to the chaos of the present. “I have yet to walk into a club and see everybody hug and say: Let’s forgive each other, let’s move forward and make the world a better place,” he levels. “With all these conversations about sexuality, ethnicity, politics, whatever, when you walk into an environment with the music, you are supposed to celebrate all of that. Let it be and come together.”
Cosmic frequencies and deep rhythms straight from Vakula’s universe. A 13-minute journey backed by dubby grooves and sunlit vibes.
The Hipodrome Of Music 