Femminielli Noir continue their tour-de-force with some hard hitting rhythms on Malas Influencias. Acid drenched basslines squiggle within your soul like a demented and unhinged drug binge. Heavy warehouse style reverberation adds to the madness, echoing deep and large, like metallic structures being destroyed. Seeking pain in pleasure, this is your only choice. 12” varnished 350g premium quality paper sleeve, with obi strip printed on vellum paper.
‘Groovotica’ is a special one to be sure – a box set featuring two 12’s (one original material, the other a selection of edits from DJ Nature’s private stock).
Speak No Evil is the sixth album by Wayne Shorter, recorded on 24 December 1964 and released on Blue Note in 1965. The music combines elements of hard bop and modal jazz. This is a Blue Note 75th Anniversary reissue.
Word to the weirdos. Morgan Buckley’s vinyl debut with so many ideas and so much energy it’s almost hard to take it all on board in one listen. The sound of a man soaking it up and pouring it out.12″ comes with insert and a touch of ★magic☆.
Ten years of Deep Explorer… The celebration started with “The Capsule remixes 10” that was released 2 months ago, now is closed with this “Far & Beyond”, a double pack vinyl where the brothers and heads of the label (Dubbyman & Above Smoke) make their own selection of exclusive material into groove and dark deepest house tunes from artists worldwide.
A lush 90s vibe haunts this first offering by new Parisian talent Voiron, but not one of simple nostalgia – one of real class. Including a reshape of the EP’s main theme by American producer Fred P to digress towards soulful deep house territory.
Efdemin presents the 1st part of a remix series, featuring mixes by Asusu, Staffan Linzatti & The Borderline State.
Steve Pickton aka Stasis released ‘Space 1993’ originaly on Native Sampler pt 2. Only One records has the honour to re-release this masterpiece on blue transparent vinyl. Featuring Unbroken Dub’s re-interpretation.
French producer Voiski returns to L.I.E.S. with another 12 inch of his diverse and refreshing style of techno. Spanning across the board we get epic dramatic builds, post shuffle headnodders and floor crushing sub-bass grooves over these three tracks. Guaranteed to cause major damage wherever and whenever this record is played.
Continuing the 20th anniversary celebrations of Robert Hood’s M-Plant label which began with Mark Broom’s edits of ‘Untitled 1’ and ‘One Touch’ in March, Hood now delivers remixes of two of his Floorplan tracks taken from the 2013 Paradise album.
Nick Lapien has been sharpening his music sound a number of monikers; Metropolis, Nepal and his own name. On labels like Other Heights and Sequencias the Dutch man has moulded smoke stained Chicago, textured Techno and drifting Ambient. For Photic Fields this homegrown talent brings together two of his nom de plums under the banner of Marchland. Basslines bulge, pressing against dampened claps for “Ballad of a Man.” Banks of harmony drift off an analogue ocean, arcs of string dawning into a rich radiance. Submerged notes bend and blur with “Bobby Konders”, streams of synth flowing past columns of carved percussion. Rolling chords see Lapien don his Metropolis mask for “Black Motor Boogie.” Acid vultures circle with beady eyed intent, claws writhe and flex amidst a flurry of beat and pad. The shimmering keys of “The Gatekeeper” takes the listener throw a winding pass. Curving 303 contortions fold and reform under pressurised bursts of tom, cymbal and snare to end this journey into Marchland.
The ‘A Mind of His Own’ EP delivers four magnificent, forward thinking cuts by this experimental techno vanguardist. Expect the terse, elegant minimalism that Dixon is known for. Especially Encircle is another classic Terrence Dixon track.
A diverse and elaborate EP from the seasoned producer Wata Igarashi to launch new imprint Midgar Records. Composed of four tracks exploring the depths of deep techno and house, Junctions is a restless concoction of halfway beats, which lays on background of pulsating noises and sound experimentations. Fluctuating between machine stuttering techno and dusty acid-laced house.
Three new solid, hook heavy, DJ and dancefloor friendly tracks from Dax J as well as 2 centralized locked grooves and additional, extremely slick remix work from ARTS label boss Emmanuel.
True old school quality house and techno tunes by OB Ignitt, known for his collaborations with Omar S, on the first release for his own label Obonit Records.
‘Planetary Telepathy’ – intelligent rhythmic perception, inspired by cosmic energy. Featuring tracks from Drivetrain, Woodward & Jefferson, Rennie Foster and Mattimoe & Perrine.
Having largely worked with a cast of close associates for releases on Off Minor so far, Jordan ‘Jordash’ Czamanski dips his toes into the unknown with the presentation of Stump Valley for the label’s fifth release. Expect free flowing rhythms built from rough drums, insouciant melodic touches and the occasional odd lyrical embellishment.
Wrong Island returns with yet another big hitter, welcoming Automatic Tasty to the fold with a 7 track mini-LP. The record starts with a Cassette Boy style attack on the emptiness of daytime TV before firing into a half hour of psychedelic acid house. From the bleepy funk of A Public Service Announcement to the all-out acid assault of Cheers Curtis this record is like what we think Drexciya would have sounded like if theyd written tracks about the hills and fields of Ireland instead of underwater kingdoms, this is perfect summertime music as good for drinking cider in the Sun as it would be for the dancefloor.
Jorge Velez’s take on the modern stock exchange through the eyes of a Bhopal seamstres ca. 1986 makes -as you can imagine- for a mix of elation and defeatism. Or as some might say, a Tango of Paradoxes.
