
Obscure techno outings of the highest order on Terrence Dixon’s own label.

Leonid delivering some real deep house gems! Amazing warm & subtle groovy tracks with a techy edge and some distant Detroit echo’s… pure bliss. Maybe not peak time tracks but very well suited for building up tension, or for the early after hours… when the sun rises again.

Orlando Voorns Flight EP features four tracks of pure electronic funk. The Flight 313 track was already released by Orlando on his own label but only digital. Due to high demand we’ve put it on limited black gold for all you fans out there! It comes with a special beatless version as well. As if that ain’t enough Flight EP also features Cheater. A bold house track with that special Voorn funkyness in it which will move everybody on every dancefloor. Last but not least is Strings. With its beautiful strings and continuous drive this is a track you will play to the last minute over and over again. All in all, a highly recommended release which deserves a special place in every recordcase.

Morphine label boss, Morphosis, presents the music of electronic composer, Charles Cohen, kicking things off with these two deadly interpretations of ‘Dance Of The Spirit Catchers’.

18 Months after serving up his debut LP ”Fallen”, D’Marc Cantu returns to his other home from home, Crme Organization. He’s back with a six track EP, Alternate Frequency, that sees him explore the same prickly analogue house and techno that has made him into the revered producer he is today. The title track opens up the EP with fizzing analogue synth lines and a nervous, howling melody before acid, muffled vocals and coarse claps all get chucked into the dense sci-fi mix. ‘Size And Shape’ is a more propulsive and dancefloor facing track. Surfing along on a lively kick drum, repeated vocal phrases interact with choppy percussion, glowing pads light up the backdrop and a delightfully lively melody runs amok at the centre of it all. Like an old school garage house track in overdrive, its full of charm. ‘Straight Shooter’ is then a zithering, 100 mile an hour piece of skeletal acid techno that grows ever more frantic and ‘Tazakuro’ is a lively analogue brew of cowbells, freewheeling synths and tumbling drums. Titanium Control Arms lurks deep in outer space with the humdrum of intergalactic space travel gurgling all around the central melodic motif and ‘Speed Freak’ is just that, a hyper-driven bit of electro with frantic percussion and riddled with unnerving synth lines that makes you want to jiggle every bone in your body.

Chicago’s Beau Wanzer known for his work with Mutant Beat Dance and Streetwalker makes his debut on L.I.E.S. with his first solo EP. Wanzer who has been involved in the underbelly of American electronic music for many years, cut his teeth working at Magas’ now defunct Weekend Records and Soap. Through that time Wanzer constantly worked on music amassing a sizable studio where he worked in various electronic strains creating an impressive body of work. These tracks come from different points of his career and are stripped down functional pieces made for the dj even if that was not their initial intention.

HotMix presents Sean Sanders, artist better know as Moon B. Three tracks on this special 10 reminiscent to TC Curtis and 52nd Street.

Chicago native Jordan Fields drops an awesome 4 Track EP for those who love Chicago sound. “A Tape Called 1990” this lost track was created 2 decades ago.. The “Just An Illusion ” re-work feels like the soundtrack to a break dance movie.

Dixon Avenue Basement Jams present their first various artists release, the self-explanatory DABJ Allstars Vol 1. Two unheralded names share the billing for this one, TX Connect and CT Trax; the former delivers “TX Acid”, a tuff 303 jam for sweaty basements, and “Ghetto 972”, a slamming piece of house with its eye on the more raucous end of the 90s, while CT Trax presents “Redline”, a driving techno belter filled with phased synths, and the standout “Jack Attack”, which distils classic Dance Mania down to its most primal rhythmic elements.

Jordan Fields with his definition of house music. ‘A clear understanding'” has a very 1990’s vibe. Next is Dubrazil’s “Red Vinyl” that was originally an untitled track with only 223 pressed. The “Midmight in Tokyo” was an unreleased project from Japan, follwoed by ‘Can you feel a beat’.

Austrian label Pusic present their second release, featuring four finely crafted boogie house cuts. Proper uplifting house bangers by Roman Rauch, Awanto3 & Andy Hart.

Kelpe makes his first outing on Don’t Be Afraid as part of their coveted DBA DUBS series. Monte Verit sees the London based beat veteran at his housiest (sic) yet. The track sports a low slung four to the floor and a deadly analogue funk bassline. Kevin Reynolds improvises on the original with a more upbeat outsider house groove and an acid line guaranteed to bring the dancefloor to its knees.

UK electro pioneer & Breakin Records label boss Ed DMX contributes to the binary catalogue with 7 tracks of dystopian electro funk

Glasgow duo Fancy & Spook make their long overdue return to the label with an intriguing Mini LP, packed full of electro oddities.

Frigio proudly presents one of the best producers from the Detroit techno academy, now based in L.A, Seldom Seen aka Santiago Salazar delivers the amazing Catwalk EP. Fierce, extrava, glamorous, attitude, fabulous, drama…. All these words could describe what you will find on this record of one track and two versions.

Madrid based artist Ideograma (aka DJ F) gets released on Frigio for the first time and delivers the most intelligent and elegant techno tunes you can find at the moment. Geographic Ascending EP comes with 4 unique tracks full of class and emotions. All tracks were done with 100% analogue gear to create sophisticated melodies and a raw texture that make the final result very warm.

Strut, in conjunction with Ambassadors Reception and Future Nuggets, presents the first ever retrospective of fabled band Rodion G.A., one of Romania’s best kept musical secrets of the last 30 years. As a band, Rodion G.A. were a unique phenomenon in their homeland at the time, operating in their own universe during a prolific period of recording from 1978 to 1984 at a time of significant political repression under the Ceausescu regime. Bandleader, Rodion Ladislau Rosca, was an enigma. As half-Hungarian, half-Romanian, he lived near the border in Cluj, a city with a healthy music culture which had spawned important prog rock bands incuding Cromatic, Experimental Quintet and Semnal M. Despite the political conditions, a music scene existed in Romania, mainly within a network of festivals around the country and in seaside towns at restaurants and clubs.
From the start, Rodion was concerned with his own style of composition and set himself apart from the predominant rock sounds that dominated Romanian music during the late 60s. Technically and in his compositions, he was obsessed with every detail. His first sessions were recorded during 1969-1972 – simple, sparse and haunting pieces using reel to reel recorders, based around vocals, guitars and improvised drums. In 1975-6, Rosca formed Rodion G.A., the G.A. comprising band members Gicu Frca. and Adrian Cpraru. Rosca had amassed equipment and became a DIY tech wizard, improvising his own techniques of composing using reel to reels. Surrounded by three or four Tesla tape machines, he would record beats and guitar on one channel of the tape, then stop and add other instruments on the other a raw means of multi-tracking. He would use the other machines to add effects and delays on both instruments and vocals. Other tools in his armoury included an East German Vermona drum machine, a toy Casio VL Tone and a small Russian organ to which he added phaser, flanger and delay pedals. From the start, the band’s sound was incomparable to other contemporaries – dense electronic sounds, raw programmed rhythms, intricate arrangements, prog and classical touches.
Fast forward to 2012 when the myth of Rodion G.A. came to the attention of excellent Romanian production and DJ crew, Future Nuggets, a collective as dedicated to unearthing Romania’s musical past as they are forging new sounds steeped in the country’s traditions.

The long lost sophomore album by Eleven Pond is finally out on Dark Entries. The band formed during the mid-80s in Rochester, NY, while attending art school, and were brought together by their shared love of 4AD and Factory Records. They released their debut LP “Bas Relief” in 1986, reisued in 2009. Before breaking up in October 1987, the band recorded eight songs that would sit in abandoned storage containers for over 25 years. “Assemblege” collects these multi-track recordings, which were originally made between March 1987 and July 1987. The lineup for this period was James Tabbi (vocals, acoustic guitar), Jeff Gallea (bass, drum programs, vocals, synthesizer), Jack Schaefer (electric guitar), Dan Brumley (sequences, samples, vocoder) and new member Tim Masick (electronic drums). “Assemblage” is a logical progression from “Bas Relief” and will satisfy listeners who were left wanting more. The songs are driven by strong melodic basslines, atmospheric synth washes, and textural guitars. James’ signature new wave vocals sound more British than American, recalling the best of New Order or Depeche Mode. Tim Masick’s drum programs add an electro element to Eleven Pond’s DIY sound. Their primary influences were Joy Division, Fad Gadget, and Echo and the Bunnymen, as well another obscure American college rock band, For Against.