Kim Rapatti, aka Mono Junk, is a key figure in Finnish techno, known for his deep, hardware-driven sound. A firm believer in analogue synthesis, he has been shaping raw and hypnotic club tracks since the early ’90s, drawing inspiration from Detroit pioneers like Derrick May and Juan Atkins.
Marcellus Pittmann’s deep and unique house cuts are on his Unirhythm label. Faze out reminds us of those classic early Unirhythms with the robotic rhythms.
To Celebrate its 60th release, Syncrophone presents ‘The Syncrophone Remixes Vol. 1’ by Rolando. Featuring electrifying reworks of Derrick Thompson, Zadig, and Malvito, this collection brings a powerful, Detroit-inspired sound that echoes the future of techno.
Another early standout release from Speedy J’s vast catalog. The follow up for the ‘Rise EP’, also originally released on Plus 8 Records in 1991, with the apt named title track ‘Evolution’. Jochem’s style of producing music was evolving while still influenced by all the music arriving in the Rotterdam import record stores.
Raymond D. Barre with his second album ‘Dans l’Œil Du Biset’ for Nocta Numerica.
For our ninth release, Gamine label presents Konerytmi with a 5 tracker EP, CMYK a dedication to the 80’s. This is not a just simple tribute but own interpretation of the tastes of 80’s generation. All tracks are homage to the musical fashion of those years. Timbres & drum sounds & melodies & harmonies takes you back to those times.
Orior’s first release introduces Marlon Lopez with a record that boldly explores the boundaries of time and genre. This debut EP is as uncompromising as it is unique. Crafted in near isolation amidst the forest, Marlon’s work is untouched by the usual club influences, offering a refreshing, introspective take on new wave and 80s-inspired EBM. Featuring live bass, 70’s synths, and guitars, the tracks exude an uplifting energy – capturing the raw spirit of punk while steering clear of darkness. Orior (Latin for “I rise”) is the brainchild of LVCA. Born from a journey of resilience and creativity, Orior reflects a commitment to artistic individuality and is a celebration of rising through challenges with limitless vision.
Mannequin Records presents Chromium – Something in the Air (The Hacker Club Mix), a thrilling reinterpretation by legendary French producer The Hacker. Originally composed by Chromium in the early ‘90s, this track is part of the Chromium Industries (1991-1992) collection—an essential archive of forward-thinking electronic music, bridging proto-techno, industrial, and EBM. With his signature touch, The Hacker injects a darkly hypnotic energy into “Something in the Air”, transforming it into a peak-time club weapon, while staying true to the spirit of the original.
“No Fear” is the first of two highly anticipated new EP’s from Days of Sorrow. Featuring the hauntingly beautiful single “Tears”, this release encapsulates the band’s signature blend of post-punk and dark wave, full of raw emotion and atmospheric soundscapes that defined their 80s legacy. “No Fear “also includes a revamped version of the classic 1984 track “War”, creating a new and modern perspective to the timeless anthem. Completing the EP are two more compelling tracks: “No Fear”, a title track that pushes boundaries with its hypnotic beats and capturing melodies, and “Moral Vertigo”, a brooding exploration of inner conflict that resonates deeply with today’s tumultuous world.“No Fear” delivers a sonic experience that is both a tribute to Days of Sorrow’s past and a bold leap into the future.
These are “Demo” tracks from the album “Anadolu Funk”. Reflecting the rich musical heritage of Anatolia, this track combines traditional melodies with contemporary funk rhythms, and the use of traditional instruments such as the bağlama, lively bass lines, and farfisa organ riffs, creating a unique fusion with a modern sound. This tracks again captures that nostalgic atmosphere by using instruments and recording techniques reminiscent of that period. Instruments such as Fender Jazz Bass, Ludwig Super Classic Drums are included.
Rich in melody and instantly classic in feel, Luca dell’Orso debuts on CWPT with a mini-album of lush Italo, sensitively summoned from the Netherlands. Having impressed with previous releases on labels including Bordello A Parigi and Red Laser Records, this longer player demonstrates a delicate approach to his studio, flitting between pop songwriting and analog experimentation.
Reissue of the 1983’s classic ‘Messages From The Stars’ by British Electronic Funk outfit, The Rah Band AKA multi-instrumentalist and producer Richard Anthony Hewson. The song has been rediscovered and revered as a cult classic, transcending time and generations. This reissue celebrates The RAH Band’s pioneering sound and the track’s unexpected rise from obscurity to international acclaim, largely thanks to devoted selectors and fans who never let it fade away.
Berlin-based SIRS is back on Hell Yeah with the new single ‘Woman’, an instrumental version plus a remix from label favourite My Friend Dario.
Ka§par & Sheri Vari, Muzikalist and Daniel Holt with the projects Vault & Death Posture are on the latest release of In The Dark Again. They deliver four tracks full of gloomy beauty and bitter sweet delight. Let yourself be enchanted by this very special record.
French DJ and producer The Hacker debuts on Radio Slave’s Rekids. The two-track ‘Laser & Smoke’ EP harkens back to The Hacker’s early 90s roots in Detroit-inspired Electro & Techno. First, he starts with ‘Turborave’, a tasteful, bleepy cut with an unignorable bassline and muted dub chords that wash over its snappy groove. ‘Turborave’ is the kind of heads-down, lose-yourself dancefloor moment for the later hours before ‘Harmonia’ sees The Hacker play with high-voltage cables on the B-side. Charged-up zaps and zippy acid call and respond while bodied drum hits keep the rhythm moving, whistles and pads occasionally joining in.
The second outing of Johannes Volk for Running Back picks up, where Extra Dimensions left us: traditional techno components, an inclination for melodies, 80s electro(nic) pop and aesthesia for ecstasy.
Originally released in 2014, Strut re-introduces Hardcore Traxx: Dance Mania Records 1986-1997, highly sought-after definitive retrospective of one of Chicago’s most important and innovative house music. Emerging as a raw alternative to the powerhouses of Trax and DJ International during the mid-‘80s, Dance Mania continued to represent street-level Chicago club music into the ‘90s, helping to pioneer the Ghetto & House sound. Hardcore Traxx traces the full story of the label from its heyday.
Dennis Liber & Lex (Athens) step up to Rocksteady Disco with the Club Eden EP. Named after the party series in Tulum, Mexico, the record is a musical journey inspired by the community and creativity that flourished at the intimate party series that brought together global rhythms, cultural exchange, and a shared sense of freedom, connection, and celebration. It was at one of these gatherings that Dennis invited Peter Croce, the founder of Rocksteady Disco, and Lex to play and share the decks. Their connection was immediate, and the experience led to lasting friendships. This bond eventually brought the Club Eden project full circle, with Peter and his label helping to bring this record to the world. The record captures the essence of those unforgettable nights, where music, community, and magic intertwined.
Michigan techno and ambient virtuoso John Beltran wraps up the so far so excellent Back to Bahia 7″ series with the a final volume that proves to be the most dancefloor focussed offering yet. Leading with ‘O Pátio’ Beltran shows his class with a blend of jazz-funk and MPB that comes with a rather sunny Ibiza-inspired twist. On the flip side, ‘Belle Isle’ is a perfect party anthem for those outdoor sessions – think beach gatherings or cookouts and you won’t go wrong.
The Hipodrome Of Music 