German artist Martin Matiske’s start in music came at the hands of the legendary DJ Hell, who invited him to his first DJ gigs in 1999 at one of his Gigolo label nights in Munich. His own productions, inspired by early electronic pioneers like Kraftwerk and Jean Michel Jarre, soon followed on International Deejay Gigolo Records, as have many more since on Frustrated Funk, Bordello A Parigi, Moustache Records and Central Processing Unit. ‘Moments’ gets a sublime remix treatment from the prolific and endlessly creative Legowelt.
‘The Eyewitness’ reveals a habitual pattern in the way it symbolizes a mirror reflection of mankind in our most vulnerable moments. The new album of Jeff Mills and it is composed from the perspective of an unknowingly complicit bystander and it is at the very least, psychologically pathological in nature. What this release is essentially proposing is an admission to the diagnosis that no one is immune to shock and trauma. Not the accuser or the accused. And this abnormality s culturally and generally transmittable – handed down and passed over to one another disguised as righteous theatre. As an artist, what Mills is notoriously known for is the perspectives and paths he chooses to approach hefty, complex, and sometimes, awkward subjects. The best way to recognize the narratives of his mostrecent album works such as “The Clairvoyant”, an eerie transcending album that plays through like a Seance for creating a bridge to reach another dimension or “Mind Power Mind Control”, a cautionary warning about the consequences of supporting deceit, mind control and mass mental persuasion is to start by first taking a moment to look at yourself in a mirror. He’s suggesting sound as a reflection and what we might be able to see in ourselves. Proposing that we might be the problem and a solution. In the same vicinity of his recent solo albums, the direction, scope or target of The Eyewitness is first about us, then about it.
The prolific Dutch powerhouse that is Conforce (aka Versalife aka Boris Bunk amongst other things) is in dub techno mode here with this new green-marbled 12″ on Syncrophone. Commuting Pt. 1 opens with the quick-stepping and deep dub techno rhythms of ‘Octave Echoes’ which is delightfully fluid. ‘Stable Velocity’ then bids up impossible smooth dub loops and watery pads into something buoyant and stirring both physically and emotionally, and ‘Self Assessment’ then ups the pace with thudding, infectious kicks and plenty of rippling synth details. ‘Highway Hypnosis’ takes a more paranoid and stripped-back approach and closes out Conforce’s finest EP in some time.
For the fifth release called ”Sai Matika” Rambadu and Claudio PRC immersed themselves into an aquatic landscape and explored its properties. Sai, The natural occurrence of ebb and flow, a sacred dance of the earth and our moon. Matika, alluring hymns and the rhythmical sounds of air rising up from the deep.
The inaugural chapter of a two-part epic. Get ready for an eclectic and unique modern twist fusion of proto- EBM, New Beat, Electro, Rave Breaks and early UK house, weaving together a tapestry of diverse influences. Experience the raw energy pulsating through potent basslines, driving each track forward with unstoppable force. Meanwhile, deep and thought-provoking lyrical voice samples captivate the mind, inviting listeners to ponder existential questions and explore the depths of consciousness and creating innovative soundscapes leaving an indelible mark on the listener’s psyche.
Intergalactic Noize Commander’s electrifying new EP blends elements of electro and electro-funk provoking a psycho dive into a cosmic journey. This sonic adventure unveils simple yet mysterious and dark sounds, transporting listeners to uncharted realms where pulsating rhythms collide with enigmatic melodies. Experience a fusion of retro-futuristic vibes and captivating beats that resonate throughout the cosmos.
This is a truly gem for darkwave collectors. Noah Renolds is the Australian behind Second Sight, a hidden project reminiscent of // Tense // , Valis or Ortrotasce. Pulsating beats, a peculiar use of short samples á la Wax Trax and amazing minimal synth compositions makes the perfect combo.
“These are challenging times in the middle east. As the situation in Gaza gets worst daily, we are committed to doing what we can to end this conflict, and provide aid to the residents of Gaza, as well as all Palestinians in the west bank.
All proceeds from Confused Machines’ digital sales will go directly to Physicians For Human Rights – Israel (PHRI) www.phr.org.il, which continues its medical work and humanitarian aid in the West Bank despite the difficult circumstances.
Since October 2023, PHRI has doubled its activity in the West Bank and is sending two weekly mobile clinic visits to help communities that are cut off from medical treatment due to the severe wave of settler and military violence, movement restrictions, and the financial crisis in the West Bank.
PHRI is currently unable to operate in Gaza due to restrictions by the Israeli authorities, and have been barred from delivering aid to the strip. PHRI is constantly working to resume these activities and will do so as soon as the circumstances allow.
We urge for an immediate ceasefire, the return of all hostages, and a peaceful future for all inhabitants of this troubled land.”
Annechoic, the force of consciousness behind the acclaimed cult label Audiofugitives, steps out of the shadows once again to present her latest sonic endeavour, ‘Eclectic Sugar’. Ana De Giles, whose career has been shrouded in secrecy since the early 2000s, continues to captivate audiences with her eclectic mix of electro, techno and the ethereal sounds of ambient, leaving a trail of enchanted listeners in her wake. “Eclectic Sugar” represents an exciting new chapter in Annechoic’s musical adventure, demonstrating her unparalleled ability to traverse sonic environments with sophistication and refinement, the EP’s emotional depth and strength resonates profoundly.
Vibraphone Records re-issues 49th Floor ”Night Passage” from 1992. First time re-press on original label with original and re-mastered tracks. Warm deep house with jazzy influences all over. Classic record for every house collecter.
Master Man Maschine at Sons Of Traders, also known as The Sympathizer, also known as Hannibal III, TANS presents here another “pushing boundaries” release with a 4 tracks digital EP full of madness.
Naiborg aka Naila Borensztein from Buenos Aires presents the tenth release on Snuff Cuts. Naila has a bachelor in Musical Composition with Electroacoustic Media and was part of a band for many years. Today she is mostly known for producing and performing totally hypnotic and psychedelic acid under the name Naiborg.
Introducing NICE002 “Shoreline Circuitry” EP, the second release from All Nice Records, featuring the Portuguese producer Lake Haze. This EP will take you on a journey through pulsating house tracks, driven by 707 toms and hypnotic acid lines. “Dune District” kicks off with uplifting house vibes, distorted pads, and infectious rhythms. “Voltage Vortex” follows, offering a chill house groove with a heavy Chicago-inspired bassline. On the B-side, “Shoreline Circuitry” delivers rhythmic intensity with 707 toms and obscure acid lines. Closing the EP is “Electribe Echoes,” a mesmerising track showcasing Lake Haze’s sound mastery.
A special HEAT release as it marks the comeback of The Parallax Corporation (I-F & Intergalactic Gary) after a 20 year hiatus(!!), alongside works by Ron Morelli, Robert Bergman and Redray. 4 traks of tried & tested cuts from the infamous real life gatherings assembled to a single disc for maximum impact. Essential gear for those who test the winds. This record is as strong as it is diverse. Ready for each body of water you’re traversing, however deep it may be.
Two years after the release of the Polarius EP Inner Voices Of A Clown, Danny Wolfers returns to Altered Circuits, this time under his best-known alias Legowelt, for Ruins Of Cracktopolis: a collection of “hymns to survive the dystopian circus of today’s techno scene” in the artist’s own words.
The Hipodrome Of Music 