
The legendary AUX88 with their first release on Transient Force! Take a robotic voyage with AUX 88 with hypnotic tracks, syncopated hi’s, wobbling bass lines and ghusing synths.

The legendary AUX88 with their first release on Transient Force! Take a robotic voyage with AUX 88 with hypnotic tracks, syncopated hi’s, wobbling bass lines and ghusing synths.


Aus Music, returns with the much anticipated Ramadanman and Appleblim single ”Void 23”, which comes complete with a re-edit from one of the cornerstones of electronic music – Carl Craig.

First release on the new Firecracker Sub-label Unthank. Phat funk loaded house tracks on a1 and b1 with dusty sample aesthetics and fierce grooves.

Sultry and swampy track on the with a Orlando Voorn remix. Flip side is a tribute to Detroit Beatdown which resulted in a warm chord driven house track with vocal samples layered on top. XDB is on remix duty here, and delivers a nice techy version of the nice original.

Diametric Music is proud to release the first new record from Kevin M. Kennedy aka FBK since 1997. His music is emotional to the core, no matter if its powerful and heavily funky techno such as ‘Flying Hybrids’ or dark and sinister straight electro like ‘Chosen Path’. Every single sound and rhythm is pure FBK. .

Dusty deep german techno tracks with an hand crafted industrial feel to it. Machine techno with human emotion.


New release on the Swedish label Pohjola. Proper techno from Charlton and Jeroen Search, with two cuts for each.

New release from the Romanian Mihai Popoviciu on Berliner label Highgrade Records with three tech-house tracks, dance floor oriented . “Trapped in Brakets” has deep chords with a detroit influence. “Second Scale” is a modern cut firecracker in the production. Closing the EP is “Advice”, a cut with a vintage flavor.

New release on Kirk Degiorgio’s label A.R.T. from C. Barker & S. Murray aka Deep Space Orchestra.

Sub heavy exceptional left field house killer mini sampler with tracks by Even Tuell and Madteo and Midnight Opera.

This re-release of Aardvarcks genre-defining Nosestep comes with a Cosmin TRG remix, bringing the classic right back 2011 style. Also, a Nubian Mindz rework of Spoken is included: one that wasn’t released back in 2001, but proved to be far ahead of its time..

Three tracks that show the original spirit of raw, emotive, jacking music. The A-side, “Everyday Madness” is simply a side long drum machine workout with some added vocal effects, perfect for a DJ tool or just for some late night dancefloor mayhem. The B-side contains two slightly more musical jaunts. “Raw As Fuck” is simply pure urgent party music for dark discoteques, with a perfectly mixed low end bass drum and a glistening sheen. “Soul Train” has a groove and a jack to it, and has a similiar sound to some of the Underground Quality records being released at present. With its farting subs and off-kilter breaks, it’ll be sure to rock your crowd late into set.

What needs to be said about Move D? Overused, though the veteran tag is, David Moufang has been producing excellent music for many, many years. Yet, the last few have seen him receive particular acclaim, especially for his more house-flavoured work – buoyed by his increased reputation as a DJ.

The number 13 maybe considered unlucky by some, but not so for Italians. Fittingly, for Uzuri 013 we welcome back Leopoldo Rosa aka Lerosa for his third release on the label – his first being back in 2007 on Uzuri 001. This new 12 inch precedes his forthcoming full length release for the label.

Morning Factory’s second Yore EP, “New Memories”, is bursting full of fresh ideas. pener “Maiden”Voyage” is classic Morning Factory, an ever-so-tight house jam that twists and turns for eight rapturous minutes. Darker undercurrents run through “Last March of the Ants” when church organ chords stretch themselves across a windswept, broken beat shuffle. Creamy organ sounds also course through “Radioshow”, which takes a nostalgic glance backward to a golden age where something like “Green Onions” had a chance of getting played on the radio. But the EP’s most body-shaking cut arrives last in the form of “Cherish”, a charging tech-house hellraiser animated by rowdy basslines and shotgun claps.