First release for Le Disque Record label, dedicated to quality House Music, touching the deepest jazz realms with the song ‘Spiritually Captured’ by Glenn Underground and on the flipside the wonderful “How I Feel” by Isoul8 that features the genius Kaidi Tatham on keyboards, licensed from the Neroli Records catalogue and remastered for the event. Also on the B side a wild collaboration from Isoul8 & Ricardo Miranda, a real futuristic track for the headz.
Catamaran, a young NYC based producer who’s tracks are infused with the life of the city – from jackin’ house to lush rhodes grooves. Plus, a Fort Romeau remix that takes the sound across the pond. 500 copies, hand stamped, vinyl only.
Cool new release with sick JTC acid remix on Minimal Rome Records! Polysick has the honour to have the 25th release of the label, with two tracks for the MRX-Patiendum Est series. From the mysterious hypnotic visions of Digital Native (Planet Mu) and the Proustian reverie of Daydream (AudioMER), Polysick moves towards an obscure and sinister dancefloor with a 12” that hosts on the B-side a whirling acid remix by JTC.
Future Times is very happy to present Son, the debut full-length release from Beautiful Swimmers.Nine brand-new tracks and two out-of-print classics from the duo of Ari Goldman and Andrew Field-Pickering (aka Maxmillion Dunbar) that ride together across 2 LPs. Son is a true trip, an hour in the zone that sounds like everything in the duo’s record bags happening at once.
With Afterhour Cuts Vol.1, Berlin based producer Nick Beringer returns to Skylax Records after his First Floor EP appeared on the sub-label Wax Classic back in 2012. He brings six great house tracks of varying degrees of deepness and as the name of the EP suggests, all are designed for the afterhours.
Luv Jam the Rawax affiliated Housewax to his sizeable discography with the four track deep Tropical 3.4 12″. Commencing with the title track, Luv Jam’s in restrained and stripped back form, as a deep acid line tries to emerge from the ether beneath a playful analogue bassline and the minimum of percussion. “Sailaway” sees him collaborate with vocalist Molly Knew on a moody and echo laden production that has a similar feel of set opener to it, whilst the flip holds more productions where Luv Jam’s musicality shines through.
A natural pairing. Hawk & Deer share this 12″ both dropping sublime slices of kraut inspired chug.
Soundtravels Recordings presents ”Point Of View Part 1”. They have compiled six contemporary, electronic bombs from artists all around Europe… Featuring Louis Guilliaume, Baz Reznik, Dircsen, Endfest, Chocolate Noir and Neotnas.
Skudge introduce MRSK’s latest project, a journey beyond techno that almost takes a shamanistic turn. In his new Smell The Flesh guise, the man delivers six cuts of eerie beats, challenging his western esthetics with a nonetheless complex yet primal approach.
Following last year’s “Unicursal Hexagram” LP Brooklyn producer Jahiliyya Fields enters a new realm with this four track EP. Taking elements from his past industrial fueled efforts and this time expanding upon them with the addition of the kick drum. One can hear a non-traditional and refreshing approach being brought to traditional beat driven electronics with piercingly harsh undertones and creeping melody. This ep explores the vast sonic elements which are designed to affect the body, the mind and the relationship between the two and the music.
Commencing a new series for Fred P’s Soul People imprint, Jose Cabrera and Fred himself deliver four tracks of uncharacteristically tough rhythms that suggest an exploration of more driving, DJ-focused cuts compared to the luscious soulful tones normally found on the label. Cabrera takes up the A side, kicking off with the hefty throwdown of “General Relativity”, all thunderous kick, snagging hat and desolate bleep over a fearsome high-pitched tone. “Framework” is housier in its demeanour, but still packs a mean punch as it twists out a chunky chord line. Fred P’s “Quantum Effects” on the flip is a perfectly scattered techno excursion, both minimal and engaging at the same time. “String Theory” is more twitchy with its dextrous layers of percussion and discordant notes claging around in the distance, a far cry from the soothing lullabies he can often be found crafting.
German producer Subjected’s Vault Series label has put out a series of excellent, hard-edged techno releases and now the focus turns to remixers. It’s testament to the label’s stature that it is able to get producers like Developer and Shifted involved. For his part, the mysterious UK producer delivers a bleak, jacking take on “005.7”, his razor-wire percussion marking out nightmarish riffs and insistent tonal blips. Developer’s contribution is as impressive, with waves of hissing hats providing the basis for a swelling chord progression. The release also features a rare remix from Gerd Janson; working with Philip Lauer as Tuff City Kids, he turns “005.7” into a jittery, busy house groove. Completing the package is Moerbeck’s grinding, quasi-industrial take on “005.7”.
Dino Sabatini: “It has always been one of my dreams reunite the old group of friends I met in the basement of Rome and with whom I have begun the journey towards this adventure. Today I am very happy to present this work made in collaboration with one of my closest friends and with whom I shared for long time studios, music, ideas, techniques and the mutual love for a good Italian cuisine. I sincerely believe that Donato Dozzy does not need any introduction.”
The Prince Of Denmark is back. Giegling presents Prince of Demarks debut album on their new techno imprint “FORUM”. Most of the material recorded in 2010 shows the path of the warrior, his needs and desires that left traces along his way.
Tabernacle Records present the first part of Paul Mitchell’s Dichotomy series is a set of mind-expanding light and dark synth pieces.
Thirteen years ago the Nurture label released upekah, the one and only single to come under the son.sine alias. It’s an alias of a New Zealander who released only a select few EPs under different monikers, and one that sounds as good today as it did back then given all its dub infused techno glory. It’s always been hard to come buy but now Delsin are remastering and rereleasing it into the world once more.
Three tracks to keep things moving during the Fall months: ”Cause” is a bass heavy gem. ”Effect” is Adame’s interpretation of Chicago Jack tracks. ”Repercussion” is a dark almost sterile track leaning heavily on the techno side.
