

Kink’s first ever release on the Pets Recordings label. It finds the Bulgarian live specialist and techno innovator serving up a fantastic new cut and comes with a remix from raw American talent Truncate. Comes with 10 vinyl-only locked grooves.

Strong release on this new label with deep trippy techno tracks. Remixes by VSK, Kereni and Solenoid.

Here are times when the ocean is not the ocean – not blue, not even water, but some violent explosion of energy and danger: ferocity on a scale only gods can summon. It hurls itself at the island, sending spray right over the top of the lighthouse, biting pieces off the cliff. And the sound is a roaring of a beast whose anger knows no limits. Those are the nights the light is needed most.

STL aka Stephan Laubner delivers a powerful dubby house track, a floating upbuilding dubby ambient track, and a Grad_u remix.

Collision With The Past, part II… the drama continues. A set of immersive and moving experimental techno outbursts by our man Boris Bunnik aka Conforce. Conceived to reach beyond your emotion circuits, send shivers down your spine and make your neurotransmitters shake. True beauty doesn’t come from the unavoidable music industry promotion cosmetics. Real music should reach your soul, and can only be explored through direct transmitted waveforms. From our frustrated minds to yours…

Dark Entries Editions is venturing into new waters with a remix EP of Psychic TV’s classic song “Alien Be-In”. Psychic TV was formed by Genesis P-Orridge and Peter Christopherson after the breakup of Throbbing Gristle in 1981. “Alien Be-In” was written in early 1989 on an E-mu Emax Sampler and an Alesis MMT-8 sequencer. Vocal samples were taken from a tape Germs drummer Don Bolles sent to Genesis. A didgeridoo rides throughout the song, heavily modulated by a Gristleizer creating a hypnotic effect. Comes with remixes from Fred Giannelli, Silent Servant and a collaborative remix of Silent Servant and John Tejada.

On a debut release for BLIQ, Seixlack unleashes his unique fusion of intoxicating gear-crunched cuts and Miltiades provides a remix.


Finale Sessions brings another fine release from Nick Lapien. “Lost Days” has such movement to it with its rolling pads and its systemmatic keywork and deeep basslines. “Pigment” is a mid tempo dream come true with it acidy pad synthed structure and lush keys and wicked drum work. “Motif” is a peek time killer with its nice key work and its nice pads layering into a nice kick perfect for a B side jam.

Appian’s forthcoming release ‘Chatter EP’ on Fina Records is a testament to his varied and experimental production style; a distinctive sound borne out of inspirations as varied as funk, experimental electronica, disco, “80s stuff” and early house. Monty Luke showcases his freethinking and flamboyant production prowess with a bad ass reworking of ‘Operator’.

2DeepSoul’s A-side, “Home”, is effortlessly melodious – a warm, rich and enticing blend of shuffling rhythms, swirling chords and the kind of blissfully electronic melodies that make you want to dance with your eyes shut. There’s a more organic and quietly soulful feel about Owen Jay and Melchior Sultana’s flipside effort, “Deserted”. Blessed with a delicious double bass line, bespoke keys and a whisper of Motor City techno (in terms of the electronics, at least), it’s a sublime chunk of sensual deepness.

Twenty-five years after the first release, and ten years since the Paradise Original has gone out of print, Expanded Music and Manuel Goettsching have therefore decided to release this unique tune once again. Derrick May remix included.