Paolo Mosca – La Teoria Delle Stringhe Vol. 1 [SL022]
Slow Life’s latest signing is Paolo Mosca, owner of the record shop Microsolchi. On his debut as solo producer, the young Italian delivers an spacy EP with a consistent and classy sound palette, very much on the label’s signature sound.
Interstellar Funk – Boiler Room x Dekmantel 03.08.2019
Unovidual & M.NOMIZED – Saunetic Fraction [PMT001C]
Originally released in 1985, “Saunetic Fraction” finally gets a reissue. A collaboration of France’s M.NOMIZED (aka Michel Madrange of No Unauthorized) and Belgium’s UNOVIDUAL (aka Henk Wallays of Micrart Group / co-founder of the 3rio tape label with Magisch theater and Dirk Ivens of Absolute Body control) . The 18-track album is a diverse beast, but affirms itself among the grandees of Minimal Synth and Electropunk, whilst maintaining a unique twist. At times coming across as the French / Belgian version of Chris & Cosey, there are also elements of the early cut-up Dadaist experimental oddness of Cabaret Voltaire. A much sort after tape, that was originally released in a ludicrously small edition, on Unovidual’s own label.
Shakti – Verboden Dromen [STREP-028]
Before becoming Belgian new beat and techno titans, Praga Khan and Chris Inger were collaborators in a new wave influenced band called Shakti. “Verboden Dromen” gathers together the best of the outfit’s work recorded between 1987 and 1990, offering up tracks that join the dots between intoxicating synth-pop, moody new wave, hypnotic grooves and dark and sleazy dancefloor moments. All of the tracks have stood the test of time remarkably well, with highlights including the humid and exotic chug of “Kamasutra”, the hallucination-inducing tropical fever of “Demonic Forces” and “Shanah”, and the bustling, club-ready bounce of “The Awakening”, which sounds like the Thompson Twins after one too many tabs of acid.
Curses – Les Yeux Orange #133
Tornado Wallace b2b Jamie Tiller @ Cocktail d’Amore, Griessmuehle (Berlin) 04.05.2019
An-i @ Sameheads Floor (Griessmühle) KRAKE Festival 2019
5713 – Gewelddadige Realiteit [CHEMC006]
Amsterdam based artist 5713 creates a sound that is inspired by sci-fi and can be described as a mixture of Techno, EBM, Electro, Wave or whatever lies between those movements and genres. Gewelddadige Realiteit EP, translating to Aggressive or Violent Reality, feels like an appropriate name for this collection of slow motion compositions of vigorously overdriven Industrial sounds. Whether its abrasive hats like on A1 Geen God, classic EBM on A2 Digitale Programma 7 or pitched basslines on A3 Ongezellig, all three tracks offer up cleverly distinct heavy hitters for your tweaked out dance floors. The B side with B1 Nodig and B2 Wakker a Mattie? are consistent in that they share broken kick patterns to offer a healthy dose of distorted swing. 5713’s style across the entire EP demonstrates his technical sleight of hand with such dense frequencies. This record shows how impactful and functional these elements can be when used with good measure.
Mike Perras – Beginning Of Life [FFOR023]
Official license of the 1991 rare classic house produced by Mike Perras for Bassic records, now remastered and re-pressed by Flash Forward. “Beginning Of Life” is a pice of history of the deep house music and will continue to make old and new generations dance.
Datawave – Inceptive [CRISIS002]
The second release from Hungarian label Crisis is coming from Datawave. Includes also an Exhausted Modern remix.
Exhausted Modern – Phormix Podcast #155
Biochip – Synthase [CPU01001110]
Central Processing Unit welcomes Biochip with their debut release ‘Synthase’. Eight tracks of analog electro and acid techno, all recorded live. Very much of the Selected Ambient Works Vol. 1 ilk. Beautifully noisy, highly melodic and raw, with those emotional mid nineties IDM tendencies that very few successfully capture. Biochip are Melissa Speirs and Julian Kochanowski from Montreal, Canada. Listening to Synthase you can tell they are huge fans of vintage analogue synths, magnetic tape and drum machines; their sound has a reassuring warmth and human feel to it.
Datawave – Implant [VTX011]
Olivia @ Dekmantel Festival 03.08.2019
VA – The Orbitants 2 [FU.ME010]
Get on board 5 new space alchemists for the next level of “The Orbitants”! The “Panic Side” (Side A) refers to a synthetic melody transition from the beatless Heinrich Dressel’s intro, to the mystical drama “Source Reality”, a utopistic abstract-composition by Galaxian, who serving his anarchic vision of electronic music. Falling into the wicked flash born from Foreign Sequence’s Oberheim. Entering to the “Black Side” (Sibe B), the virus infected the system: it’s the Lake Haze electro hit! Spooky pads triggering the edgy arpeggio, body of the track. Jensen Interceptor provides yet another one of his tipycal alien incursion with a cruel-core on a beat techno influenced.
Anthony Rother – PSI49NET 103 [PSI103]
Anthony Rother returns to his label PSI49NET with the first EP since 2003. The new four-tracker is another sonic exploration of a twisted electro techno sound that pursues the stripped-down energy of techno while maintaining electro’s eccentricity.
Mike Huckaby – TROOP Overcast #52
Z@p – Brutalismo EP [MOJ12]
The 12th release from Nicolas and Edunre Lutz’s My Own Jupiter is coming from Uruguayan artist Z@P. Fernando Zapico delivers faintly foreboding futurist techno whose sci-fi inspirations are clear to hear. A-side “Brutalismo” sets the tone, with paranoia-inducing analogue bass, creepy synth stabs and swirling electronic textures rising above a punchy drum machine-driven groove. “We Control The Sound” is notably denser and a little darker, with sturdier beats, moodier chord sequences and a bone-chilling breakdown.
JTC – Indigo, Flesh and Fire EP [SPC-145]
Tadd Mullinix returns to JTC, the moniker which helped define Spectral Sound, the dance imprint of Ghostly International. The EP is packed, but still playfully ambiguous; a club-ready set built to max out mixing boards with spacious and nuanced melodies and motorized percussion. Five tracks, each with roughly five-minute run-times, offering all but a few breaths in a quest for highly operative dancefloor hypnosis. The record wastes little time locking in; on the first track, “Innerloire Rendezvous,” a dense square kick plows through a brisk four-on-the-floor routine phasing over harmonious synth stacks of rubbery fifths and sevenths. The title track splatters a lenticular static spray between thumping kick, billowy melodic swells, and staticky clicks, snaps, and claps.
The Hipodrome Of Music 