A new chapter in the Spazio Disponibile story. Since 2016, Donato Dozzy and Neel released a wide range of their favorite electronics on their collaborative imprint. From here they inaugurate a new side branch named Spazio Nero, focussing on heady dancefloor techno only. First edition comes from Neel himself, his Movimente EP sets the tone for what to expect. Four cuts of flawless techno pressure for the late nights.
By introducing its latest ep to the world Swedish based Kvalia Records continues to cement its position as one of Scandinavia’s most influential techno labels of today. For its 10th release founder of Kvalia Records, Linny Hex, invites techno pioneer Jeroen Search. The 4 track ep ‘Conductor’ represents the perfect blend between Search’s genre defining, inimitable sound and Hex’s uncompromising curation of deep, hypnotic soundscapes. Adding flavor to the hypnotic elements on ‘Conductor’ does up & coming Swedish producer F.LJ with a perfectly executed remix.
Time Passages celebrates their ten years of existence with a stellar line up of artists; this is the full LP to complement a shorter EP. The mood on this one is decidedly hellish yet, of course, for that very reason, tempting to cop; this being the characteristic of the flagrant provenance of DJ and producer Binh, whose brand of sinister minimal techno and electro always turns up scorched, hardened into granite, by the embered airs of hardcore. The Berlin outfit welcome The Model and DJ Hell on the A1 side, with the first opening up his own private bacchanal into the hungry streets with ‘Eat More House’ – a motto we can really chew on – while Hell’s ‘Alienation’ plays on similar themes, with a central acid riff and sniper clap pattern. Barnt and Bezier steer and slow the B-side to a canter, the latter especially on the low-slung, ominously new beat-inspired ‘Roter Faden’, while the likes of Z@p and DC Salas go on to encrust the ensuing sides with a haunted clog of synthpop and new wave judder-offs.
Next up on Funnuvojere Records is label boss Massimiliano Pagliara’s highly anticipated ‘Hooking Up’ EP. Featuring four distinct club belters, each one is crafted to suit different moments of the party. The new EP once again truly showcases Massi’s deep understanding of the dancefloor.
X-Masters deals only in authentic underground sounds and Böhm keeps the reputation up to scratch with this new hand-stamped 12″. It opens with the title track ‘It Is Hard To Feel Good’ which taps into 90s deep hose magic with dusty pads and drums, ‘Healing’ picks up the pace with some hi-tek synth stabs that light up the analogue drums and ‘Material 1’ then has a deep feel once again with a haunting synth phrase and crispy hits. ‘Planet Purple’ shuts down with some pulsing, sonar-like blips and lo-fi drum grooves.
Rawax welcomes back Mr. Rick Wade on the 25th Rawax Motor City Edition. It’s the 4th release form Rick Wade on this series, which is dedicated to the Love for Detroit Music.
DJ Dez Andres drops new heat on his label GT Flips. The man is a beat-making machine, extraordinary DJ and avid record collector who distils all that house and hip-hop knowledge into his always stylish cuts. ‘No 1’ opens up this latest jam on GT Flips and has a boogie-fried lead synth line, deep drums and chopped vocals that amp up the party but also have plenty of heart to them. ‘Doobie’ is the flipside offering and it finds Andres sampling another 80s soul classic and reworking it over some of his textbook and textured drums that perfectly straddle the house and hip-hop divide.
Vakula joins forces to Logich in its latest musical masterpiece : “Dinsync ” on Phonogramme Records. Vakula and Logich weave their musical magic, creating a harmonious dialogue of sound. Sometimes, words fail us, but music speaks volumes. Vakula’s EP captures this sentiment beautifully. Let the rhythm guide you, and let the music do the talking.Whether you’re on the dance floor or simply vibing at home, these beats will move you.
The thirteenth drop from Curtis Electronix comes courtesy of veteran of the electronic music scene. Edward Upton has been producing music since 1994 and much has changed since he unveiled his debut release under the DMX Krew alias. Warp Zone LP showcases the great mastery of his studio, his technical expertise and his exceptional ability to create monolithic soundscapes using very few elements. Each layer contributes to a rich, immersive experience, each element resonates with depth, highlighting his deep understanding of club music, sonic texture and space.
Pan-Am Tracks welcomes DVS NME & Krypton 81 for its latest physical release, a 2xLP collaboration between the Electro visionaries. This ambitious project pays homage to the legendary Das Muster, a pivotal figure in the Electro genre, and promises a sonic trip that resonates with fans of the genre. Both artists set the tone with intricate rhythms and analogue warmth, embodying the meticulous craftsmanship, and Avant-garde characteristics of classic Electro. Pulsating basslines and shimmering synths intertwine, creating a vibrant, futuristic soundscape. This dynamic interplay between the two artists continues throughout the album, as DVS NME and Krypton 81 counterpoint each other’s explorations into the cold sound of their late, great friend. This full-length 2xLP physical release on Pan-Am Tracks, encapsulates the essence of Das Muster. Meticulously crafted and thoughtfully sequenced, both artist showing their massive love for the legacy of the sound in creating this record.
Finnish electro duo Morphology, comprised of Matti Turunen and Michael Diekmann, releases ‘Made Up Reality’ on Deeptrax Records. The Dutch label continues its mission to deliver high-quality, groundbreaking electronic music focusing on the deeper side of electronica and eclectic leftfield jams, exploring those spaces between deeper house and techno, with hints from the past and a strong vision of the future.
Norwell’s new single on Dalmata Daniel’s DDE series, featuring two contrasting tracks. ‘Greta’, the A-side, is a bright and ethereal composition, reminiscent of his track Outer Delta Dynamics from the ODD EP, with uplifting synth melodies and a futuristic vibe. The B-side, ‘Hope’, takes a darker turn, offering a deeper, more melancholic tone, driven by bass-heavy synths that echo his previous electro oriented release that was meant for the dancefloors.
Dataintrång returns with a solo record on Stilleben Records.
Dr. Di’jital AKA Lamont Norwood returns to vinyl with four brand new tracks on Juanita Recordings
At the end of the day, it’s about human touch, personal connection and emotional reactions. It is with great pleasure and more than happy to welcome Session Restore and Bernhard Hudalla to the family with a superb debut 12” for the Mojuba sublabel a.r.t.less. A friendship and collaboration that connects musical dots between Hanover and Leipzig results in the Pathfinder EP with four excellent tracks that range from the finest dubbed out to heartwarming, melodic deep Techno.
For Fuse’s fifth release, Brussels’ Altinbas returns for a whirlwind of meditative and harmonious techno. Solidifying his identity of focused yet vibrant club music, the Fuse resident and label co-curator offers his second contribution ‘Sustain’ as a dancefloor-enveloping take on modern techno. Known for rich chords, whipping pads, and dry percussion, Altinbas proves once again that his touch as a producer revolves around balance and calculated effect.
Argentinean artist Translate shows his sci-fi techno on the latest Warm Up Recordings release. This five-track extended EP represents Translate’s crystalline, scientific sound 100%, seasoned with well-managed minimalism, precision bleeps and hypnotic, mental arrangements. All this is administered at different speeds and sensibilities, sometimes more galactic and mental and sometimes more dynamic and physical, but always futuristic and timeless.
Samurai Music presents Urmah, the first LP exploring the 170 tempo from acclaimed Techno/Electronic producer Juan Rico aka Reeko, aka Architectural. For Urmah, Reeko delves even further into sound and psyche with a richer, more enveloping exploration into his distinct interpretation of the tempo. Reeko’s production prowess shines brightly on Urmah with the warmth and weight of each track leaving an indelible impression. Urmah focuses on heady fathomless grooves that tease shards of breakbeats like delicious icing, binding themselves to a gentle psychedelia with celestial textures. This is dexterous, meditative journey music from a producer who has an intimate relationship with groove creation. With Urmah, he further showcases his expertise, expanding his palette to display a refined command of the 170 BPM tempo. The LP is a testament to his ability to innovate and redefine, solidifying his reputation as a pioneering force in electronic music.
Dark Entries summons Philadelphia synthesizer scribes The Ghostwriters to rouse their ambient masterwork ‘Remote Dreaming’. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and the immediate. Following their debut album, Objects in Mirrors, they were approached by ambient outlet Mu-Pysch. Remote Dreaming would take shape in various studios over nine months. Jeff Cain’s instruments on this project included electric and acoustic pianos, the Juno 106 synthesizer, and a Mirage sampler, while Charles Cohen used his signature Buchla 200 Series Electronic Musical Instrument. A stark departure from the tightly wound first LP, Remote Dreaming shows the duo unfurling with soothing pianos and psychoacoustic textures, its somnambulant drones just skirting the edges of the uncanny. Although ignored in its time, Remote Dreaming is now heralded as a landmark in 80s experimental ambient music. Proceeds will be donated to SOSA (Safe from Online Sex Abuse), a nonprofit that combats online child sex abuse and trafficking.
Mariano Melo, also known as Marian Sarine, is a Brazilian multi-instrumentalist based in Sao Paulo, specialising in percussion and drums. His latest album, Asas Terenas, is his first under this name and started with organ recordings made with Felipe Pato in late 2019 and was completed with additional instruments added in the years that followed. ‘Asas Terenas’ features a mix of rhythmic improvisations built on modal scales, combining dynamic interplay between notes and percussion. Drawing inspiration from artists like Charanjit Singh, who merged traditional North-Indian ragas with electronic music, and African organists like Hailu Mergia, it combines old and new sounds, merging spiritual elements with energetic rhythms. As Sarine himself says, Asas Terenas is a sonic mixture that moves the feet and lifts the soul, creating an experience that is both pristine in sound and transcendental on the dancefloor.
The Hipodrome Of Music 