VA – World Of Rubber 1 [RUBBER001]

Rubber is a new label from The Hague with a motley mixture of off-radar electronix for both the experimental clubber and home listener. Rubber001 is a bold three-tracker. Mannequin Records head-honcho Alessandro Adriani hits the nail on the head with his secret weapons. Secondly, reigning from Finland, 0.5W pans across the room like running with titanium scissors. The cherry on top is this piece of Dutch drum-laden ”poetry”, probably on illegal medication, about a bicycle mechanic from The Hague by legends Unit Moebius, Reverend Cor Gout and Salo Mentale.

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VA – World Of Rubber 1 [RUBBER001]

Drvg Cvltvre – The Right Knife In The Right Back [PIV001]

DRVG CVLTVRE - The Right Knife In The Right Back

Tilburg based producer Drvg Cvltvre did another outstanding job. Four extremely mean tracks ment for bombing dark basements, nasty party’s and late get togethers. New label based in Berlin ran by Rotterdam producer Charlton / Tapirus together with Nick Dunton.

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Drvg Cvltvre – The Right Knife In The Right Back [PIV001]

Vakula – Dedicated To Jim Morrison [LELEKA007]

Ukranian lo-fi genius Vakula is back and if audaciously tackling Steve Reich wasn’t enough, he’s taking on possibly his most ambitious project yet with “Dedicated to Jim Morrison”. The title says it all really, in this brazen tribute to the sixties rock legend. On the first side you’ve got “For Jim” with its bluesy, boozy, typically sixties rock, while “The Canyon Road” is definitely the track on here to really channel the sound of The Doors. Then the acoustic country twang of “Mississippi Delta” carries off a southern charm. On the flip you’ve got “The Human Abstract” which is one truly hazy affair and features some of William Blake’s’ spoken word poetry recited by friend Andrei Dubinin. “Airolg” sounds like, well, Van Morrison’s “Gloria” (once famously covered by The Doors) and “Tien Beach” features sublime tremoloed slide guitar, sounding like riding off into a sunset. This album is Vakula’s thoughts in time and out of season dedicated to Morrison, the poet, the musician, the soft mad child, the great man. ‘Enter again the sweet forest, enter the hot dream, come with us. Everything is broken up and dances’.

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Vakula – Dedicated To Jim Morrison [LELEKA007]

Jimi Tenor & UMO – Mysterium Magnum [HRKL004LP]

Jimi Tenor has made an instrumental album “Mysterium Magnum” with the Finnish “national” Jazz Orchestra, UMO. UMO is a professional 16 piece orchestra. Specialized in jazz and contemporary rhythm music. Throughout it´s history UMO has had a focus on Finnish composers and has performed hundreds of compositions that were made especially for UMO. Jimi Tenor is a Finnish composer/performing artist maybe best known for his electronic music from the 90´s. This album is the first album that´s is composed entirely for a big band. In 2003 Jimi Tenor had his own big band and made a 6-week European tour, which included Montreux Jazz and North Sea Jazz Festivals. After 2003 Jimi Tenor has worked with an afrobeat group Kabukabu and made three albums with them: “Joystone” (2007, Sähkö), “4th Dimension” (2008, Sähkö) and “The Mystery of Aether” (2012, Kindred Spirits) In 2009 Jimi Tenor made an album with the afrobeat legend Tony Allen called “Information Inspiration” (2009, Strut) Mysterium Magnum was recorded at the rehearsal space of UMO, which is situated at the YLE studios in Helsinki. The music on “Mysterium Magnum” is not typical big band music.

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Jimi Tenor & UMO – Mysterium Magnum [HRKL004LP]

The Dangerfeel Newbies – What Am I Here For? [NDATL016]

Soulful fusionists The Dangerfeel Newbies are an interesting proposition. Certainly, the Atlanta-based trio has made an impression on NDATL Muzik boss Kai Alice, who’s decided to release a trio of his own interpretations of Hariet album highlight “What Am I Here For”. He begins by delivering a classic soulful house interpretation, placing the original’s superb vocal and twinkling jazz pianos right at the heart of the action. Those superb piano lines come to the fore on his Piano Instrumental, before the Late Night Mix sees Alice sauntering off on a hazy, duvet-warm deep house tip. Best of all, though, is the bonus remix of “Swingin’ With The New Jacks”, a fizzing, rolling deep house groover replete with vibraphone solos and battling jazz horns.

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The Dangerfeel Newbies – What Am I Here For? [NDATL016]

Imre Kiss – Midnight Wave [LT013]

Imre Kiss finally lands back on the Lobster Theremin mothership, this time with a reissue of his seminal tape album Midnight Wave. A seminal, bold and instantly nostalgic LP, Midnight Wave showcases Imre’s immense ability to craft vivid landscapes of ethereal sound, infused with layers and years of emotional content. Culled from live-to-tape synth sessions in his once London abode, these tracks are the result of melancholic and restricted surroundings and trappings. What has emerged is a body of crackling, warm ambient and techno with a vast, cinematic scope. A sonic portrait of an alienated moment in London, told using industrial visceral tools and visualised through the cutting figure of a lonely individual boarding the 5am night bus home.

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Imre Kiss – Midnight Wave [LT013]

Voices from the Lake – Live at MAXXI [EMEGO209LP]

‘Italian techno masterminds Donato Dozzy and Neel are returning as the duo Voices From The Lake with a release on the mother label Editions Mego: Live @ MAXXI is a marvellous organic live-set of hypnotic ambient techno, proofing the outstanding and elegant craftsmanship of their sonic sculpturing, that they both are famous for. As was to be expected they stay true to their polyphonic topography of liquid scapes: aquatic sceneries are embedded in soaking dense atmospheres, gently gyrating us into trance. Sometimes soft echoes of sirenic voices are heard – the only remnants of human traces in these spaces that have suspended time, where smooth silky textures are being channeled into fractal structures that induce a state of transcendence. The haptic quality of their sound is adding up to a sonic matrix of metaphysic imaginary that is provoked by gentle glides and dynamic beat patterns of almost tribalistic quality. Dunked in a bath of dark fluid, sometimes washed away at the shores of Kosmische – VFTL’s tunes are not scared to seduce us into a condition of haziness, culminating in a cover of Paolo Conte’s ,Max’ which is turned into a dazzling sample of sweet, dreamy melancholia.

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Voices from the Lake – Live at MAXXI [EMEGO209LP]

Donato Dozzy – The Loud Silence [FUR058LP]

In April of this year, Donato Dozzy took a set of mouth harps back to his parent’s house in the Italian countryside and set about exploring the possibilities of that most basic of instruments. The mouth harp had been calling to Dozzy ever since childhood, when he had discovered the “marranzano” on a holiday in Sicily with this parents at the tail end of the 1970s. Almost four decades later, Dozzy had begun to see in this peculiar, ancient sound, the roots of the music he’d been making and playing in clubs all these years. It was time to find out how far he could trace it all back. The Loud Silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia. Recorded indoors and outdoors, half-way up mountains and on the edge of the Mediterranean sea, the record is meditative but also powerful. Dozzy has distilled his ideas into an incredibly intimate sound, one that invites an inverted sort of exploration, pushing you further and further into your own head. Each track maintains an inviolable central pulse, while delicate, fluttering sounds hint at vast spaces that might open up at any minute – they’re just waiting for you to connect with them. Field recordings hover below the resonating harps, adding to the mysterious atmosphere. Tracks like ‘The Loud Silence’ and ‘Downhill to the Sea’ are wrapped up in simple rhythms, their strict throb drawing you deeper and deeper into the primitive sound.

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Donato Dozzy – The Loud Silence [FUR058LP]

Lituus – 19805. -_ 19905, [AVN021]

Chicago based musician Connor Camburn under the alias Lituus, with an entirely beatless collection that well establishes Avian as the home for the kind of searching electronic experimentation that would have been found on the ten-inch focused imprint that Shifted recently announced would merge with its parent label. Shorn of percussive elements yet not without their own rhythmic structures, Camburn’s six compositions are free of immediate electronic genre influences and instead draw primarily on non-musical inspiration in addition to various other contextual reference points, as he sought to express ideas of the unraveling or ”de-composition” of musical or architectural spaces through musical forms imagined as inverted contours and negative spaces.

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Lituus – 19805. -_ 19905, [AVN021]

Heinrich Dressel – Lurking Underwater [BAR004]

DRESSEL, Heinrich - Lurking Underwater

Burek’s sister label Barba on its fourth release introduces Heinrich Dressel, project related working name of Valerio, a force behind MinimalRome label from Italy. His productions have been gaining serious attention amongst deeper electro connoisseurs who appreciate almost cinematic feel but still with an eye on the floor which resulted in quite a few moody smashers released on various EPs in the past. Three tracks here evoking familiar feelings heard before but still somehow they all sound fresh and drag you in wanting for more. As if this wouldn’t do it, there is first but, not last appearance for Barba label by mighty JTC who needs no further introduction delivering a remix. This time he cleverly uses sparse but recognizable parts of title track which he then transforms into relentless floor shaker where Detroit meets Chicago, if any such comparison needs to be made.

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Heinrich Dressel – Lurking Underwater [BAR004]

VA – Letting Go [GTBR002]

Warsaw based imprint Get The Balance Right have demonstrated an interest in retro-inspired sounds of Chicago House and Detroit Techno on previous releases but now venture into electro territory with this various artists compilation. Ever Moving’s “Find A Way” may sound contradictory at start with its gentle, house style keys on top of a dark, booming Aaron Carl style bass groove, but it actually works. Mutual Attraction’s “New Horizon” is simply stunning, a soulful house journey reminiscent of classic Chez Damier or Larry Heard. There are then two electro tracks by Greek electro auteur Itpdwip in the shape of “It Doesnt Hurt Me” and The Waters Of Styx” which sound like early Model 500. It’s the Jeremiah R remix of the latter is a real highlight on here, channeling the best impression of Gerald Donald we’ve heard of late.

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VA – Letting Go [GTBR002]

Vactrol Park – I [ESP026A]

Vactrol Park is an honest outpouring of thematic obsession, a celebration of championed studio components and the mastery of their nuance, an avant garde collaboration between Kyle Martin (Land of Light, Spectral Empire) and Guido Zen (Gamers in Exile, Brain Machine). Simply entitled “I” (the first of a 2 part series), this debut EP opens the door to a world of ebb and flow, layers of oscillation falling in and out of sync, keeping us on the brink of vertigo and, as cliché as it may sound, we find solace in its chaos. This homogeneous release plays with the notions of systems as beautifully symbolized Mario Hugo’s capsule of cardiology—yet another visually arresting module in the ESP Institute catalogue.

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Vactrol Park – I [ESP026A]

Umwelt – When Future And Past Collapse [NF016]

New Flesh Records presents the return of infamous Umwelt delivering another collectible output on his own electro label. Much anticipated “When Future And Past Collapse” combines firing snares with rolling 808 kicks, acid lines, sub-bass and driving futuristic melodies, all packed in this sophisticated EP. Umwelt’s aesthetics and dystopian vision has never been so dazzling. Expect nothing but depths, terrific tales, and authentic secrets about the origins of mankind in this must have five-tracker.

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Umwelt – When Future And Past Collapse [NF016]

Jeff Mills – Exhibisionist 2 [AXDV004]

11 years after the release of Exhibitionist, Jeff Mills reveals the follow-up to his innovative film with Exhibitionist 2. Exhibitionist 2 explores DJing as an art form and gives us a peak into how a DJ makes use of current technological means to create seamless mixes and complex transitions to levels that were thought impossible not long ago. In this second volume, Jeff Mills goes deeper and not only shows how he approaches the mixing process but also how he thinks in real time, spontaneously creating, just like a musician playing an acoustic instrument or a soloist thinking of rhythms on-the-fly. The ambitious project captures the DJ over the course of multiple sequences, with closeup and multi-angle shots that allow us to see exactly what a DJ does and how music is programmed and played for the purpose of dancing.

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Jeff Mills – Exhibisionist 2 [AXDV004]

19.94 / Cosmin TRG – Narr Day [50WEAPONS040]

50Weapons begins its finale with the first of 11 12″s, catalog numbers 40 through 50, featuring a 50Weapons artist on one side and another artist, chosen by the first, on the B-side. “Narr Day” is the first tune ever made by one of Berlin’s key electronic acts; all the flavors of the early days are combined in this minimal ambient techno tune made of the three main ingredients: a bass, a drone, and a kick drum. Cosmin TRG uses the dark drone of “Narr Day” as the base for his modular-synthesizer-enhanced rework of the track. Dark and trippy techno for the head.

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19.94 / Cosmin TRG – Narr Day [50WEAPONS040]